Pride Patch Patterns: Inset Rhombus

Six digitally-created versions of cross stitch pride patches, arranged in two rows of three, against a background of a textured partially-translucent aromantic pride flag. Text between the two rows reads Aro Pride Patches in black type. Patches include a rectangular patch in aroflux zigzag stripes, an idemromantic heart, an aro flag text patch reading "aro", a square in quoiromantic stripes, an arrow design in allo-aro colours and a second arrow in nebularomantic colours.

This patch isn’t new: folks who have read my second tutorial post may remember my using a patch with this design to demonstrate sewing a patch onto a bag. A year has passed since … one in which I kept forgetting to make a pattern.

I shouldn’t have, for this design does something new: combining two pride flags in one patch. As long as both flags have five horizontal stripes and share a same-coloured third/centre stripe, you can set a rhombus in the stripes of one flag against a background in the stripes of another. This small pattern is also easy to stitch up: no quarter stitches, lettering or zigzagging!

A square cross stich patch sitting on a blue microfibre blanket. The patch depicts the aro pride flag (green/light green/white/grey/black horizontal stripes) with a centre rhombus depicting the greysexual pride flag (purple/grey/white/grey/purple horizontal stripes) set so that both flags share the middle white stripe. The patch is edged with a thick buttonhole stitch in dark green.

You’ll need familiarity with cross stitch (full crosses) to make raw-edged patches, along with a buttonhole/closed blanket stitch (or a neat over stitch) to make the closed-edged patch above. The first instalment of my patch tutorial series demonstrates cross and blanket/buttonhole stitch; it should be read by beginners as an introduction to materials and processes.

Continue reading “Pride Patch Patterns: Inset Rhombus”

Fiction: Love Spells, Rainbows and Rosie

Cartoon-style illustration of shrubs, roses and grasses growing against a grey stone wall. Scene is overlaid with the dark green/light green/white/yellow/gold stripes of the allo-aro pride flag. The text Marchverse sits across the image in a white, fantasy-style type.

Lovers’ Day is good trading for a witch who deals in enchantments, ribbons and dyed flowers. For Mara Hill, it’s long been a holiday of tedious assumptions and painful conversations—once best handled by casting petty curses on annoying customers. This year, when a girl asks about love spells, it may be time to instead channel a little Aunt Rosie.

It’s a terrific exercise in redundancy, but some people find the words “no love spells” to be a bewildering subtlety.

Continue reading “Fiction: Love Spells, Rainbows and Rosie”

Fiction: The Sorcerous Compendium of Postmortem Query

Cartoon-style illustration of shrubs, roses and grasses growing against a grey stone wall. Scene is overlaid with the dark green/light green/white/yellow/gold stripes of the allo-aro pride flag. The text Marchverse sits across the image in a white, fantasy-style type.

Necromancer Mara Hill has waited weeks for the Thinning: the one night the dead walk freely amongst the living. Her wandering great-aunt, Rosie, was wise in the way of magic and the world, and Mara knows of none other to ask. Books and magic alike haven’t restored her fading love, and Benjamin Lisabet is too wonderful to risk losing. Why can’t Mara keep herself from falling out of love whenever the girl she yearns for dares love her back?

She’s sure that Aunt Rosie’s spirit will offer up needed advice. She just doesn’t expect a deluge of deceased villagers set on unravelling everything Mara knows about what it means to love and be in love.

In a small village where everyone thinks they know everyone else, conversations become dangerous.

Continue reading “Fiction: The Sorcerous Compendium of Postmortem Query”

Fiction: The Mundane Progression of Premortem Colloquy, Part Two

Cartoon-style illustration of shrubs, roses and grasses growing against a grey stone wall. Scene is overlaid with the dark green/light green/white/yellow/gold stripes of the allo-aro pride flag. The text Marchverse sits across the image in a white, fantasy-style type.

After a night of revelations to her dead aunt Rosie and her living brother Esher, Mara Hill must dare another with Benjamin Lisbet. If she’s truly the woman Mara hopes, surely Benjamin will be receptive to a conversation of the “I love you and want to be with you, just not romantically” sort? Surely this afternoon won’t stray beyond Mara’s preparations of a picnic basket, chives, rehearsed speeches and less-rumpled clothing?

Yet her months of searching for magic to refresh her fading love means there’s too much she doesn’t know about Benjamin. Too much Mara needs to know to hold this conversation without losing Benjamin’s friendship.

Mara thought speaking of her fading love under cover of dark difficult enough … but speaking of romance in daylight is another challenge entirely.

