Fiction: If Absurd Works

Cartoon-style illustration of shrubs, roses and grasses growing against a grey stone wall. Scene is overlaid with the dark green/light green/white/yellow/gold stripes of the allo-aro pride flag. The text Marchverse sits across the image in a white, fantasy-style type.

An unexpected letter sees Suki of Sirenne, a red-robed priest of the Sojourner, doing the unimaginable: returning home to farewell a dying Mama Polly. After ten years of studying the ways of Spoken Service, she’s built a life that serves her nature … even if she’s still inclined to a sharp turn of phrase. Can’t she now explain her feelings and choices in ways easier for Mama Lewis to accept? Shouldn’t her mothers now be easier to manage?

Yet one conversation leaves Suki feeling that she’ll never stop being the brittle, abrasive young woman who left Freehome … and presents her a problem only solvable by remembering priesthood’s first lesson.

Patience comes more easily when free of disregard and diminishment.

Continue reading “Fiction: If Absurd Works”

Fiction: The Complexity of Human Decency

Cartoon-style illustration of shrubs, roses and grasses growing against a grey stone wall. Scene is overlaid with the dark green/light green/white/yellow/gold stripes of the allo-aro pride flag. The text Marchverse sits across the image in a white, fantasy-style type.

When Mama Lewis continues to browbeat Suki into becoming the kind of girl who doesn’t tick off unwanted romantic suitors, she knows the best thing to do is leave. The port city of Malvade offers work enough to pay for her own room, but Suki’s freedom comes with long hours, a leaking roof, outhouse mould and a yearning for a world that offers her more than bare subsistence and continued disregard.

A red-robed priest of the Sojourner may hold answer and opportunity … if only she can endure a conversation with someone preaching a truth anathema to everything a proud woman of Freehome should believe.

Does freedom in one direction count if she still finds limitations in others?

Continue reading “Fiction: The Complexity of Human Decency”

Hallo, Aro: Abrasive – K. A. Cook

Banner for Hallo, Aro Allosexual Aromantic Flash Fiction. Cover features dark pink handwritten type on a mottled green background with a large line-drawn peacock feather, several sketch-style leaves and swirly text dividers. Green arrows sit underneath each line of text. A translucent overlay of the green/light green/white/yellow/gold alloaro flag sits underneath the text.

Hallo, Aro is a series of flash fiction stories about allosexual aromantic characters navigating friendship, sexual attraction, aromanticism and the weight of amatonormative expectation.

Spending Midsummer night with a pretty man shouldn’t be a problem for Suki … except for everybody else’s romantic expectations.

Their self-righteous want makes terrible cruelty of her, but what other weapon has she?

Continue reading “Hallo, Aro: Abrasive – K. A. Cook”

Fiction: The Pride Conspiracy, Part Two

Banner image for The Pride Conspiracy. Banner features black handwritten type on a mottled green background with two green feathers and a black pencil. A translucent overlay of the dark green/light green/white/grey/black aromantic flag sits underneath the text. Text, feather and pencil images are boldly outlined in various shades of green and white.

December isn’t the best time of year for a trans aromantic like Rowan Ross, although—unlike his relatives—his co-workers probably won’t give him gift cards to women’s clothing shops. How does he explain to cis people that while golf balls don’t trigger his dysphoria, he wants to be seen as more than a masculine stereotype? Nonetheless, he thinks he has this teeth-gritted endurance thing figured out: cissexism means he needn’t fear his relatives asking him about dating, and he has the perfect idea for Melanie in the office gift exchange. He can survive gifts and kin, right? Isn’t playing along with expectation better than enduring unexpected consequences?

Rowan, however, isn’t the only aromantic in the office planning to surprise a co-worker. To survive the onslaught of ribbon and cellophane, Rowan’s going to have to get comfortable with embracing the unknown.

I’ll have a pride coat! And nobody will have the least idea what it means!

Continue reading “Fiction: The Pride Conspiracy, Part Two”

Fiction: The Pride Conspiracy, Part One

Banner image for The Pride Conspiracy. Banner features black handwritten type on a mottled green background with two green feathers and a black pencil. A translucent overlay of the dark green/light green/white/grey/black aromantic flag sits underneath the text. Text, feather and pencil images are boldly outlined in various shades of green and white.

