Fiction: The Girl and Her Unicorn, Part Three

Banner for Nine Laws: Allosexual Aromantic Fairy Tales. Image features a tree in the foreground, lanterns hanging from its branches, against a background of heavily-overgrown grey stone walls and archways leading into smaller courtyards. Vines and ivy cover the walls, archways and steps; an array of grasses grow around the bases of trees and walls. Text is set in a white, slightly-curving serif type; white curlicues matching the text, set in each corner, form a broken frame around the text.

Ponder Sheafed can’t stop asking questions. Ze isn’t the girl others presume hir to be. Ze won’t become a wife or let a wedding’s absence stopper hir lust. Ze isn’t good, so maintaining hir kinsfolk’s high regard demands a complicated dance of stealth, secrecy and untruth. Ponder does, however, own some ability in deception … so when tragedy befalls hir family, how does ze explain that–despite all appearance to the contrary–ze can’t trade hir life’s service for a unicorn’s magic?

Only virtuous maidens may enter the forest to seek a creature as pure as a unicorn. Returning home empty-handed avoids provoking Father’s rage by confessing unacceptable truths, so what options has ze other than embarking upon a farcical quest for hir family’s salvation … and dreading the failure to come? No unicorn can ever grace an unrepentant liar!

Ponder isn’t good. But neither, ze discovers, is the unicorn.

You may learn, given time, that ‘good’ is but sunlight and seafoam … and all else is sapience.

Continue reading “Fiction: The Girl and Her Unicorn, Part Three”

Fiction: The Girl and Her Unicorn, Part Two

Banner for Nine Laws: Allosexual Aromantic Fairy Tales. Image features a tree in the foreground, lanterns hanging from its branches, against a background of heavily-overgrown grey stone walls and archways leading into smaller courtyards. Vines and ivy cover the walls, archways and steps; an array of grasses grow around the bases of trees and walls. Text is set in a white, slightly-curving serif type; white curlicues matching the text, set in each corner, form a broken frame around the text.

Ponder Sheafed can’t stop asking questions. Ze isn’t the girl others presume hir to be. Ze won’t become a wife or let a wedding’s absence stopper hir lust. Ze isn’t good, so maintaining hir kinsfolk’s high regard demands a complicated dance of stealth, secrecy and untruth. Ponder does, however, own some ability in deception … so when tragedy befalls hir family, how does ze explain that–despite all appearance to the contrary–ze can’t trade hir life’s service for a unicorn’s magic?

Only virtuous maidens may enter the forest to seek a creature as pure as a unicorn. Returning home empty-handed avoids provoking Father’s rage by confessing unacceptable truths, so what options has ze other than embarking upon a farcical quest for hir family’s salvation … and dreading the failure to come? No unicorn can ever grace an unrepentant liar!

Ponder isn’t good. But neither, ze discovers, is the unicorn.

Why must ze learn hir lesson only after ze has been ordained to uselessness?

Continue reading “Fiction: The Girl and Her Unicorn, Part Two”

Fiction: The Girl and Her Unicorn, Part One

Banner for Nine Laws: Allosexual Aromantic Fairy Tales. Image features a tree in the foreground, lanterns hanging from its branches, against a background of heavily-overgrown grey stone walls and archways leading into smaller courtyards. Vines and ivy cover the walls, archways and steps; an array of grasses grow around the bases of trees and walls. Text is set in a white, slightly-curving serif type; white curlicues matching the text, set in each corner, form a broken frame around the text.

Ponder Sheafed can’t stop asking questions. Ze isn’t the girl others presume hir to be. Ze won’t become a wife or let a wedding’s absence stopper hir lust. Ze isn’t good, so maintaining hir kinsfolk’s high regard demands a complicated dance of stealth, secrecy and untruth. Ponder does, however, own some ability in deception … so when tragedy befalls hir family, how does ze explain that–despite all appearance to the contrary–ze can’t trade hir life’s service for a unicorn’s magic?