Does the world understand what upon it sets so great a value? 

Continue reading “Fiction: The Mundane Progression of Premortem Colloquy, Part Two”

Fiction: The Mundane Progression of Premortem Colloquy, Part One

Cartoon-style illustration of shrubs, roses and grasses growing against a grey stone wall. Scene is overlaid with the dark green/light green/white/yellow/gold stripes of the allo-aro pride flag. The text Marchverse sits across the image in a white, fantasy-style type.

After a night of revelations to her dead aunt Rosie and her living brother Esher, Mara Hill must dare another with Benjamin Lisbet. If she’s truly the woman Mara hopes, surely Benjamin will be receptive to a conversation of the “I love you and want to be with you, just not romantically” sort? Surely this afternoon won’t stray beyond Mara’s preparations of a picnic basket, chives, rehearsed speeches and less-rumpled clothing?

Yet her months of searching for magic to refresh her fading love means there’s too much she doesn’t know about Benjamin. Too much Mara needs to know to hold this conversation without losing Benjamin’s friendship.

Mara thought speaking of her fading love under cover of dark difficult enough … but speaking of romance in daylight is another challenge entirely.

In so long fearing her inability to stay in love, she has donned fear’s cloaking veil of abstraction and self-obsession. 

Continue reading “Fiction: The Mundane Progression of Premortem Colloquy, Part One”

When Quiver Meets Quill: Collected Aromantic Fiction

Banner image for When Quiver Meets Quill. Banner features black handwritten type on a mottled green background with two green feathers and a black pencil. A translucent overlay of the dark green/light green/white/grey/black aromantic flag sits underneath the text. Text, feather and pencil images are boldly outlined in various shades of green and white.

Cover image for When Quiver Meets Quill: Collected Aromantic Fiction by K. A. Cook. Cover depicts a frame border in the stripes of the aromantic pride flag against a mottled green background, title text arranged around images of pencils and feathers. Text is in black handdrawn type outlined in different shades of greens, greys and whites.Jessie’s casing an art gallery affords an opportunity to discuss a queerplatonic relationship. The phrase “I don’t love” encompasses more than a prince’s lack of romantic attraction. A gay aromantic makes a game of his alloromantic co-workers’ inability to accept him. Alida finds an accomplice in petty revenge after hir friend sets hir up on a date. An aro-ace wanderer invents their own fairy tales free of weddings as a happily ever after. And a demiromantic witch learns about aromanticism from her allo-aro cousin after an escapade with an unwanted romantic admirer.

When Quiver Meets Quill collects fourteen fantasy and contemporary aromantic stories about amatonormativity, friendship and connection.

Contains: Asexual aros; allosexual aros; aros without reference to sexual attraction identities; transgender and non-binary aros; queer aros; autistic aros; neurodiverse aros; and a genderless aro dragon.

Links: PDF (read in browser) | Patreon

PDF, EPUB and MOBI editions are available for download from Patreon.

Length: 45, 000 words / 149 PDF pages.

Continue reading “When Quiver Meets Quill: Collected Aromantic Fiction”

Fiction Collection: Aromantic and Autistic

Handdrawn illustration of a green meadow foreground with green and yellow pine trees growing against a mint-hued sky. Scene is overlaid with the aqua/yellow/red stripes of the autistic aromantic pride flag. The text Aro Worlds Fiction sits across the image in a black, antique handdrawn type, separated by two ornate Victorian-style black dividers.

This is a separate list of all my works featuring autistic and aromantic protagonists. My other aromantic works can be found on my fiction page.

It’s also worth noting that my protagonists are like to be various combinations of trans, non-binary, multisexual and otherwise-disabled.

Some of these stories do not focus on the aromantic, and one story, Certain Eldritch Artefacts, is more an example of an aromantic not yet knowing it than an aromantic narrative. (Do the alloromantic usually build a successful romantic relationship with an inappropriate crush by first spending a year travelling around another continent?) The sequel, Love in the House of the Ravens, depicts the beginning of Darius’s finding this out…

What if it Isn’t

Cover for "What If It Isn't" by K. A. Cook. Cover shows a colourful pastel fractal/dripping-glass style background, predominantly peach-orange and light blue. The title text, in black serif and antique handdrawn-style type, is framed by three black curlicues. A fourth curlicue borders the author credit at the bottom of the cover and a fifth forms a frame at the top.

What if her love is a dull, flickering, rare thing, so insubstantial it makes better sense to disregard it as meaningful? What if her love is quiet and companionate at best while Keiko loves with fairytale passion, a woman who wants and needs to be wanted?

