Love in the House of the Ravens – Part Eight

Cartoon-style illustration of shrubs, roses and grasses growing against a grey stone wall. Scene is overlaid with the dark green/light green/white/yellow/gold stripes of the allo-aro pride flag. The text Marchverse sits across the image in a white, fantasy-style type.

After seven years in Rajad, Darius has fallen out of love with the unattainable and avoided falling in love with the companionate. If he lives at arm’s length from passion, isn’t that better than risking the abuse his fellow mercenaries so eagerly deliver to an autistic who can’t quite fit in? But when the right person suggests a romantic relationship, “yes” still won’t grace his tongue, and Darius hasn’t the least idea why. He likes Harlow. Shouldn’t he want to love her?

The only thing he can do is turn to his old friends and rescuers, the Ravens. They have an answer if he can stumble his way through asking the question … but it may upend every truth Darius thinks he knows about himself.

Content Advisory: Fantasy violence, sexual attraction and sex mentions, along with a discussion of amatonormativity.

Length: 1, 054 words.

Links: Beginning | Previous | Next

Yes, voiced to romance’s expectation, doesn’t feel as dangerous as assenting to Ila’s alternative.

Continue reading “Love in the House of the Ravens – Part Eight”

Love in the House of the Ravens – Part Seven

Cartoon-style illustration of shrubs, roses and grasses growing against a grey stone wall. Scene is overlaid with the dark green/light green/white/yellow/gold stripes of the allo-aro pride flag. The text Marchverse sits across the image in a white, fantasy-style type.

After seven years in Rajad, Darius has fallen out of love with the unattainable and avoided falling in love with the companionate. If he lives at arm’s length from passion, isn’t that better than risking the abuse his fellow mercenaries so eagerly deliver to an autistic who can’t quite fit in? But when the right person suggests a romantic relationship, “yes” still won’t grace his tongue, and Darius hasn’t the least idea why. He likes Harlow. Shouldn’t he want to love her?

The only thing he can do is turn to his old friends and rescuers, the Ravens. They have an answer if he can stumble his way through asking the question … but it may upend every truth Darius thinks he knows about himself.

Content Advisory: Assault mention, discussions of romantic attraction and amatonormativity.

Length: 1, 104 words.

Links: Beginning | Previous | Next

The world doesn’t have common language for what it feels like not to feel.

Continue reading “Love in the House of the Ravens – Part Seven”

Love in the House of the Ravens – Part Six

Cartoon-style illustration of shrubs, roses and grasses growing against a grey stone wall. Scene is overlaid with the dark green/light green/white/yellow/gold stripes of the allo-aro pride flag. The text Marchverse sits across the image in a white, fantasy-style type.

After seven years in Rajad, Darius has fallen out of love with the unattainable and avoided falling in love with the companionate. If he lives at arm’s length from passion, isn’t that better than risking the abuse his fellow mercenaries so eagerly deliver to an autistic who can’t quite fit in? But when the right person suggests a romantic relationship, “yes” still won’t grace his tongue, and Darius hasn’t the least idea why. He likes Harlow. Shouldn’t he want to love her?

The only thing he can do is turn to his old friends and rescuers, the Ravens. They have an answer if he can stumble his way through asking the question … but it may upend every truth Darius thinks he knows about himself.

Content Advisory: Mentions of neuronormative expectations and language, with depictions of some of the casual ways they’re used against autistics and/or the neurodiverse.

Length: 728 words.

Links: Beginning | Previous | Next

Do you feel like you should want her?

Continue reading “Love in the House of the Ravens – Part Six”

Love in the House of the Ravens – Part Five

Cartoon-style illustration of shrubs, roses and grasses growing against a grey stone wall. Scene is overlaid with the dark green/light green/white/yellow/gold stripes of the allo-aro pride flag. The text Marchverse sits across the image in a white, fantasy-style type.