December isn’t the best time of year for a trans aromantic like Rowan Ross, although—unlike his relatives—his co-workers probably won’t give him gift cards to women’s clothing shops. How does he explain to cis people that while golf balls don’t trigger his dysphoria, he wants to be seen as more than a masculine stereotype? Nonetheless, he thinks he has this teeth-gritted endurance thing figured out: cissexism means he needn’t fear his relatives asking him about dating, and he has the perfect idea for Melanie in the office gift exchange. He can survive gifts and kin, right? Isn’t playing along with expectation better than enduring unexpected consequences?

Rowan, however, isn’t the only aromantic in the office planning to surprise a co-worker. To survive the onslaught of ribbon and cellophane, Rowan’s going to have to get comfortable with embracing the unknown.

They’re aromantic. How isn’t he obligated to help decorate her desk in as many pride-related ways as possible?

Continue reading “Fiction: The Pride Conspiracy, Part One”

Catch a Man (Have the Girl) – Part One

Cartoon-style illustration of shrubs, roses and grasses growing against a grey stone wall. Scene is overlaid with the dark green/light green/white/yellow/gold stripes of the allo-aro pride flag. The text Marchverse sits across the image in a white, fantasy-style type.

Yuissa is the only partner Adelin wants, but survival in Ihrne requires both girls to keep secret their truth. No matter: they’re only a year away from having coin enough to escape to a cottage in Greenstone, a paradise of vegetable gardens, rescued cats and unrestrained affection. They can survive anything until then, right? Yet when Adelin’s worried mother and grandmother plot to solve Adelin’s unwed state by forcing her to court a male acquaintance, Yuissa thinks a beard the only answer.

A queer-seeming bookseller called Nevolin ein Yinne may do, but the process of asking isn’t quite so simple…

Setting: Catch a Man (Have the Girl) takes place a couple of months before Booksellers Who Know Things. It isn’t necessary to have read any of my other works to read this one (although it’s slightly more amusing if you know that Nevo thinks Adelin is sincere about wishing to date him).

Content Advisory: References to and depictions of emotional abuse, amatonormativity, misogyny, heterosexism and ableism; casual references to sex and sexual attraction; and discussions about and depictions of romantic-coded behaviours like embracing, physical intimacy and marriage. It should be noted that this story focuses on the misogyny dealt to women by other women.

Length: 4, 021 words.

Author’s Essay Note: I wanted to post a bonus piece on Patreon for my birthday. So I … started writing six days before said birthday. As this story was meant to be a flash fiction piece and isn’t, editing became the needed sacrifice.

I should mention that I’m uncomfortable with an attitude in some parts of the aromantic community that an alloromantic’s valuing of marriage as important is emblematic of rampant amatonormativity and, therefore, scornful. Marriage is a civil right that has not always been possessed by, and is still not universally possessed by, LGBTQIA+ people, disabled people, people of colour and/or people in multiracial relationships. For many marginalised people, marriage can be symbolic of identity, freedom, equality and hope in ways that have less to do with romantic attraction or romance. While we must and should discuss the ways it enables amatonormativity, we must and should respect its significance for other marginalised people. So I wrote a story about a queer aromantic girl who wants to marry a queer disabled (autistic) girl and finds marriage to be a symbol of her freedom, her strength and her queerness.

I don’t know, as a nebularomantic, if I’ve written a demiromantic or a demialterous/demiqueerplatonic aromantic character. Adelin feels a non-sexual attraction for Yuissa after the development of their close friendship, but the nature of said attraction isn’t something I can easily categorise in fiction or real life. As much as I believe it important to provide specific representation, all I can say here is read this as you will.

Lastly, I want to thank, from the bottom of my loveless aro heart, @the-rose-owl for being so generously encouraging of my writing aro stories that move outside of more standard aromantic themes. I couldn’t have posted this story without your most recent comment on Patreon.

