Fiction: The Lies Lovers Tell

Banner for Nine Laws: Allosexual Aromantic Fairy Tales. Image features a tree in the foreground, lanterns hanging from its branches, against a background of heavily-overgrown grey stone walls and archways leading into smaller courtyards. Vines and ivy cover the walls, archways and steps; an array of grasses grow around the bases of trees and walls. Text is set in a white, slightly-curving serif type; white curlicues matching the text, set in each corner, form a broken frame around the text.

For a hundred years, I am bound to a witch’s servitude. I’m not free to be in love. Will you accept this?

Thorn Bloodvine passes hir days trapped in a tower. Well, ze does if “trapped” encompasses “climbing out the window and down the beanstalk whenever the whim takes hir”. Magical wards and a wall of brambles surround hir prison, but neither prevents hir from tending hir garden … or the local youths from raiding hir strawberries. A fearsome witch does dwell within said tower, but hir magic is best suited to creating oversized vegetables. Quirks aside, Thorn laid hir truth at hir lover’s feet before they took to bed: ze cannot become Fortitude’s partner.

But when Fortitude speaks one simple word, Thorn’s carefully-ordered world falls apart. For it isn’t just a fairy story that prevents hir from becoming a woman’s happily-ever-after.

But no matter hir honest explanations, Thorn’s lovers come to expect something hir barren heart can’t feel and hir straightforward mind can’t mimic.

Continue reading “Fiction: The Lies Lovers Tell”

Fiction Collection: Loveless Aro Friendly

Handdrawn illustration of a green meadow foreground with green and yellow pine trees growing against a mint-hued sky. Scene is overlaid with the grey gradient/green/light green/green/grey gradient stripes of the loveless aromantic pride flag. The text Aro Worlds Fiction sits across the image in a black, antique handdrawn type, separated by two ornate Victorian-style black dividers.

As an autistic, loveless aromantic writer who prefers that my feelings of attraction, connection and affection not be contextualised with a word that doesn’t always feel applicable, I thought Aro Week the perfect time to collate those stories written for aromantics like me. This post lists my works with loveless aromantic protagonists and those that don’t presume an aromantic protagonist’s ability to love and/or label their experiences as love.

My other aro works can be found on my fiction page.

What Makes Us Human

Cover image for What Makes Us Human: A Marchverse Short Story by K. A. Cook. Cover shows an archway set into a stone wall, the wall covered by a dull green creeper. A small peach sphere of light glows underneath part of the creeper at the top of the archway. Inside the archway is another stone wall behind a courtyard comprised of a few rocks, two spindly trees and a striped purple cushion. Title and author credit are written in a white, fantasy-style text, the type bright against the grey background.

Moll of Sirenne needs prompts in their girdle book to navigate casual conversations, struggles to master facial expressions and feels safest weeding the monastery’s vegetable gardens. Following their call to service, however, means offering wanderers in need a priest’s support and guidance. A life free of social expectation to court, wed and befriend does outweigh their fear of causing harm—until forgetting the date of a holiday provokes a guest’s ire and three cutting words: lifeless and loveless.

A priest must expand a guest’s sense of human worth, but what do they do when their own comes under question? Can an autistic, aromantic priest ever expect to serve outside the garden? And what day is it…?

Contains: A middle-aged, agender priest set on defying social norms around love; an alloromantic guest with a journey to undergo in conquering her amatonormativity and ableism; an elderly aromantic priest providing irascible reassurance; and the story of how Moll became Esher’s guiding priest.

More info: Loveless aromantic narrating protagonist.