After seven years in Rajad, Darius has fallen out of love with the unattainable and avoided falling in love with the companionate. If he lives at arm’s length from passion, isn’t that better than risking the abuse his fellow mercenaries so eagerly deliver to an autistic who can’t quite fit in? But when the right person suggests a romantic relationship, “yes” still won’t grace his tongue, and Darius hasn’t the least idea why. He likes Harlow. Shouldn’t he want to love her?

The only thing he can do is turn to his old friends and rescuers, the Ravens. They have an answer if he can stumble his way through asking the question … but it may upend every truth Darius thinks he knows about himself.

Content Advisory: Descriptions of wounds and blood, non-explicit sexual experience mentions. This chapter includes discussions of the way sexual experiences are shaped by autism, autistic modes of communication and the infantilising of allosexual autistic adults by allistics (non-autistics).

Length:  884 words.

Links: Beginning | Previous | Next

He ruined everything by freezing: unable to say yes, unable to say no, unable to keep from hurting her in his speechless confusion

Continue reading “Love in the House of the Ravens – Part Five”

Love in the House of the Ravens – Part Four

Cartoon-style illustration of shrubs, roses and grasses growing against a grey stone wall. Scene is overlaid with the dark green/light green/white/yellow/gold stripes of the allo-aro pride flag. The text Marchverse sits across the image in a white, fantasy-style type.

After seven years in Rajad, Darius has fallen out of love with the unattainable and avoided falling in love with the companionate. If he lives at arm’s length from passion, isn’t that better than risking the abuse his fellow mercenaries so eagerly deliver to an autistic who can’t quite fit in? But when the right person suggests a romantic relationship, “yes” still won’t grace his tongue, and Darius hasn’t the least idea why. He likes Harlow. Shouldn’t he want to love her?

The only thing he can do is turn to his old friends and rescuers, the Ravens. They have an answer if he can stumble his way through asking the question … but it may upend every truth Darius thinks he knows about himself.

Content Advisory: Descriptions of wounds and blood, bullying and the ableism targeted at people who can’t conform to neuronormative modes of speech. This chapter begins increasing romance mentions and discussions between alloromantic (Akash) and aromantic (Ila, Darius) characters.

Length: 935 words.

Links: Beginning | Previous | Next

You never give a family heirloom to a romantic partner before you’ve formalised the relationship.

Continue reading “Love in the House of the Ravens – Part Four”

Love in the House of the Ravens – Part Three

Cartoon-style illustration of shrubs, roses and grasses growing against a grey stone wall. Scene is overlaid with the dark green/light green/white/yellow/gold stripes of the allo-aro pride flag. The text Marchverse sits across the image in a white, fantasy-style type.

After seven years in Rajad, Darius has fallen out of love with the unattainable and avoided falling in love with the companionate. If he lives at arm’s length from passion, isn’t that better than risking the abuse his fellow mercenaries so eagerly deliver to an autistic who can’t quite fit in? But when the right person suggests a romantic relationship, “yes” still won’t grace his tongue, and Darius hasn’t the least idea why. He likes Harlow. Shouldn’t he want to love her?

The only thing he can do is turn to his old friends and rescuers, the Ravens. They have an answer if he can stumble his way through asking the question … but it may upend every truth Darius thinks he knows about himself.

Content Advisory: Descriptions of fantasy violence, wounds, bullying, the way neuronormative behaviours can enable bullying, and blood magic.

Length: 1, 089 words.

Links: Beginning | Previous | Next

Maybe he should have left this for another day. Tomorrow, overmorrow, next week. Never.

Continue reading “Love in the House of the Ravens – Part Three”

Love in the House of the Ravens – Part Two

Cartoon-style illustration of shrubs, roses and grasses growing against a grey stone wall. Scene is overlaid with the dark green/light green/white/yellow/gold stripes of the allo-aro pride flag. The text Marchverse sits across the image in a white, fantasy-style type.

After seven years in Rajad, Darius has fallen out of love with the unattainable and avoided falling in love with the companionate. If he lives at arm’s length from passion, isn’t that better than risking the abuse his fellow mercenaries so eagerly deliver to an autistic who can’t quite fit in? But when the right person suggests a romantic relationship, “yes” still won’t grace his tongue, and Darius hasn’t the least idea why. He likes Harlow. Shouldn’t he want to love her?

