Fiction: Like the Other Prince, Part Two

Cartoon-style illustration of shrubs, roses and grasses growing against a grey stone wall. Scene is overlaid with the mint/light mint/white/light pink/pink stripes of the abro pride flag. The text Marchverse sits across the image in a white, fantasy-style type.

(In Which Harper Is Not Actually Fine)

Be sensible,” Mama says, “or be dead.”

Harper Mitzin Seili is many things: fashionable, witty, queer. Cautious … not so much. Nonetheless, life as a tavern server on the working side of Ihrne’s dividing wall demands preparation and limitation. He obeys the rules that matter. He remembers what Mama sacrificed for his chance to live as a man. Besides: the end-of-war Proclamations, issued in the name of Ihrne’s trans crown prince, promise a new, better world. A world in which safety doesn’t require his rejecting connection, intimacy and that shifting, nebulous thing called “attraction”.

But when the Traditionalists take up violence in protest of noble-issued laws, Harper’s risky ventures and glib tongue don’t just fail to steer him out of trouble: they destroy the life he and Mama spent two years building. He can stay and suffer at the hands of his neighbours … or begin anew in another place, under another name. A place where he must now submit to every restriction Mama, in her fears for him, deems “safe” and “sensible”.

A third way exists for Harper, if only he dares break Mama’s foremost rule … and several of his own.

Hindsight offers only the obvious: a man with too stiff a spine to kneel, too glib a tongue to grovel and too weak an arm to fight has no business making himself available to those wishing harm.

Continue reading “Fiction: Like the Other Prince, Part Two”

Fiction: Like the Other Prince, Part One

Cartoon-style illustration of shrubs, roses and grasses growing against a grey stone wall. Scene is overlaid with the mint/light mint/white/light pink/pink stripes of the abro pride flag. The text Marchverse sits across the image in a white, fantasy-style type.

(In Which Harper Can’t Talk His Way Out of Trouble)

Be sensible,” Mama says, “or be dead.”

Harper Mitzin Seili is many things: fashionable, witty, queer. Cautious … not so much. Nonetheless, life as a tavern server on the working side of Ihrne’s dividing wall demands preparation and limitation. He obeys the rules that matter. He remembers what Mama sacrificed for his chance to live as a man. Besides: the end-of-war Proclamations, issued in the name of Ihrne’s trans crown prince, promise a new, better world. A world in which safety doesn’t require his rejecting connection, intimacy and that shifting, nebulous thing called “attraction”.

But when the Traditionalists take up violence in protest of noble-issued laws, Harper’s risky ventures and glib tongue don’t just fail to steer him out of trouble: they destroy the life he and Mama spent two years building. He can stay and suffer at the hands of his neighbours … or begin anew in another place, under another name. A place where he must now submit to every restriction Mama, in her fears for him, deems “safe” and “sensible”.

A third way exists for Harper, if only he dares break Mama’s foremost rule … and several of his own.

If Mama trusts him to lie about a betrothal to a girl in Astreut, why can’t she also trust him to decide when to risk participating in a world void of safety?

Continue reading “Fiction: Like the Other Prince, Part One”

Pride Patch Tutorial: Aromantic Alphabet, Part Two

Six digitally-created versions of cross stitch pride patches, arranged in two rows of three, against a background of a textured partially-translucent aromantic pride flag. Text between the two rows reads Aro Pride Patches in black type. Patches include a rectangular patch in aroflux zigzag stripes, an idemromantic heart, an aro flag text patch reading "aro", a square in quoiromantic stripes, an arrow design in allo-aro colours and a second arrow in nebularomantic colours.

Are you an aromantic or otherwise queer person wanting letter patches using pride flags with three, four, six or even twelve horizontal stripes? Are you craving patches that read “cupioromantic” or “oriented aroace”? Do you yearn to sew a “fuck the binary” patch in the colours of the non-binary pride flag? I now have frame-patch patterns suitable for three, four and six-stripe flags plus a complete rescaling of my five-stripe lower-case alphabet!

Four cross stitch patches sitting on a blue microfibre blanket. All feature pixel-style letters divided into four or six horizontal stripes, sewn in the colours of various pride flags. The top patch reads "quoi" in the colours of the quoiromantic flag, sewn on a teal background with a blue buttonhole-stitch border. The left-hand patch is sewn on plastic canvas and features a "Q" in rainbow stripes on a black background; it hangs from a silver keychain. The centre patch is an "I" in the colours of the idemromantic flag on a light mint background with an aqua buttonhole stitch border. The right-hand patch is an "a" in the colours of an aromantic-spectrum pride flag on a black background with a black buttonhole stitch border. Both "I" and "a" patches have a frame surrounding the letter in the colours of their respective pride flags; the "Q" keychain doesn't.

These rescaled patterns will let you stitch words and letters in the colours of any horizontal three, four, six and twelve-stripe flag design. Every letter also fits inside the new 10 x 12 block version of my A is for Aro frame pattern, massively expanding the range of identities encompassed by my icon-style letter patches.

