Fiction: Those With More, Part One

Cartoon-style illustration of shrubs, roses and grasses growing against a grey stone wall. Scene is overlaid with the dark green/light green/white/yellow/gold stripes of the allo-aro pride flag. The text Marchverse sits across the image in a white, fantasy-style type.

When Mara Hill’s magic results in her brother’s impossible, wondrous transition, of course Suki wants to know how she did it! What if Sirenne’s magic workers can help others find euphoria? What if this magic can heal Suki’s hands—or at least lessen her pain? But Mara, distrustful of priests after their failure in protecting Esher, won’t share her power.

A senior priest must bear responsibility, but Suki suspects her problems lie deeper than lack of oversight, and her reluctance to discuss her aromanticism with a woman who needs support only proves it. Would she have preserved Mara’s faith and Esher’s health if she hadn’t first avoided revealing herself to her aromantic kin? If she’d faced their expectations that she shoulder their pain and grief as well as her own?

Suki has lived her life by the Sojourner’s second precept, but how does she serve when she doesn’t have more to give—and never will?

Non-romantic love, to Suki, serves a similar role as the Sojourner or any other god: a fine concept in theory, but while she respects others’ need for a guiding framework, she can only nod vaguely at love’s existence.

Continue reading “Fiction: Those With More, Part One”

Fiction: The Sorcerous Compendium of Postmortem Query

Cartoon-style illustration of shrubs, roses and grasses growing against a grey stone wall. Scene is overlaid with the dark green/light green/white/yellow/gold stripes of the allo-aro pride flag. The text Marchverse sits across the image in a white, fantasy-style type.

Necromancer Mara Hill has waited weeks for the Thinning: the one night the dead walk freely amongst the living. Her wandering great-aunt, Rosie, was wise in the way of magic and the world, and Mara knows of none other to ask. Books and magic alike haven’t restored her fading love, and Benjamin Lisabet is too wonderful to risk losing. Why can’t Mara keep herself from falling out of love whenever the girl she yearns for dares love her back?

She’s sure that Aunt Rosie’s spirit will offer up needed advice. She just doesn’t expect a deluge of deceased villagers set on unravelling everything Mara knows about what it means to love and be in love.

In a small village where everyone thinks they know everyone else, conversations become dangerous.

Continue reading “Fiction: The Sorcerous Compendium of Postmortem Query”

Hallo, Aro: Abrasive – K. A. Cook

Banner for Hallo, Aro Allosexual Aro Flash Fiction. Image features dark black handwritten type on a mottled green background. Diagonal rows of arrows with bands, heads and fletching in the colours of the green/light green/white/yellow/gold allo-aro pride flag cross the image above and below the text.

Hallo, Aro is a series of flash fiction stories about allosexual aromantic characters navigating friendship, sexual attraction, aromanticism and the weight of amatonormative expectation.

Spending Midsummer night with a pretty man shouldn’t be a problem for Suki … except for everybody else’s romantic expectations.

Their self-righteous want makes terrible cruelty of her, but what other weapon has she?

Continue reading “Hallo, Aro: Abrasive – K. A. Cook”

Fiction: The Mundane Progression of Premortem Colloquy, Part Two

Cartoon-style illustration of shrubs, roses and grasses growing against a grey stone wall. Scene is overlaid with the dark green/light green/white/yellow/gold stripes of the allo-aro pride flag. The text Marchverse sits across the image in a white, fantasy-style type.

After a night of revelations to her dead aunt Rosie and her living brother Esher, Mara Hill must dare another with Benjamin Lisbet. If she’s truly the woman Mara hopes, surely Benjamin will be receptive to a conversation of the “I love you and want to be with you, just not romantically” sort? Surely this afternoon won’t stray beyond Mara’s preparations of a picnic basket, chives, rehearsed speeches and less-rumpled clothing?

Yet her months of searching for magic to refresh her fading love means there’s too much she doesn’t know about Benjamin. Too much Mara needs to know to hold this conversation without losing Benjamin’s friendship.

Mara thought speaking of her fading love under cover of dark difficult enough … but speaking of romance in daylight is another challenge entirely.

Does the world understand what upon it sets so great a value? 

