Love in the House of the Ravens – Part Seven

Cartoon-style illustration of shrubs, roses and grasses growing against a grey stone wall. Scene is overlaid with the dark green/light green/white/yellow/gold stripes of the allo-aro pride flag. The text Marchverse sits across the image in a white, fantasy-style type.

After seven years in Rajad, Darius has fallen out of love with the unattainable and failed to fall in love with the companionate. When the right person offers a romantic relationship and he doesn’t understand why yes won’t grace his tongue, the only thing an autistic man can do is ask the Ravens–and hope he can survive the word they give him in return.

Content Advisory: Assault mention, discussions of romantic attraction and amatonormativity.

Length: 1, 002 words.

Links: Beginning | Previous | Next

The world doesn’t have language for what it feels like not to feel.

Continue reading “Love in the House of the Ravens – Part Seven”

Love in the House of the Ravens – Part Six

Cartoon-style illustration of shrubs, roses and grasses growing against a grey stone wall. Scene is overlaid with the dark green/light green/white/yellow/gold stripes of the allo-aro pride flag. The text Marchverse sits across the image in a white, fantasy-style type.

After seven years in Rajad, Darius has fallen out of love with the unattainable and failed to fall in love with the companionate. When the right person offers a romantic relationship and he doesn’t understand why yes won’t grace his tongue, the only thing an autistic man can do is ask the Ravens–and hope he can survive the word they give him in return.

Content Advisory: Mentions of neuronormative expectations and language, with depictions of some of the casual ways they’re used against autistics and/or the neurodiverse.

Length: 839 words.

Links: Beginning | Previous | Next

Do you feel like you should want her?

Continue reading “Love in the House of the Ravens – Part Six”

Love in the House of the Ravens – Part Five

Cartoon-style illustration of shrubs, roses and grasses growing against a grey stone wall. Scene is overlaid with the dark green/light green/white/yellow/gold stripes of the allo-aro pride flag. The text Marchverse sits across the image in a white, fantasy-style type.

After seven years in Rajad, Darius has fallen out of love with the unattainable and failed to fall in love with the companionate. When the right person offers a romantic relationship and he doesn’t understand why yes won’t grace his tongue, the only thing an autistic man can do is ask the Ravens–and hope he can survive the word they give him in return.

Content Advisory: Descriptions of wounds and blood, non-explicit sexual experience mentions. This chapter includes discussions of the way sexual experiences are shaped by autism, autistic modes of communication and the infantilising of allosexual autistic adults by allistics (non-autistics).

Length:  878 words.

Links: Beginning | Previous | Next

If sexual attraction is this complicated, why couldn’t he say yes?

Continue reading “Love in the House of the Ravens – Part Five”

Love in the House of the Ravens – Part Four

Cartoon-style illustration of shrubs, roses and grasses growing against a grey stone wall. Scene is overlaid with the dark green/light green/white/yellow/gold stripes of the allo-aro pride flag. The text Marchverse sits across the image in a white, fantasy-style type.

After seven years in Rajad, Darius has fallen out of love with the unattainable and failed to fall in love with the companionate. When the right person offers a romantic relationship and he doesn’t understand why yes won’t grace his tongue, the only thing an autistic man can do is ask the Ravens–and hope he can survive the word they give him in return.

Content Advisory: Descriptions of wounds and blood, bullying and the ableism targeted at people who can’t conform to neuronormative modes of speech. This chapter begins increasing romance mentions and discussions between alloromantic (Akash) and aromantic (Ila, Darius) characters.

Length: 1, 002 words.

Links: Beginning | Previous | Next

You never give a family heirloom to a romantic partner before you’ve legalised the relationship.

Continue reading “Love in the House of the Ravens – Part Four”

Love in the House of the Ravens – Part Three

Cartoon-style illustration of shrubs, roses and grasses growing against a grey stone wall. Scene is overlaid with the dark green/light green/white/yellow/gold stripes of the allo-aro pride flag. The text Marchverse sits across the image in a white, fantasy-style type.

After seven years in Rajad, Darius has fallen out of love with the unattainable and failed to fall in love with the companionate. When the right person offers a romantic relationship and he doesn’t understand why yes won’t grace his tongue, the only thing an autistic man can do is ask the Ravens–and hope he can survive the word they give him in return.

Content Advisory: Descriptions of fantasy violence, wounds, bullying, the way neuronormative behaviours can enable bullying, and blood magic.

Length: 1, 010 words.

Links: Beginning | Previous | Next

Maybe he should have left this for another day. Tomorrow, overmorrow, next week. Never.

Continue reading “Love in the House of the Ravens – Part Three”

Love in the House of the Ravens – Part Two

Cartoon-style illustration of shrubs, roses and grasses growing against a grey stone wall. Scene is overlaid with the dark green/light green/white/yellow/gold stripes of the allo-aro pride flag. The text Marchverse sits across the image in a white, fantasy-style type.

After seven years in Rajad, Darius has fallen out of love with the unattainable and failed to fall in love with the companionate. When the right person offers a romantic relationship and he doesn’t understand why yes won’t grace his tongue, the only thing an autistic man can do is ask the Ravens–and hope he can survive the word they give him in return.

Content Advisory: Descriptions of fantasy violence, wounds and blood magic along with an exceedingly obvious metaphor for real-world capitalism.