Pretending to be girlfriends while casing an art gallery with Keiko shouldn’t be a problem, but once Jessie realises things have gotten a little too real in the façade they’re showing to the world, the only thing to do is ask.

Contains: A stand-alone, fluffy, contemporary short story about a greyromantic autistic and the beginnings of a QPR.

Links: PDF (read in browser) | Patreon | WordPress | Tumblr

PDF, EPUB and MOBI editions are available for download from Patreon.

Length: 2, 097 words / 6 PDF pages.

Continue reading “Fiction Collection: Aromantic and Autistic”

Love in the House of the Ravens – Part Eleven

Cartoon-style illustration of shrubs, roses and grasses growing against a grey stone wall. Scene is overlaid with the dark green/light green/white/yellow/gold stripes of the allo-aro pride flag. The text Marchverse sits across the image in a white, fantasy-style type.

After seven years in Rajad, Darius has fallen out of love with the unattainable and avoided falling in love with the companionate. If he lives at arm’s length from passion, isn’t that better than risking the abuse his fellow mercenaries so eagerly deliver to an autistic who can’t quite fit in? But when the right person suggests a romantic relationship, “yes” still won’t grace his tongue, and Darius hasn’t the least idea why. He likes Harlow. Shouldn’t he want to love her?

The only thing he can do is turn to his old friends and rescuers, the Ravens. They have an answer if he can stumble his way through asking the question … but it may upend every truth Darius thinks he knows about himself.

Content Advisory: Mentions of ableism/abuse, assault, fantasy violence and wounds, along with an agender, aromantic person of colour being referred to as an insect, and a brief discussion of the ways amatonormativity impacts aromantics in relationships with alloromantics. References to kissing and physical intimacy.

Length: 1, 113 words.

Links: Beginning | Previous

The world makes romance more important than anything, or anyone, else.

Continue reading “Love in the House of the Ravens – Part Eleven”

Love in the House of the Ravens – Part Ten

Cartoon-style illustration of shrubs, roses and grasses growing against a grey stone wall. Scene is overlaid with the dark green/light green/white/yellow/gold stripes of the allo-aro pride flag. The text Marchverse sits across the image in a white, fantasy-style type.

After seven years in Rajad, Darius has fallen out of love with the unattainable and avoided falling in love with the companionate. If he lives at arm’s length from passion, isn’t that better than risking the abuse his fellow mercenaries so eagerly deliver to an autistic who can’t quite fit in? But when the right person suggests a romantic relationship, “yes” still won’t grace his tongue, and Darius hasn’t the least idea why. He likes Harlow. Shouldn’t he want to love her?

The only thing he can do is turn to his old friends and rescuers, the Ravens. They have an answer if he can stumble his way through asking the question … but it may upend every truth Darius thinks he knows about himself.

Content Advisory: Discussion of the intersectionality between autistic-targeted ableism and amatonormativity and the ways said ableism make more difficult an acceptance of aromantic identity. This section includes ableism/abuse, assault and self-harm and/or wound mentions.

Length: 863 words.

Links: Beginning | Previous | Next

A word isn’t a gift if you can’t discard it. Keep it, or not, as you want.

Continue reading “Love in the House of the Ravens – Part Ten”

Love in the House of the Ravens – Part Nine

Cartoon-style illustration of shrubs, roses and grasses growing against a grey stone wall. Scene is overlaid with the dark green/light green/white/yellow/gold stripes of the allo-aro pride flag. The text Marchverse sits across the image in a white, fantasy-style type.

After seven years in Rajad, Darius has fallen out of love with the unattainable and avoided falling in love with the companionate. If he lives at arm’s length from passion, isn’t that better than risking the abuse his fellow mercenaries so eagerly deliver to an autistic who can’t quite fit in? But when the right person suggests a romantic relationship, “yes” still won’t grace his tongue, and Darius hasn’t the least idea why. He likes Harlow. Shouldn’t he want to love her?

The only thing he can do is turn to his old friends and rescuers, the Ravens. They have an answer if he can stumble his way through asking the question … but it may upend every truth Darius thinks he knows about himself.

Content Advisory: Discussion of the intersectionality between autistic-targeted ableism and amatonormativity and the ways said ableism make more difficult an acceptance of aromantic identity.

Length: 998 words.

Links: Beginning | Previous | Next

Does an inability to conform again need labelling when he owns one dangerous word, one whose roots entangle everything Darius was, is and will be?

Continue reading “Love in the House of the Ravens – Part Nine”