You’ll need familiarity with cross stitch (full crosses and fractional stitches) and backstitch to make unedged patches, along with a buttonhole/closed blanket stitch to make the edged patches shown above. The first instalment of this patch tutorial series demonstrates cross and blanket/buttonhole stitch, while the second covers backstitch.

Folks after patterns suitable for five and ten-stripe pride flags should check out my 8 x 10 Aro Alphabet and my 8 x 10 Letter Patch tutorials.

Continue reading “Pride Patch Tutorial: Aromantic Alphabet, Part Two”

Hallo, Aro: Antagonist – K. A. Cook

Banner for Hallo, Aro Allosexual Aro Flash Fiction. Image features dark black handwritten type on a mottled green background. Diagonal rows of arrows with bands, heads and fletching in the colours of the green/light green/white/yellow/gold allo-aro pride flag cross the image above and below the text.

Hallo, Aro is a series of (mostly) flash fiction stories about allosexual aromantic characters navigating friendship, sexual attraction, aromanticism and the weight of amatonormative expectation.

Contains: A trans, heterosexual aro who realises that his story’s self-designated heroes leave him one role to play.

Male. Heterosexual. Aromantic. Evil.

Continue reading “Hallo, Aro: Antagonist – K. A. Cook”

Pride Patch Tutorial: Aro Text, Part Seven

Six digitally-created versions of cross stitch pride patches, arranged in two rows of three, against a background of a textured partially-translucent aromantic pride flag. Text between the two rows reads Aro Pride Patches in black type. Patches include a rectangular patch in aroflux zigzag stripes, an idemromantic heart, an aro flag text patch reading "aro", a square in quoiromantic stripes, an arrow design in allo-aro colours and a second arrow in nebularomantic colours.

Part seven of my text patch miniseries provides patterns for pride flags with, appropriately, seven horizontal stripes! These patterns suit many aro-ace and aro-ace agender flags as well as some aro, allo-aro, ace and a-spec spectrum flags.

Two cross stitch patches sitting on a blue microfibre blanket. Both feature block-style letters divided into seven horizontal stripes, sewn in the colours of various pride flags. The top patch reads "alloaro" in the colours of the green/aqua/magenta/light blue/white/yellow/gold allo-aro spectrum flag, sewn on a lilac background with a lilac buttonhole-stitch border. The bottom patch reads "aro" in the colours of the green/black/grey/white/grey/black/green aro spectrum flag, sewn on a green background with a variegated green buttonhole-stitch border.

You’ll need familiarity with cross stitch (full crosses and fractional stitches) and backstitch to make unedged patches, along with a buttonhole/closed blanket stitch to make the edged patches shown above. My first patch tutorial demonstrates cross and blanket/buttonhole stitch, while the second covers backstitch.

Continue reading “Pride Patch Tutorial: Aro Text, Part Seven”

Patreon Exclusive: Getting to Be

Cartoon-style illustration of shrubs, roses and grasses growing against a grey stone wall. Scene is overlaid with the mint/light mint/white/light pink/pink stripes of the abro pride flag. The text Marchverse sits across the image in a white, fantasy-style type.

Even in Ihrne, young men idle together about the street, but something so ordinary becomes even more complicated when Harper learns why Mama wishes him to befriend anyone but Nevolin ein Yinne.

He’s never understood why people treat attraction as so powerful, constant and all-encompassing that it must be indulged beyond rationality.

Setting: Marchverse, two years before the beginning of the war referenced in Their Courts of Crows. The Different in Other Ways stories introduce a brand-new set of characters and circumstances; readers don’t need any familiarity with my other works.

Getting to Be takes place some days after Men Bound by Blood but, due to change of narrator, can (probably) be read with no prior knowledge of the first three stories. Readers should note, however, that this piece isn’t a stand-alone. In other words: many questions are raised, few are answered.

Content Advisory: References to classism; references to misogyny, cissexism, and heterosexism; casual references to sex and sexual attraction; casual references to romance, kissing and dating; vague/veiled/non-specific references to self-harm; casual references to blood, death, necromancy and decomposition.

Links: Series Master Post | Patreon

Previous: Booksellers Who Know Things | Men Bound by Blood | Jeile

Length: 3, 101 words.

Continue for Story Excerpt

Pride Month Patch Patterns: (Not Aro) Queer Text

Text reading "pride patch patterns" against a grey grid background. The words pride and pattern are written in a black handdrawn/script font and outlined with white. The word patch is drawn pixel-style like a cross stitch pattern and filled in with the green/light green/white/grey/black stripes of the aromantic flag.

I thought I’d continue the Pride Month theme by expanding my library of patterns to encompass non-aromantic identities. Alas, this isn’t a fully-inclusive collection! Many identities require letters not yet designed, as I’ve completed only one of my patch pattern alphabets. While today’s patterns do use some new or modified letters, time constraints meant that I chose identities with simpler-for-me names.

Four cross stitch patches sitting on top of a collection of various flag, arrow and heart pride patches. All feature the word "pride" sewn in the colours of the transgender (navy background with blue/white/pink border), rainbow (white background with white border), allo-aro (purple background with mottled pink/grey/mauve border) and nebularomantic (mint background with darker mint border) pride flags. Each letter is outlined in backstitch and every patch is finished with a buttonhole stitch edging.