Length: 940 words.

Links: Beginning | Next

He froze at Harlow’s question. What if the Ravens can’t tell him why?

Continue reading “Love in the House of the Ravens – Part Two”

Love in the House of the Ravens – Part One

Cartoon-style illustration of shrubs, roses and grasses growing against a grey stone wall. Scene is overlaid with the dark green/light green/white/yellow/gold stripes of the allo-aro pride flag. The text Marchverse sits across the image in a white, fantasy-style type.

After seven years in Rajad, Darius has fallen out of love with the unattainable and failed to fall in love with the companionate. When the right person offers a romantic relationship and he doesn’t understand why yes won’t grace his tongue, the only thing an autistic man can do is ask the Ravens–and hope he can survive the word they give him in return.

As it’s Autism Acceptance Month, I’m going to spend April posting installments of a fantasy novelette about the ways autism and ableism can shape, colour and complicate the experience of discovering aromantic identity. Readers should note that this is a sequel to Certain Eldritch Artefacts, but you only need know that the protagonist, an autistic magician, found a talking sword belt and allowed it to convince him into becoming a mercenary.

Content Advisory: Aside from references to various acts of violence and combat common in fantasy, this story includes references to or depictions of bullying, abuse, assault and ableism, as well as the way these things shape and impact the people who survive them. Please expect references to sexual attraction, non-explicit sex mentions, amatonormativity, physical intimacy, kissing and romance. The protagonist also practices blood magic in a way that intentionally echoes self-harm.

Length: 772 words.

Links: Next

I want to ask them about something with … people.

Continue reading “Love in the House of the Ravens – Part One”

Fiction Collection: Aromantic Centred

Handdrawn illustration of a green meadow foreground with green and yellow pine trees growing against a mint-hued sky. Scene is overlaid with the dark green/light green/white/grey/black stripes of the aromantic pride flag. The text Aro Worlds Fiction sits across the image in a black, antique handdrawn type, separated by two ornate Victorian-style black dividers.

This is a separate list of all my works with aromantic protagonists centred on aromantic experiences and narratives. My other aro works can be found on my fiction page.

It’s also worth noting that my protagonists are like to be various combinations of trans, non-binary, multisexual, disabled and autistic.

The Wind and the Stars

Cover for "The Wind and the Stars" by K. A. Cook. Cover shows a night-time scene of black, silhouette-style tree branches against a cloudy sky with a full moon, a lighter halo of cloud surrounding it, in the top centre of the cover. The title text, in white serif and antique handdrawn-style type, is framed by three white curlicues, and a fourth curlicue borders the author credit at the bottom of the cover.True love’s kiss will break any spell. Always be kind to wizened crones. The youngest son is most favoured by wise foxes and crows. Princes save princesses from beastly dragons and towers overgrown with briar brambles. A happily ever after always involves a wedding…

The Wind and the Stars is a short aro-ace fairy tale about heroes, love, adulthood and the worlds we make in the stories we tell.

Contains: a non-amorous, agender, aro-ace protagonist inventing the fairy tales that describe their life.

Links: PDF (read in browser) | Patreon | Smashwords | Gumroad | WordPress

PDF, EPUB and MOBI editions are available for download from Patreon.

Length: 1, 308 words / 4 PDF pages.

Continue reading “Fiction Collection: Aromantic Centred”

Fiction Collection: Allo-Aro

Handdrawn illustration of a green meadow foreground with green and yellow pine trees growing against a mint-hued sky. Scene is overlaid with the dark green/light green/white/grey/black stripes of the aromantic pride flag. The text Aro Worlds Fiction sits across the image in a black, antique handdrawn type, separated by two ornate Victorian-style black dividers.

This is a separate list of all my works featuring allosexual-aromantic narrating protagonists. My other aro works can be found on my fiction page. Most of these pieces are available as free reads, but One Strange Man and Different in Other Ways are currently subscriber exclusives on Patreon.

It’s also worth noting that my protagonists are like to be various combinations of trans, non-binary, multisexual, disabled and autistic.

Hallo, Aro

Cover image for Hallo, Aro: Allosexual Aromantic Flash Fiction by K. A. Cook. Cover features dark pink handwritten type on a mottled green background with a large line-drawn peacock feather, several sketch-style leaves and swirly text dividers. Green arrows sit underneath each line of text.Is it “aay-romantic” or “arrow-mantic”? What if she hears “I’m a romantic” instead of “I’m aromantic”? What if she says “isn’t that just friendship” or “that can’t be real” or, worst of all, “I’m looking for something more”?

Hallo, Aro is a series of flash fiction stories about allosexual aromantic characters navigating friendship, sexual attraction, aromanticism and the weight of amatonormative expectation.

Contains: Dragons, a duchess’s daughter, an autistic who collects pride merch, odd voyages into creative non-fiction, allo-aro werewolves, the power in aromantic discovery and a whole lot of allo-aro feels and experiences.

Links: Patreon | WordPress | Tumblr

PDF, EPUB and MOBI editions are available for download from Patreon.

Individual Stories: Unspoken | Leaving | Friendship | Lucky | Attraction | Existence | Neuronormative | Loveless | Monstrous | Pressure, Side One | Pressure, Side Two | Abrasive | Question

Length: All stories are under a thousand words.

Continue reading “Fiction Collection: Allo-Aro”