Pride Patch Tutorial: Aromantic Alphabet, Part Three

Six digitally-created versions of cross stitch pride patches, arranged in two rows of three, against a background of a textured partially-translucent aromantic pride flag. Text between the two rows reads Aro Pride Patches in black type. Patches include a rectangular patch in aroflux zigzag stripes, an idemromantic heart, an aro flag text patch reading "aro", a square in quoiromantic stripes, an arrow design in allo-aro colours and a second arrow in nebularomantic colours.

Are you an aromantic or otherwise queer person wanting more text patch designs for five or ten-stripe pride flags? Do you crave patches depicting longer words like “aromantic asexual”? I now have a complete alphabet, with narrow letters ideal for stitching non-abbreviated terms, to accompany my many five-stripe block text patterns. Plus patterns for the words “aromantic”, “allosexual”, “asexual”, “non sam aro” and “arospec” … and adaptations for my 8 x 10 block A is for Aro letter frame designs!

Seven cross stitch text patches sitting on a blue microfibre blanket. From top to bottom: "aroace" in angled aro-ace colours on an olive background; "aro" in aromantic colours on a pink background; "aromantic" in aromantic colours on a yellow background; "pride" in allo-aro colours on a purple-grey background; "allosexual" in allo-aro colours on a pink background; "pride" in apothiromantic colours on a gold-tan background; and "flux" in aroflux colours on a light purple background. All letters are capitals in a blockish style of text with rounded corners. Each letter is outlined in backstitch. Every patch is finished with a buttonhole stitch edging in colours similar to (lighter or darker than) their background colour.

You’ll need familiarity with cross stitch (full crosses and fractional stitches) and backstitch to make unedged patches, along with buttonhole stitch to make the edged patches shown above. The first instalment of this patch tutorial series demonstrates cross and blanket/buttonhole stitch, while the second covers backstitch. While these patterns use fractional stitches to round off most letters, they can be omitted for a more pixellated look.

Folks after patterns suitable for three, four, six and twelve-stripe pride flags should check out my 10 x 12 Aro Alphabet and Letter Patch tutorials.

Continue reading “Pride Patch Tutorial: Aromantic Alphabet, Part Three”

Fiction: Before Crows’ Eyes

Banner for Nine Laws: Aromantic Asexual Fairy Tales. Image features a tree in the foreground, lanterns hanging from its branches, against a background of heavily-overgrown grey stone walls and archways leading into smaller courtyards. Vines and ivy cover the walls, archways and steps; an array of grasses grow around the bases of trees and walls. Text is set in a white, slightly-curving serif type; white curlicues matching the text, set in each corner, form a broken frame around the text.

Even knows himself: son, baker, non-partnering. He doesn’t want to want sex, marriage or children; he wants the village’s acceptance of a life best lived crafting seed buns and fruit pies. He doesn’t want the local flock of crows as his only companions; he wants human friendships free of pressure and expectation. Most of all, he wants Ma to let go of the idea that a sorcerer’s magic can and must “fix” him.

Desperation leads Even into the forest to seek the only person who can advise him on resisting a sorcerer: the witch Miser Felled, “skilled purveyor of magic and pleasure”. A master of scandal-provoking arts never undertaken before open windows and watching birds. A mysterious figure who has more in common with Even than just an affinity for crows … and offers a more extraordinary solution than he ever thought possible.

Why weep for something no more rightly part of him than garlic in a recipe for apple pie?

Continue reading “Fiction: Before Crows’ Eyes”

Hallo, Aro: Hunter – K. A. Cook

Banner for Hallo, Aro Allosexual Aro Flash Fiction. Image features dark black handwritten type on a mottled green background. Diagonal rows of arrows with bands, heads and fletching in the colours of the green/light green/white/yellow/gold allo-aro pride flag cross the image above and below the text.

Hallo, Aro is a series of flash fiction stories about allosexual aromantic characters navigating friendship, sexual attraction, aromanticism and the weight of amatonormative expectation.

Contains: A cis, pansexual, quoiromantic, polyamorous protagonist who knows what she wants … and hunts the Ring’s witches to gain it.

