Book Edition: Those With More

Handdrawn illustration of a green meadow foreground with green and yellow pine trees growing against a mint-hued sky. Scene is overlaid with the dark green/light green/white/grey/black stripes of the aromantic pride flag. The text Aro Worlds Fiction sits across the image in a black, antique handdrawn type, separated by two ornate Victorian-style black dividers.

Cover image for Those With More (and Other Suki Stories) by K. A. Cook. Cover shows a garden growing against a grey stone wall, with trees and blue sky visible behind it. Garden includes several layers of beds filled with palms, ferns and yellow and red orchids. The foreground shows a green lawn with a moss-covered tree-trunk and two translucent blue mushrooms. Cover and author credit are written in a white, fantasy-style text.Suki Lewis has always known what she wants—or, more correctly, what she doesn’t want. She also knows that a good woman of Freehome, deserving of her mother’s uncritical love, wants something she can’t fathom or mimic: a stable, lasting romantic relationship.

She can’t safely stay, but leaving means surviving the challenges of priesthood, her mother’s abuse and the belated finding of a name for her differences: allosexual aromanticism.

Those With More collects four stories showing Suki’s lifetime navigation of her belief, family, community and identity.

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Fiction: Those With More, Part Two

Cartoon-style illustration of shrubs, roses and grasses growing against a grey stone wall. Scene is overlaid with the dark green/light green/white/yellow/gold stripes of the allo-aro pride flag. The text Marchverse sits across the image in a white, fantasy-style type.

When Mara Hill’s magic results in her brother’s impossible, wondrous transition, of course Suki wants to know how she did it! What if Sirenne’s magic workers can help others conquer dysphoria? What if this magic can heal Suki’s hands—or at least lessen her pain? But Mara, distrustful of priests after their failure in protecting Esher, won’t share her power.

A senior priest must bear responsibility, but Suki suspects her problems lie deeper than lack of oversight, and her reluctance to discuss her aromanticism with a woman who needs support only proves it. Would she have preserved Mara’s faith and Esher’s health if she hadn’t first avoided revealing herself to her aromantic kin? If she’d faced their expectations that she shoulder their pain and grief as well as her own?

Suki has lived her life by the Sojourner’s second precept, but how does she serve when she doesn’t have more to give—and never will?

Some scars are long years in the fading, if at all.

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Fiction: Those With More, Part One

Cartoon-style illustration of shrubs, roses and grasses growing against a grey stone wall. Scene is overlaid with the dark green/light green/white/yellow/gold stripes of the allo-aro pride flag. The text Marchverse sits across the image in a white, fantasy-style type.

When Mara Hill’s magic results in her brother’s impossible, wondrous transition, of course Suki wants to know how she did it! What if Sirenne’s magic workers can help others find euphoria? What if this magic can heal Suki’s hands—or at least lessen her pain? But Mara, distrustful of priests after their failure in protecting Esher, won’t share her power.

A senior priest must bear responsibility, but Suki suspects her problems lie deeper than lack of oversight, and her reluctance to discuss her aromanticism with a woman who needs support only proves it. Would she have preserved Mara’s faith and Esher’s health if she hadn’t first avoided revealing herself to her aromantic kin? If she’d faced their expectations that she shoulder their pain and grief as well as her own?

Suki has lived her life by the Sojourner’s second precept, but how does she serve when she doesn’t have more to give—and never will?

Non-romantic love, to Suki, serves a similar role as the Sojourner or any other god: a fine concept in theory, but while she respects others’ need for a guiding framework, she can only nod vaguely at love’s existence.

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Fiction: If Absurd Works

Cartoon-style illustration of shrubs, roses and grasses growing against a grey stone wall. Scene is overlaid with the dark green/light green/white/yellow/gold stripes of the allo-aro pride flag. The text Marchverse sits across the image in a white, fantasy-style type.

An unexpected letter sees Suki of Sirenne, a red-robed priest of the Sojourner, doing the unimaginable: returning home to farewell a dying Mama Polly. After ten years of studying the ways of Spoken Service, she’s built a life that serves her nature … even if she’s still inclined to a sharp turn of phrase. Can’t she now explain her feelings and choices in ways easier for Mama Lewis to accept? Shouldn’t her mothers now be easier to manage?

Yet one conversation leaves Suki feeling that she’ll never stop being the brittle, abrasive young woman who left Freehome … and presents her a problem only solvable by remembering priesthood’s first lesson.

Patience comes more easily when free of disregard and diminishment.

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Fiction: The Complexity of Human Decency

Cartoon-style illustration of shrubs, roses and grasses growing against a grey stone wall. Scene is overlaid with the dark green/light green/white/yellow/gold stripes of the allo-aro pride flag. The text Marchverse sits across the image in a white, fantasy-style type.

When Mama Lewis continues to browbeat Suki into becoming the kind of girl who doesn’t tick off unwanted romantic suitors, she knows the best thing to do is leave. The port city of Malvade offers work enough to pay for her own room, but Suki’s freedom comes with long hours, a leaking roof, outhouse mould and a yearning for a world that offers her more than bare subsistence and continued disregard.

A red-robed priest of the Sojourner may hold answer and opportunity … if only she can endure a conversation with someone preaching a truth anathema to everything a proud woman of Freehome should believe.

Does freedom in one direction count if she still finds limitations in others?

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Hallo, Aro: Abrasive – K. A. Cook

Cover image for Hallo, Aro Allosexual Aromantic Flash Fiction. Cover features dark pink handwritten type on a mottled green background with a large line-drawn peacock feather, several sketch-style leaves and swirly text dividers. Green arrows sit underneath each line of text. A translucent overlay of the green/light green/white/yellow/gold alloaro flag sits underneath the text.

Hallo, Aro is a series of flash fiction stories about allosexual aromantic characters navigating friendship, sexual attraction, aromanticism and the weight of amatonormative expectation.

Spending Midsummer night with a pretty man shouldn’t be a problem for Suki … except for everybody else’s romantic expectations.

Their self-righteous want makes terrible cruelty of her, but what other weapon has she?

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