Continue reading “Fiction Collection: Loveless Aro Friendly”

Book Edition: The Girl and Her Unicorn

Banner for Nine Laws: Allosexual Aromantic Fairy Tales. Image features a tree in the foreground, lanterns hanging from its branches, against a background of heavily-overgrown grey stone walls and archways leading into smaller courtyards. Vines and ivy cover the walls, archways and steps; an array of grasses grow around the bases of trees and walls. Text is set in a white, slightly-curving serif type; white curlicues matching the text, set in each corner, form a broken frame around the text.
The Girl and Her Unicorn: a Nine Laws Short Story cover by K. A. Cook. Cover features scenery of a dense forest of green and gold leafed trees surrounding a pond. A white unicorn stands on the edge of the pond, its hooves surrounded by mist. Faint rays of light shine down from a night sky onto the pond. Text is set in a white, slightly-curving serif type; white curlicues matching the text, set in each corner, form a broken frame around the text.

Ponder Sheafed can’t stop asking questions. Ze isn’t the girl others presume hir to be. Ze won’t become a wife or let a wedding’s absence stopper hir lust. Ze isn’t good, so maintaining hir kinsfolk’s high regard demands a complicated dance of stealth, secrecy and untruth. Ponder does, however, own some ability in deception … so when tragedy befalls hir family, how does ze explain that–despite all appearance to the contrary–ze can’t trade hir life’s service for a unicorn’s magic?

Only virtuous maidens may enter the forest to seek a creature as pure as a unicorn. Returning home empty-handed avoids provoking Father’s rage by confessing unacceptable truths, so what options has ze other than embarking upon a farcical quest for hir family’s salvation … and dreading the failure to come? No unicorn can ever grace an unrepentant liar!

Ponder isn’t good. But neither, ze discovers, is the unicorn.

Continue reading “Book Edition: The Girl and Her Unicorn”

Fiction: The Girl and Her Unicorn, Part Three

Banner for Nine Laws: Allosexual Aromantic Fairy Tales. Image features a tree in the foreground, lanterns hanging from its branches, against a background of heavily-overgrown grey stone walls and archways leading into smaller courtyards. Vines and ivy cover the walls, archways and steps; an array of grasses grow around the bases of trees and walls. Text is set in a white, slightly-curving serif type; white curlicues matching the text, set in each corner, form a broken frame around the text.

Ponder Sheafed can’t stop asking questions. Ze isn’t the girl others presume hir to be. Ze won’t become a wife or let a wedding’s absence stopper hir lust. Ze isn’t good, so maintaining hir kinsfolk’s high regard demands a complicated dance of stealth, secrecy and untruth. Ponder does, however, own some ability in deception … so when tragedy befalls hir family, how does ze explain that–despite all appearance to the contrary–ze can’t trade hir life’s service for a unicorn’s magic?

Only virtuous maidens may enter the forest to seek a creature as pure as a unicorn. Returning home empty-handed avoids provoking Father’s rage by confessing unacceptable truths, so what options has ze other than embarking upon a farcical quest for hir family’s salvation … and dreading the failure to come? No unicorn can ever grace an unrepentant liar!

Ponder isn’t good. But neither, ze discovers, is the unicorn.

You may learn, given time, that ‘good’ is but sunlight and seafoam … and all else is sapience.

Continue reading “Fiction: The Girl and Her Unicorn, Part Three”

Fiction: The Girl and Her Unicorn, Part Two

Banner for Nine Laws: Allosexual Aromantic Fairy Tales. Image features a tree in the foreground, lanterns hanging from its branches, against a background of heavily-overgrown grey stone walls and archways leading into smaller courtyards. Vines and ivy cover the walls, archways and steps; an array of grasses grow around the bases of trees and walls. Text is set in a white, slightly-curving serif type; white curlicues matching the text, set in each corner, form a broken frame around the text.

Ponder Sheafed can’t stop asking questions. Ze isn’t the girl others presume hir to be. Ze won’t become a wife or let a wedding’s absence stopper hir lust. Ze isn’t good, so maintaining hir kinsfolk’s high regard demands a complicated dance of stealth, secrecy and untruth. Ponder does, however, own some ability in deception … so when tragedy befalls hir family, how does ze explain that–despite all appearance to the contrary–ze can’t trade hir life’s service for a unicorn’s magic?