Only then did Prue know herself as destined to wither inside stone and melt beneath glass, and few appreciate rebellion more than a witch.

Continue reading “Hallo, Aro: Hunter – K. A. Cook”

Hallo, Aro: Witch – K. A. Cook

Banner for Hallo, Aro Allosexual Aro Flash Fiction. Image features dark black handwritten type on a mottled green background. Diagonal rows of arrows with bands, heads and fletching in the colours of the green/light green/white/yellow/gold allo-aro pride flag cross the image above and below the text.

Hallo, Aro is a series of flash fiction stories about allosexual aromantic characters navigating friendship, sexual attraction, aromanticism and the weight of amatonormative expectation.

Contains: An allo-aro who discovers a magical shortcut on the road to freedom from their village’s traditions of sex negativity and amatonormativity.

To speak truth to a witch is to court danger, but honesty offers less grievous a hazard than falsehood.

Continue reading “Hallo, Aro: Witch – K. A. Cook”

Fiction: Like the Other Prince, Part Three

Cartoon-style illustration of shrubs, roses and grasses growing against a grey stone wall. Scene is overlaid with the mint/light mint/white/light pink/pink stripes of the abro pride flag. The text Marchverse sits across the image in a white, fantasy-style type.

(In Which Harper Can’t Avoid Nevo’s Questions)

Be sensible,” Mama says, “or be dead.”

Harper Mitzin Seili is many things: fashionable, witty, queer. Cautious … not so much. Nonetheless, life as a tavern server on the working side of Ihrne’s dividing wall demands preparation and limitation. He obeys the rules that matter. He remembers what Mama sacrificed for his chance to live as a man. Besides: the end-of-war Proclamations, issued in the name of Ihrne’s trans crown prince, promise a new, better world. A world in which safety doesn’t require his rejecting connection, intimacy and that shifting, nebulous thing called “attraction”.

But when the Traditionalists take up violence in protest of noble-issued laws, Harper’s risky ventures and glib tongue don’t just fail to steer him out of trouble: they destroy the life he and Mama spent two years building. He can stay and suffer at the hands of his neighbours … or begin anew in another place, under another name. A place where he must now submit to every restriction Mama, in her fears for him, deems “safe” and “sensible”.

A third way exists for Harper, if only he dares break Mama’s foremost rule … and several of his own.

Why must he exchange one set of expectations for another? Why can’t he pick what suits him from a wealth of possibilities and craft a masculinity that’s uniquely Harper?

Continue reading “Fiction: Like the Other Prince, Part Three”

Fiction: Like the Other Prince, Part Two

Cartoon-style illustration of shrubs, roses and grasses growing against a grey stone wall. Scene is overlaid with the mint/light mint/white/light pink/pink stripes of the abro pride flag. The text Marchverse sits across the image in a white, fantasy-style type.

(In Which Harper Is Not Actually Fine)

Be sensible,” Mama says, “or be dead.”

Harper Mitzin Seili is many things: fashionable, witty, queer. Cautious … not so much. Nonetheless, life as a tavern server on the working side of Ihrne’s dividing wall demands preparation and limitation. He obeys the rules that matter. He remembers what Mama sacrificed for his chance to live as a man. Besides: the end-of-war Proclamations, issued in the name of Ihrne’s trans crown prince, promise a new, better world. A world in which safety doesn’t require his rejecting connection, intimacy and that shifting, nebulous thing called “attraction”.

But when the Traditionalists take up violence in protest of noble-issued laws, Harper’s risky ventures and glib tongue don’t just fail to steer him out of trouble: they destroy the life he and Mama spent two years building. He can stay and suffer at the hands of his neighbours … or begin anew in another place, under another name. A place where he must now submit to every restriction Mama, in her fears for him, deems “safe” and “sensible”.

A third way exists for Harper, if only he dares break Mama’s foremost rule … and several of his own.

Hindsight offers only the obvious: a man with too stiff a spine to kneel, too glib a tongue to grovel and too weak an arm to fight has no business making himself available to those wishing harm.