Only virtuous maidens may enter the forest to seek a creature as pure as a unicorn. Returning home empty-handed avoids provoking Father’s rage by confessing unacceptable truths, so what options has ze other than embarking upon a farcical quest for hir family’s salvation … and dreading the failure to come? No unicorn can ever grace an unrepentant liar!

Ponder isn’t good. But neither, ze discovers, is the unicorn.

Ponder knows that consequences must someday claim hir. Ze just didn’t expect Mama to have to pay the price.

Continue reading “Fiction: The Girl and Her Unicorn, Part One”

Hallo, Aro: Pillar – K. A. Cook

Banner for Hallo, Aro Allosexual Aro Flash Fiction. Image features dark black handwritten type on a mottled green background. Diagonal rows of arrows with bands, heads and fletching in the colours of the green/light green/white/yellow/gold allo-aro pride flag cross the image above and below the text.

Hallo, Aro is a series of flash fiction stories about allosexual aromantic characters navigating friendship, sexual attraction, aromanticism and the weight of amatonormative expectation.

Contains: A allo-aro woman who doesn’t choose marriage and children … and a society that expects she use her time in service to those who did.

When fog creeps and moon fades, the desperate seek out gods few dare name.

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Story Collection: Spirits Most Singular

Banner for Spirits Most Singular: Stories For Non-Partnering Aros. Image features dark black handwritten type on a mottled light purple/lilac background. Diagonal rows of arrows with bands, heads and fletching in the colours of the green/light green/white/grey/black aromantic pride flag cross the image above and below the text.
Cover image for Spirits Most Singular: Stories For Non-Partnering Aros by K. A. Cook. Cover features black handwritten type on a mottled light purple/lilac background. Cartoon images of arrows--in four different styles--sit in diagonal rows across the cover, the fletching and shafts coloured in the stripes of the green/light green/white/grey/black aromantic pride flag.

Princess Constance of Blackvale hopes a witch’s entrapment proves less onerous than a royal betrothal. A ring weighs heavy upon a gay trans man who knows no acceptable reason to avoid marrying the man he loves. Suki faces condemnation for scorning her lover’s courtly intentions. Esher Hill’s dogs make his days worth living, but his cousin believes marriage the cure to his depression. Priesthood offers Moll community and purpose in a life eschewing love until their usefulness–and their humanity–comes under question. A baker risks unknowable powers rather than submit to the relationships his mother deems necessary.

When society celebrates partnership as obligate duty, unquestionable necessity and saving grace, what must these aromantics sacrifice to build a world without it?

Spirits Most Singular collects sixteen fantasy and contemporary aromantic stories that don’t centre on a wish for or possession of a partner.

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How to Ally: Advising for Sex-Negative Language

Handdrawn illustration of a yellow pasture against a background of hills and sporadic trees. Scene is overlaid with the dark green/light green/white/yellow/gold stripes of the allo-aro pride flag. The text Aro Worlds Discussion Post sits across the image in a black, antique handdrawn type, separated by two ornate Victorian-style black dividers.

Note: I consider this site’s content advisory page sufficient for non-fiction posts, but as I need asexuals to read this essay, I’ll begin by saying that I reference sexual attraction, sex acts, sex repulsion and sexualisation. And romance! I also cite common examples of sex negativity/sex-negative language, misogyny, ableism, cissexism, heterosexism, amatonormativity and allo-aro antagonism.

I now seldom participate in–and even actively avoid–online general aromantic and a-spec spaces.

This isn’t because I don’t wish to meet other aros. This isn’t because I’m uninterested in what other aros have to say. This also isn’t entirely because chronic pain limits my online interaction and I can’t afford the supports/technology needed for full access (although this is the reason why I fail in replying to comments and asks).

This is because any space predominantly occupied by asexuals results in my being exposed to posts that hurt like a punch to the gut.