Only virtuous maidens may enter the forest to seek a creature as pure as a unicorn. Returning home empty-handed avoids provoking Father’s rage by confessing unacceptable truths, so what options has ze other than embarking upon a farcical quest for hir family’s salvation … and dreading the failure to come? No unicorn can ever grace an unrepentant liar!

Ponder isn’t good. But neither, ze discovers, is the unicorn.

Why must ze learn hir lesson only after ze has been ordained to uselessness?

Continue reading “Fiction: The Girl and Her Unicorn, Part Two”

Fiction: The Girl and Her Unicorn, Part One

Banner for Nine Laws: Allosexual Aromantic Fairy Tales. Image features a tree in the foreground, lanterns hanging from its branches, against a background of heavily-overgrown grey stone walls and archways leading into smaller courtyards. Vines and ivy cover the walls, archways and steps; an array of grasses grow around the bases of trees and walls. Text is set in a white, slightly-curving serif type; white curlicues matching the text, set in each corner, form a broken frame around the text.

Ponder Sheafed can’t stop asking questions. Ze isn’t the girl others presume hir to be. Ze won’t become a wife or let a wedding’s absence stopper hir lust. Ze isn’t good, so maintaining hir kinsfolk’s high regard demands a complicated dance of stealth, secrecy and untruth. Ponder does, however, own some ability in deception … so when tragedy befalls hir family, how does ze explain that–despite all appearance to the contrary–ze can’t trade hir life’s service for a unicorn’s magic?

Only virtuous maidens may enter the forest to seek a creature as pure as a unicorn. Returning home empty-handed avoids provoking Father’s rage by confessing unacceptable truths, so what options has ze other than embarking upon a farcical quest for hir family’s salvation … and dreading the failure to come? No unicorn can ever grace an unrepentant liar!

Ponder isn’t good. But neither, ze discovers, is the unicorn.

Ponder knows that consequences must someday claim hir. Ze just didn’t expect Mama to have to pay the price.

Continue reading “Fiction: The Girl and Her Unicorn, Part One”

Not Quite Aro: A K-Mart Stitching Stuff Post

Handdrawn illustration of a mountain road scene with trees in the foreground and bushes in the background. Scene is overlaid with the dark green/light green/white/grey/black stripes of the aro pride flag. The text Aro Worlds Resources sits across the image in a black, antique handdrawn type, separated by two ornate Victorian-style black dividers.

I began to make my cross-stitch pride patches because I couldn’t afford to buy aromantic pride merch. (I want to support other queer creators, but shipping to and within Australia was absurdly prohibitive before a pandemic, months of shutdowns and inflation.) I now write tutorials and share patterns because I’m not the only queer needing to go DIY when it comes to displaying pride. Given these origins, affordability and accessibility are important to me in when considering my sewing materials. (Not to mention avoiding those dread postage costs!) Since K-Mart now offers budget-friendly cross-stitch supplies, I wanted to write up a review.

Two sets of floss, a packet of white aida fabric for cross stitch and gold-coloured crane embroidery sicssors arranged on a blue microfibre blanket. Floss set one: light lavender, lavender, pastel blue, light green, dark green, olive, brown, black. Floss set two: maroon, tan, red, coral, light pink, peach, lemon, white. These K-Mart flosses are wrapped with two white paper bands and have a matte texture. The aida is also quite matte. All items are shown inside clear packaging with K-Mart's "Anko" branding.

This post covers materials that can be used for creating cross stitch patches or making-over embroidery kits in pride colours, including 14-count aida, floss packs and crane scissors. Please note that all prices are in Australian dollars (AUD) and may not be available in other countries.

(Spoiler: I really recommend the aida!)

Continue reading “Not Quite Aro: A K-Mart Stitching Stuff Post”

Fiction: Before Crows’ Eyes

Banner for Nine Laws: Aromantic Asexual Fairy Tales. Image features a tree in the foreground, lanterns hanging from its branches, against a background of heavily-overgrown grey stone walls and archways leading into smaller courtyards. Vines and ivy cover the walls, archways and steps; an array of grasses grow around the bases of trees and walls. Text is set in a white, slightly-curving serif type; white curlicues matching the text, set in each corner, form a broken frame around the text.