Continue reading “Fiction: Like the Other Prince, Part Two”

Fiction: Like the Other Prince, Part One

Cartoon-style illustration of shrubs, roses and grasses growing against a grey stone wall. Scene is overlaid with the mint/light mint/white/light pink/pink stripes of the abro pride flag. The text Marchverse sits across the image in a white, fantasy-style type.

(In Which Harper Can’t Talk His Way Out of Trouble)

Be sensible,” Mama says, “or be dead.”

Harper Mitzin Seili is many things: fashionable, witty, queer. Cautious … not so much. Nonetheless, life as a tavern server on the working side of Ihrne’s dividing wall demands preparation and limitation. He obeys the rules that matter. He remembers what Mama sacrificed for his chance to live as a man. Besides: the end-of-war Proclamations, issued in the name of Ihrne’s trans crown prince, promise a new, better world. A world in which safety doesn’t require his rejecting connection, intimacy and that shifting, nebulous thing called “attraction”.

But when the Traditionalists take up violence in protest of noble-issued laws, Harper’s risky ventures and glib tongue don’t just fail to steer him out of trouble: they destroy the life he and Mama spent two years building. He can stay and suffer at the hands of his neighbours … or begin anew in another place, under another name. A place where he must now submit to every restriction Mama, in her fears for him, deems “safe” and “sensible”.

A third way exists for Harper, if only he dares break Mama’s foremost rule … and several of his own.

If Mama trusts him to lie about a betrothal to a girl in Astreut, why can’t she also trust him to decide when to risk participating in a world void of safety?

Continue reading “Fiction: Like the Other Prince, Part One”

Pride Patch Tutorial: Aromantic Alphabet, Part Two

Six digitally-created versions of cross stitch pride patches, arranged in two rows of three, against a background of a textured partially-translucent aromantic pride flag. Text between the two rows reads Aro Pride Patches in black type. Patches include a rectangular patch in aroflux zigzag stripes, an idemromantic heart, an aro flag text patch reading "aro", a square in quoiromantic stripes, an arrow design in allo-aro colours and a second arrow in nebularomantic colours.

Are you an aromantic or otherwise queer person wanting letter patches using pride flags with three, four, six or even twelve horizontal stripes? Are you craving patches that read “cupioromantic” or “oriented aroace”? Do you yearn to sew a “fuck the binary” patch in the colours of the non-binary pride flag? I now have frame-patch patterns suitable for three, four and six-stripe flags plus a complete rescaling of my five-stripe lower-case alphabet!

Four cross stitch patches sitting on a blue microfibre blanket. All feature pixel-style letters divided into four or six horizontal stripes, sewn in the colours of various pride flags. The top patch reads "quoi" in the colours of the quoiromantic flag, sewn on a teal background with a blue buttonhole-stitch border. The left-hand patch is sewn on plastic canvas and features a "Q" in rainbow stripes on a black background; it hangs from a silver keychain. The centre patch is an "I" in the colours of the idemromantic flag on a light mint background with an aqua buttonhole stitch border. The right-hand patch is an "a" in the colours of an aromantic-spectrum pride flag on a black background with a black buttonhole stitch border. Both "I" and "a" patches have a frame surrounding the letter in the colours of their respective pride flags; the "Q" keychain doesn't.

These rescaled patterns will let you stitch words and letters in the colours of any horizontal three, four, six and twelve-stripe flag design. Every letter also fits inside the new 10 x 12 block version of my A is for Aro frame pattern, massively expanding the range of identities encompassed by my icon-style letter patches.

You’ll need familiarity with cross stitch (full crosses and fractional stitches) and backstitch to make unedged patches, along with a buttonhole/closed blanket stitch to make the edged patches shown above. The first instalment of this patch tutorial series demonstrates cross and blanket/buttonhole stitch, while the second covers backstitch.

Folks after patterns suitable for five and ten-stripe pride flags should check out my 8 x 10 Aro Alphabet and my 8 x 10 Letter Patch tutorials.

Continue reading “Pride Patch Tutorial: Aromantic Alphabet, Part Two”