Continue reading “Fiction: The Mundane Progression of Premortem Colloquy, Part Two”

Fiction: The Mundane Progression of Premortem Colloquy, Part One

Cartoon-style illustration of shrubs, roses and grasses growing against a grey stone wall. Scene is overlaid with the dark green/light green/white/yellow/gold stripes of the allo-aro pride flag. The text Marchverse sits across the image in a white, fantasy-style type.

After a night of revelations to her dead aunt Rosie and her living brother Esher, Mara Hill must dare another with Benjamin Lisbet. If she’s truly the woman Mara hopes, surely Benjamin will be receptive to a conversation of the “I love you and want to be with you, just not romantically” sort? Surely this afternoon won’t stray beyond Mara’s preparations of a picnic basket, chives, rehearsed speeches and less-rumpled clothing?

Yet her months of searching for magic to refresh her fading love means there’s too much she doesn’t know about Benjamin. Too much Mara needs to know to hold this conversation without losing Benjamin’s friendship.

Mara thought speaking of her fading love under cover of dark difficult enough … but speaking of romance in daylight is another challenge entirely.

In so long fearing her inability to stay in love, she has donned fear’s cloaking veil of abstraction and self-obsession. 

Continue reading “Fiction: The Mundane Progression of Premortem Colloquy, Part One”

Fiction: What Makes Us Human, Part Two

Cartoon-style illustration of shrubs, roses and grasses growing against a grey stone wall. Scene is overlaid with the dark green/light green/white/grey/black stripes of the aro pride flag. The text Marchverse sits across the image in a white, fantasy-style type.

Moll of Sirenne needs prompts in their girdle book to navigate casual conversations, struggles to master facial expressions and feels safest weeding the monastery’s vegetable gardens. Following their call to service, however, means offering wanderers in need a priest’s support and guidance. A life free of social expectation to court, wed and befriend does outweigh their fear of causing harm—until forgetting the date of a holiday provokes a guest’s ire and three cutting words: lifeless and loveless.

A priest must expand a guest’s sense of human worth, but what do they do when their own comes under question? Can an autistic, aromantic priest ever expect to serve outside the garden? And what day is it…?

Will you ignore their need of someone their own to reassure them that they are so wonderfully and deservedly human?

Continue reading “Fiction: What Makes Us Human, Part Two”

Fiction: What Makes Us Human, Part One

Cartoon-style illustration of shrubs, roses and grasses growing against a grey stone wall. Scene is overlaid with the dark green/light green/white/grey/black stripes of the aro pride flag. The text Marchverse sits across the image in a white, fantasy-style type.

Moll of Sirenne needs prompts in their girdle book to navigate casual conversations, struggles to master facial expressions and feels safest weeding the monastery’s vegetable gardens. Following their call to service, however, means offering wanderers in need a priest’s support and guidance. A life free of social expectation to court, wed and befriend does outweigh their fear of causing harm—until forgetting the date of a holiday provokes a guest’s ire and three cutting words: lifeless and loveless.

A priest must expand a guest’s sense of human worth, but what do they do when their own comes under question? Can an autistic, aromantic priest ever expect to serve outside the garden? And what day is it…?

You think love is what makes us human, if you must choose one quality?

Continue reading “Fiction: What Makes Us Human, Part One”

Fiction: The Pride Conspiracy, Part Two

Banner for Rowan Ross's Guide to Aromanticism. Image features dark black handwritten type on a mottled green background. Diagonal rows of arrows with bands, heads and fletching in the colours of the green/light green/white/grey/black aromantic pride flag cross the image above and below the text.

December isn’t the best time of year for a trans aromantic like Rowan Ross, although—unlike his relatives—his co-workers probably won’t give him gift cards to women’s clothing shops. How does he explain to cis people that while golf balls don’t trigger his dysphoria, he wants to be seen as more than a masculine stereotype? Nonetheless, he thinks he has this teeth-gritted endurance thing figured out: cissexism means he needn’t fear his relatives asking him about dating, and he has the perfect idea for Melanie in the office gift exchange. He can survive gifts and kin, right? Isn’t playing along with expectation better than enduring unexpected consequences?

