Book Edition: Love in the House of the Ravens

Cartoon-style illustration of shrubs, roses and grasses growing against a grey stone wall. Scene is overlaid with the dark green/light green/white/yellow/gold stripes of the allo-aro pride flag. The text Marchverse sits across the image in a white, fantasy-style type.
Cover image for Love in the House of the Ravens by K. A. Cook. Cover shows a wooden bed set against a stone wall, with filmy curtains draped over the wall and bed. A translucent room divider is set off to the side, with a chest and boxes visible through it. The subtitle "a marchverse short story" is written in white handdrawn type. Title and author text is written in brown handdrawn type.

After seven years in Rajad, Darius has fallen out of love with the unattainable and avoided falling in love with the companionate. If he lives at arm’s length from passion, isn’t that better than risking the abuse his fellow mercenaries so eagerly deliver to an autistic who can’t quite fit in? But when the right person suggests a romantic relationship, “yes” still won’t grace his tongue, and Darius hasn’t the least idea why. He likes Harlow. Shouldn’t he want to love her?

The only thing he can do is turn to his old friends and rescuers, the Ravens. They have an answer if he can stumble his way through asking the question … but it may upend every truth Darius thinks he knows about himself.

Love in the House of the Ravens is a story about what it means to be aromantic and autistic when the world isn’t accepting of either.

Continue reading “Book Edition: Love in the House of the Ravens”

Story Collection: Bones of Green and Hearts of Gold

Banner for Bones of Green and Hearts of Gold. Image features a tree landscape background with a grassy foreground, tinted to resemble the greens descending into golds hues of the allo-aro flag. A sun sits in the top left corner and the bottom of the foreground is layered with ivy leaves and trailing vines. Text is written in black handdrawn script with the words green and gold in their respective colours. A cross-hatching frame in the colours of the allo-aro flag surrounds the banner.

Cover image for Bones of Green and Hearts of Gold: Non-Asexual Aro Stories by K. A. Cook. Cover features a tree landscape background with a grassy foreground, tinted to resemble the greens descending into golds hues of the allo-aro flag. A sun sits in the top right corner and a green banner, bearing text reading the author's name, sits at the bottom of the cover, surrounded by ivy leaves and trailing vines. The cover title is written in black handdrawn script with the words green and gold in their respective colours. A cross-hatching frame in the colours of the allo-aro flag surrounds the cover.A princess flees her betrothed in search of a witch willing to entrap her within a tower. Rowan yearns to be out and proud as an aromantic, but other people’s misapprehensions—and his own anxiety—hamper his quest. A woman expresses her wish for unfettered sexual intimacy, despite her mother’s desperate romantic expectations. For another pansexual, the route to freedom from amatonormativity lies in accepting monstrosity’s fur and fangs. Suki finds aromantic freedom inside the priesthood’s cloisters, but even a rebellious life leaves her at a loss when ministering to her own. And the words “allosexual aromantic” offer a struggling magician hope of a new road—but one not without its dangers.

Bones of Green and Hearts of Gold collects twenty fantasy and contemporary stories celebrating the many ways aromanticism need not always pair with asexuality.

Continue reading “Story Collection: Bones of Green and Hearts of Gold”

Book Edition: Absence of Language

Handdrawn illustration of a green meadow foreground with green and yellow pine trees growing against a mint-hued sky. Scene is overlaid with the dark green/light green/white/grey/black stripes of the aromantic pride flag. The text Aro Worlds Fiction sits across the image in a black, antique handdrawn type, separated by two ornate Victorian-style black dividers.

Cover image for Absence of Language by K. A. Cook. Cover shows a red brick wall behind a wooden step, a red curtain covering half the wall, with a small wooden bench sitting on step. A chair, a hat and a squarish bag sit in the foreground of the image and a fabric banner hangs on the wall in the background. An assortment of coins and buttons litter the floor, and two yellow roses are shown floating inside clear bubbles. The scene looks like a magician's performance area or stage. The subtitle "a kit march short story" is written in white handdrawn type.Four months ago, Kit March abandoned his fiancé without even a note of explanation for a deserving man.

Leaving Lauri should have freed him from the pressures of romantic expectation, so how does a talented magician end up performing flash magic for buttons and hairpins in Raugue’s worst tavern? Kit doesn’t know and doesn’t care, as long as he can keep drowning guilt in beer and spellworking. As long as he can keep not thinking!

When a stranger offers the word “aromantic” followed by an opportunity to join a dangerous quest to the Gast, Kit may have more distraction than he can survive—and more comprehension than he can navigate.

Continue reading “Book Edition: Absence of Language”

Book Edition: Those With More

Handdrawn illustration of a green meadow foreground with green and yellow pine trees growing against a mint-hued sky. Scene is overlaid with the dark green/light green/white/grey/black stripes of the aromantic pride flag. The text Aro Worlds Fiction sits across the image in a black, antique handdrawn type, separated by two ornate Victorian-style black dividers.

Cover image for Those With More (and Other Suki Stories) by K. A. Cook. Cover shows a garden growing against a grey stone wall, with trees and blue sky visible behind it. Garden includes several layers of beds filled with palms, ferns and yellow and red orchids. The foreground shows a green lawn with a moss-covered tree-trunk and two translucent blue mushrooms. Cover and author credit are written in a white, fantasy-style text.Suki Lewis has always known what she wants—or, more correctly, what she doesn’t want. She also knows that a good woman of Freehome, deserving of her mother’s uncritical love, wants something she can’t fathom or mimic: a stable, lasting romantic relationship.

She can’t safely stay, but leaving means surviving the challenges of priesthood, her mother’s abuse and the belated finding of a name for her differences: allosexual aromanticism.

Those With More collects four stories showing Suki’s lifetime navigation of her belief, family, community and identity.

Continue reading “Book Edition: Those With More”