The only thing he can do is turn to his old friends and rescuers, the Ravens. They have an answer if he can stumble his way through asking the question … but it may upend every truth Darius thinks he knows about himself.

Content Advisory: Descriptions of fantasy violence, wounds and blood magic along with an exceedingly obvious metaphor for real-world capitalism.

Length: 879 words.

Links: Beginning | Next

Akash and Ila feel more like equals despite his awkwardnesses, less frighteningly parental in their provision of explanation

Continue reading “Love in the House of the Ravens – Part Two”

Love in the House of the Ravens – Part One

Cartoon-style illustration of shrubs, roses and grasses growing against a grey stone wall. Scene is overlaid with the dark green/light green/white/yellow/gold stripes of the allo-aro pride flag. The text Marchverse sits across the image in a white, fantasy-style type.

After seven years in Rajad, Darius has fallen out of love with the unattainable and avoided falling in love with the companionate. If he lives at arm’s length from passion, isn’t that better than risking the abuse his fellow mercenaries so eagerly deliver to an autistic who can’t quite fit in? But when the right person suggests a romantic relationship, “yes” still won’t grace his tongue, and Darius hasn’t the least idea why. He likes Harlow. Shouldn’t he want to love her?

The only thing he can do is turn to his old friends and rescuers, the Ravens. They have an answer if he can stumble his way through asking the question … but it may upend every truth Darius thinks he knows about himself.

As it’s Autism Acceptance Month, I’m going to spend April posting installments of a fantasy novelette about the ways autism and ableism can shape, colour and complicate the experience of discovering aromantic identity. Readers should note that this is a sequel to Certain Eldritch Artefacts, but you only need know that the protagonist, an autistic magician, found a talking sword belt and allowed it to convince him into becoming a mercenary.

Content Advisory: Aside from references to various acts of violence and combat common in fantasy, this story includes references to or depictions of bullying, abuse, assault and ableism, as well as the way these things shape and impact the people who survive them. Please expect references to sexual attraction, non-explicit sex mentions, amatonormativity, physical intimacy, kissing and romance. The protagonist also practices blood magic in a way that intentionally echoes self-harm.

Length: 814 words.

Links: Next

I want to ask them about something with … people.

Continue reading “Love in the House of the Ravens – Part One”

Hallo, Aro: Attraction – K. A. Cook

Banner for Hallo, Aro Allosexual Aromantic Flash Fiction. Cover features dark pink handwritten type on a mottled green background with a large line-drawn peacock feather, several sketch-style leaves and swirly text dividers. Green arrows sit underneath each line of text. A translucent overlay of the green/light green/white/yellow/gold alloaro flag sits underneath the text.

Hallo, Aro is a series of flash fiction stories about allosexual aromantic characters navigating friendship, sexual attraction, aromanticism and the weight of amatonormative expectation.

Contains: A sapphic aromantic who fears that her interest in another girl may be best explained by a word she doesn’t wish applied to her–romance. This story follows on from the piece Friendship.

Have you never thought that what you consider romance is … arbitrary? Cultural? And bound to a particular way of thinking and behaving?

Continue reading “Hallo, Aro: Attraction – K. A. Cook”

Hallo, Aro: Lucky – K. A. Cook

Banner for Hallo, Aro Allosexual Aromantic Flash Fiction. Cover features dark pink handwritten type on a mottled green background with a large line-drawn peacock feather, several sketch-style leaves and swirly text dividers. Green arrows sit underneath each line of text. A translucent overlay of the green/light green/white/yellow/gold alloaro flag sits underneath the text.

Hallo, Aro is a series of flash fiction stories about allosexual aromantic characters navigating friendship, sexual attraction, aromanticism and the weight of amatonormative expectation.

Contains: A gay aromantic man dealing with the casual amatonormativity of alloromantics who think they accept his aromanticism.

The same old words, the same tedious amatonormativity.

Continue reading “Hallo, Aro: Lucky – K. A. Cook”