Rowan, however, isn’t the only aromantic in the office planning to surprise a co-worker. To survive the onslaught of ribbon and cellophane, Rowan’s going to have to get comfortable with embracing the unknown.

I’ll have a pride coat! And nobody will have the least idea what it means!

Continue reading “Fiction: The Pride Conspiracy, Part Two”

When Quiver Meets Quill: Collected Aromantic Fiction

Banner for When Quiver Meets Quill. Image features dark black handwritten type on a mottled green background. Diagonal rows of arrows with bands, heads and fletching in the colours of the green/light green/white/grey/black aromantic pride flag cross the image above and below the text.
Cover image for When Quiver Meets Quill: Collected Aromantic Fiction by K. A. Cook. Cover features black handwritten type on a mottled mustard background. Cartoon images of arrows--in four different styles--sit in diagonal rows across the cover, the fletching and shafts coloured in the stripes of the green/light green/white/grey/black aromantic pride flag.

Jessie’s casing an art gallery affords an opportunity to discuss a queerplatonic relationship. The phrase “I don’t love” encompasses more than a prince’s lack of romantic attraction. A gay aromantic makes a game of his alloromantic co-workers’ inability to accept him. Alida finds an accomplice in petty revenge after hir friend sets hir up on a date. An aro-ace wanderer invents their own fairy tales free of weddings as a happily ever after. And a demiromantic witch learns about aromanticism from her allo-aro cousin after an escapade with an unwanted romantic admirer.

When Quiver Meets Quill collects fourteen fantasy and contemporary aromantic stories about amatonormativity, friendship and connection.

Contains: Asexual aros; allosexual aros; aros without reference to sexual attraction identities; transgender and non-binary aros; queer aros; autistic aros; neurodiverse aros; and a genderless aro dragon.

Links: PDF (read in browser) | Patreon

PDF, EPUB and MOBI editions are available for download from Patreon.

Length: 45, 000 words / 148 PDF pages.

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Fiction Collection: Aromantic and Transgender

Handdrawn illustration of a green meadow foreground with green and yellow pine trees growing against a mint-hued sky. Scene is overlaid with the dark green/light green/white/grey/black stripes of the aromantic pride flag. The text Aro Worlds Fiction sits across the image in a black, antique handdrawn type, separated by two ornate Victorian-style black dividers.

This is a separate list of all my works featuring autistic and transgender/non-binary protagonists. My other aromantic works can be found on my fiction page.

It’s also worth noting that my protagonists are like to be various combinations of autistic, queer, multisexual and disabled. Not all of these stories focus on aromanticism or gender, but they all feature a non-cis, non-alloromantic narrator.

The Girl and Her Unicorn

The Girl and Her Unicorn: a Nine Laws Short Story cover by K. A. Cook. Cover features scenery of a dense forest of green and gold leafed trees surrounding a pond. A white unicorn stands on the edge of the pond, its hooves surrounded by mist. Faint rays of light shine down from a night sky onto the pond. Text is set in a white, slightly-curving serif type; white curlicues matching the text, set in each corner, form a broken frame around the text.

Ponder Sheafed can’t stop asking questions. Ze isn’t the girl others presume hir to be. Ze won’t become a wife or let a wedding’s absence stopper hir lust. Ze isn’t good, so maintaining hir kinsfolk’s high regard demands a complicated dance of stealth, secrecy and untruth. Ponder does, however, own some ability in deception … so when tragedy befalls hir family, how does ze explain that–despite all appearance to the contrary–ze can’t trade hir life’s service for a unicorn’s magic?

Only virtuous maidens may enter the forest to seek a creature as pure as a unicorn. Returning home empty-handed avoids provoking Father’s rage by confessing unacceptable truths, so what options has ze other than embarking upon a farcical quest for hir family’s salvation … and dreading the failure to come? No unicorn can ever grace an unrepentant liar!

Ponder isn’t good. But neither, ze discovers, is the unicorn.

Contains: A genderless, non-partnering allo-aro who speaks lies to live hir truth in a village that prizes a girl’s goodness above all else … and a unicorn whose duty to humans has been wildly misrepresented.

More info: Protagonist feels strongly connected to hir family and friends, but does not label this feeling as love.

Continue reading “Fiction Collection: Aromantic and Transgender”