Continue reading “How to Ally: Advising for Sex-Negative Language”

Story Collection: Bones of Green and Hearts of Gold

Banner for Bones of Green and Hearts of Gold: Non-Asexual Aromantic Stories. Image features dark black handwritten type on a mottled light blue background. Diagonal rows of arrows with bands, heads and fletching in the colours of the green/light green/white/yellow/gold allo-aro pride flag cross the image above and below the text.
Cover image for Bones of Green and Hearts of Gold: Non-Asexual Aromantic Stories by K. A. Cook. Cover features black handwritten type on a mottled light blue background. Cartoon images of arrows--in four different styles--sit in diagonal rows across the cover, the fletching and shafts coloured in the stripes of the green/light green/white/yellow/gold allosexual aromantic pride flag.

A princess flees her betrothed in search of a witch willing to entrap her within a tower. Rowan yearns to be out and proud as an aromantic, but other people’s misapprehensions—and his own anxiety—hamper his quest. A woman expresses her wish for unfettered sexual intimacy, despite her mother’s desperate romantic expectations. For another pansexual, the route to freedom from amatonormativity lies in accepting monstrosity’s fur and fangs. Suki finds aromantic freedom inside the priesthood’s cloisters, but even a rebellious life leaves her at a loss when ministering to her own. And the words “allosexual aromantic” offer a struggling magician hope of a new road—but one not without its dangers.

Bones of Green and Hearts of Gold collects twenty fantasy and contemporary stories celebrating the many ways aromanticism need not always pair with asexuality.

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Fiction: Ringbound

Cartoon-style illustration of shrubs, roses and grasses growing against a grey stone wall. Scene is overlaid with the dark green/light green/white/yellow/gold stripes of the allo-aro pride flag. The text Marchverse sits across the image in a white, fantasy-style type.

If Kit can’t find anything unfair about the contract or the man, why is the ring so heavy?

Kit March is a signature away from marrying the man who loves him. He should be delighted, but for reasons he doesn’t understand and can’t explain, his future with Lauri weighs upon him. What is a magician to do when no script extant has words for the confusion he feels?

Is it so very cowardly to not want to be monstrous?

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Fiction: Love is the Reckoning

Cartoon-style illustration of shrubs, roses and grasses growing against a grey stone wall. Scene is overlaid with the dark green/light green/white/grey/black stripes of the aro pride flag. The text Marchverse sits across the image in a white, fantasy-style type.

Esher Hill left his home and kin a crying wreck of a man, too depressed and dysphoric to care what his people make of him. If he’d had his way, that would have been the end of it.

His sister Mara, the village witch, made sure he didn’t.

Two and a half years later, Esher owns two dogs, a blade, a career and a new body—the shape of masculinity he always felt he should be. A miracle Mara refuses to explain. A miracle the Sojourner’s priests reject and fear. A miracle, say the Grey Mages, that cannot exist without something precious sacrificed in exchange: a soul.

Returning home in search of his sister and the truth isn’t just a matter of enduring stares, whispers, explanations and the condescending pity from those he left behind.

Love holds edges sharper than Esher’s sword, for nobody wins but demons in the sale of souls.

Yes, and that’s what scares him: his erasure writ in the words of love.

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Fiction: If Absurd Works

Cartoon-style illustration of shrubs, roses and grasses growing against a grey stone wall. Scene is overlaid with the dark green/light green/white/yellow/gold stripes of the allo-aro pride flag. The text Marchverse sits across the image in a white, fantasy-style type.

An unexpected letter sees Suki of Sirenne, a red-robed priest of the Sojourner, doing the unimaginable: returning home to farewell a dying Mama Polly. After ten years of studying the ways of Spoken Service, she’s built a life that serves her nature … even if she’s still inclined to a sharp turn of phrase. Can’t she now explain her feelings and choices in ways easier for Mama Lewis to accept? Shouldn’t her mothers now be easier to manage?

Yet one conversation leaves Suki feeling that she’ll never stop being the brittle, abrasive young woman who left Freehome … and presents her a problem only solvable by remembering priesthood’s first lesson.

Patience comes more easily when free of disregard and diminishment.

Continue reading “Fiction: If Absurd Works”