Additional queer, polysexual, asexual and bisexual text patch patterns–along with a lower-case alphabet that can be adapted to any horizontal, five-striped pride flag–are available at my patch pattern gallery. Folks wishing “genderfluid” or “omnisexual” patches can use this alphabet to create their own patterns by following my tutorial. I also have several aromantic-spectrum text patterns, many of which can be adapted for asexual spectrum identities.

Folks who need help with materials, stitching, finishing or attaching patches should check out last week’s pride text tutorial and my tutorial master page.

Continue reading “Pride Month Patch Patterns: (Not Aro) Queer Text”

Fiction: Luck of the Ball, Part Three

Banner for Nine Laws: Allosexual Aromantic Fairy Tales. Image features a tree in the foreground, lanterns hanging from its branches, against a background of heavily-overgrown grey stone walls and archways leading into smaller courtyards. Vines and ivy cover the walls, archways and steps; an array of grasses grow around the bases of trees and walls. Text is set in a white, slightly-curving serif type; white curlicues matching the text, set in each corner, form a broken frame around the text.

A coven of gentlewoman witches seems like the perfect place for Luck Vaunted to hide from hir powerful brother, father and husband. Even better, the upcoming Guildmeet ball offers the new Luck the perfect chance to experiment with genderlessness, magic and sex, if only ze can avoid more sorcery-revealing accidents. Sure, the witches welcome hir with open arms, but after hir twin’s betrayal, how can ze risk trusting anyone but hirself?

When hir brother attends the Guildmeet, a lover expects romantic intimacy and a quest of boots threatens to reveal hir deceit, Luck can no longer outrun hir monsters. Hir only chance of escape: the Westhold coven. But how does ze ask, when ze has lied to them, too?

Some fairy-tale families are formed by blood or marriage. Others are formed by aromantic witches defending each other against respectability, amatonormativity … and the sorcerer potentate’s heir.

Luck listed every disreputable possibility, a litany birthed of desire and envy, on a scrap of paper nestled inside hir corset.

Continue reading “Fiction: Luck of the Ball, Part Three”

Pride Patch Patterns: (Remade) Aro Text

Text reading "pride patch patterns" against a grey grid background. The words pride and pattern are written in a black handdrawn/script font and outlined with white. The word patch is drawn pixel-style like a cross stitch pattern and filled in with the green/light green/white/grey/black stripes of the aromantic flag.

In my days of chronic pain and familial interruption, I found patch patterns easiest to create. I started by sharing a handful of new and expanded/variant pattens with my Patreon supporters … and then, on a bit of a Photoshop roll, reworked some of my older patterns with needed letter-shape and template changes.

(I created my original lower-case “aro” pattern before a complete lower-case flag-stripe alphabet with standardised letter width. Inconsistencies between old pattern and new alphabet, though, make it difficult to use said pattern as a base for custom lower-case text. Time for an update!)

Due to pain limitations, I again offer a collection of cross stitch text patterns without stitched examples. Folks wishing to stitch the “abro”, “aro”, “alloaro” and “aroace” patterns can find finished examples on parts one and two of my text patch miniseries, but please expect slight differences from the updated designs.

All previous patterns are available at my new pattern gallery. Folks who need help with materials, stitching, finishing or attaching patches should check out my tutorial master page.

Continue reading “Pride Patch Patterns: (Remade) Aro Text”

How (Not) to Ally: The Good and Bad of Allo-Aro Rep

Handdrawn illustration of a yellow pasture against a background of hills and sporadic trees. Scene is overlaid with the dark green/light green/white/yellow/gold stripes of the allo-aro pride flag. The text Aro Worlds Discussion Post sits across the image in a black, antique handdrawn type, separated by two ornate Victorian-style black dividers.

How (Not) to Ally is a series discussing the supportive content made by well-meaning asexual allies to allo-aros–and why some approaches still fail to recognise, promote, welcome, protect and include us.

It’s now not uncommon to see alloromantic allies asking questions about how best to write (or not write) aro characters. It’s also not uncommon, in response to open questions or in discussing a-spec and/or aro representation, to see not-allosexual aros and alloromantic asexuals reference allo-aros in their answers. Writers should include and depict a diversity of aros in their works, so we do need our asexual kin to remember us!

Unfortunately, most discussions argue that good allo-aro representation encompasses the following:

  • Sex occurring in the context of close, intimate, “serious” relationships or partnerships
  • Emphasis on monogamy or exclusivity
  • Idealised, non-harmful depictions of sexual relationships
  • Emphasis on possession of meaningful, intimate bonds with other people
  • Capacity and desire for friendship and emotional intimacy
  • Emphasis on ability to love and experiencing love for others
  • Focusing on non-sexual thoughts and experiences
  • Avoidance of sexualisation
  • Emphasis on healthiness and “wholeness”

When I look upon such lists, all I know is this: they do not include me.

Continue reading “How (Not) to Ally: The Good and Bad of Allo-Aro Rep”