Will Grandmam ever realise that bad girls have more reason than anyone to appear good?

Continue reading “Catch a Man (Have the Girl) – Part One”

I Am Not Voldemort: An Essay on Love and Amatonormativity

Handdrawn illustration of a yellow pasture against a background of hills and sparodic trees. Scene is overlaid with the dark green/light green/white/grey/black stripes of the aro pride flag. The text Aro Worlds Discussion Post sits across the image in a black, antique handdrawn type, separated by two ornate Victorian-style black dividers.

Content Advisory: Discussions of and references to love, amatonormativity, ableism, neurodiversity, autism, familial abuse and partner abuse.

This June, I saw an increasing number of positivity and support posts for the aromantic and a-spec communities discussing the amatonormativity of “everyone falls in love”. I agree: the idea that romantic love is something everyone experiences, and is therefore a marker of human worth, needs deconstruction.

Unfortunately, a majority of these posts are replacing the shackles of amatonormativity with restrictive lines like “everyone loves, just not always romantically”, referencing the importance of loving friends, QPPs, family members and pets. Sometimes it moves away from people to encompass love for hobbies, experiences, occupations and ourselves. The what and how tends to vary from post to post, but the idea that we do and must love someone or something, and this love redeems us as human and renders us undeserving of hatred, is being pushed to the point where I don’t feel safe or welcome in my own aromantic community. Even in the posts meant to be challenging the more obvious amatonormativity, it is presumed that aros must, in some way, love.

I’ve spent weeks watching my a-spec and aro communities throw neurodiverse and survivor aros under the bus in order to do what the aromantic community oft accuses alloromantic aces of doing: using their ability to love as a defence of their humanity. Because I love, they say, I also don’t deserve to be a target of hatred, aggression and abuse.

But what if I don’t love?

What if love itself has been the mechanism of the hatred and violence I have endured?

Why am I, an aro, neurodiverse survivor of abuse and bullying, still acceptable collateral damage?

Continue reading “I Am Not Voldemort: An Essay on Love and Amatonormativity”

Fiction Collection: Aromantic and Autistic

Handdrawn illustration of a green meadow foreground with green and yellow pine trees growing against a mint-hued sky. Scene is overlaid with the aqua/yellow/red stripes of the autistic aromantic pride flag. The text Aro Worlds Fiction sits across the image in a black, antique handdrawn type, separated by two ornate Victorian-style black dividers.

This is a separate list of all my works featuring autistic and aromantic protagonists. My other aromantic works can be found on my fiction page.

It’s also worth noting that my protagonists are like to be various combinations of trans, non-binary, multisexual and otherwise-disabled.

Some of these stories do not focus on the aromantic, and one story, Certain Eldritch Artefacts, is more an example of an aromantic not yet knowing it than an aromantic narrative. (Do the alloromantic usually build a successful romantic relationship with an inappropriate crush by first spending a year travelling around another continent?) The sequel, Love in the House of the Ravens, depicts the beginning of Darius’s finding this out…

What if it Isn’t

Cover for "What If It Isn't" by K. A. Cook. Cover shows a colourful pastel fractal/dripping-glass style background, predominantly peach-orange and light blue. The title text, in black serif and antique handdrawn-style type, is framed by three black curlicues. A fourth curlicue borders the author credit at the bottom of the cover and a fifth forms a frame at the top.What if her love is a dull, flickering, rare thing, so insubstantial it makes better sense to disregard it as meaningful? What if her love is quiet and companionate at best while Keiko loves with fairytale passion, a woman who wants and needs to be wanted?

Pretending to be girlfriends while casing an art gallery with Keiko shouldn’t be a problem, but once Jessie realises things have gotten a little too real in the façade they’re showing to the world, the only thing to do is ask.

Contains: A stand-alone, fluffy, contemporary short story about a greyromantic autistic and the beginnings of a QPR.

Links: PDF (read in browser) | Patreon | WordPress | Tumblr

PDF, EPUB and MOBI editions are available for download from Patreon.

Length: 2, 097 words / 6 PDF pages.

Continue reading “Fiction Collection: Aromantic and Autistic”