Even knows himself: son, baker, non-partnering. He doesn’t want to want sex, marriage or children; he wants the village’s acceptance of a life best lived crafting seed buns and fruit pies. He doesn’t want the local flock of crows as his only companions; he wants human friendships free of pressure and expectation. Most of all, he wants Ma to let go of the idea that a sorcerer’s magic can and must “fix” him.

Desperation leads Even into the forest to seek the only person who can advise him on resisting a sorcerer: the witch Miser Felled, “skilled purveyor of magic and pleasure”. A master of scandal-provoking arts never undertaken before open windows and watching birds. A mysterious figure who has more in common with Even than just an affinity for crows … and offers a more extraordinary solution than he ever thought possible.

Why weep for something no more rightly part of him than garlic in a recipe for apple pie?

Continue reading “Fiction: Before Crows’ Eyes”

Fiction: Like the Other Prince, Part Three

Cartoon-style illustration of shrubs, roses and grasses growing against a grey stone wall. Scene is overlaid with the mint/light mint/white/light pink/pink stripes of the abro pride flag. The text Marchverse sits across the image in a white, fantasy-style type.

(In Which Harper Can’t Avoid Nevo’s Questions)

Be sensible,” Mama says, “or be dead.”

Harper Mitzin Seili is many things: fashionable, witty, queer. Cautious … not so much. Nonetheless, life as a tavern server on the working side of Ihrne’s dividing wall demands preparation and limitation. He obeys the rules that matter. He remembers what Mama sacrificed for his chance to live as a man. Besides: the end-of-war Proclamations, issued in the name of Ihrne’s trans crown prince, promise a new, better world. A world in which safety doesn’t require his rejecting connection, intimacy and that shifting, nebulous thing called “attraction”.

But when the Traditionalists take up violence in protest of noble-issued laws, Harper’s risky ventures and glib tongue don’t just fail to steer him out of trouble: they destroy the life he and Mama spent two years building. He can stay and suffer at the hands of his neighbours … or begin anew in another place, under another name. A place where he must now submit to every restriction Mama, in her fears for him, deems “safe” and “sensible”.

A third way exists for Harper, if only he dares break Mama’s foremost rule … and several of his own.

Why must he exchange one set of expectations for another? Why can’t he pick what suits him from a wealth of possibilities and craft a masculinity that’s uniquely Harper?

Continue reading “Fiction: Like the Other Prince, Part Three”

Fiction: Like the Other Prince, Part Two

Cartoon-style illustration of shrubs, roses and grasses growing against a grey stone wall. Scene is overlaid with the mint/light mint/white/light pink/pink stripes of the abro pride flag. The text Marchverse sits across the image in a white, fantasy-style type.

(In Which Harper Is Not Actually Fine)

Be sensible,” Mama says, “or be dead.”

Harper Mitzin Seili is many things: fashionable, witty, queer. Cautious … not so much. Nonetheless, life as a tavern server on the working side of Ihrne’s dividing wall demands preparation and limitation. He obeys the rules that matter. He remembers what Mama sacrificed for his chance to live as a man. Besides: the end-of-war Proclamations, issued in the name of Ihrne’s trans crown prince, promise a new, better world. A world in which safety doesn’t require his rejecting connection, intimacy and that shifting, nebulous thing called “attraction”.

But when the Traditionalists take up violence in protest of noble-issued laws, Harper’s risky ventures and glib tongue don’t just fail to steer him out of trouble: they destroy the life he and Mama spent two years building. He can stay and suffer at the hands of his neighbours … or begin anew in another place, under another name. A place where he must now submit to every restriction Mama, in her fears for him, deems “safe” and “sensible”.

A third way exists for Harper, if only he dares break Mama’s foremost rule … and several of his own.

Hindsight offers only the obvious: a man with too stiff a spine to kneel, too glib a tongue to grovel and too weak an arm to fight has no business making himself available to those wishing harm.

Continue reading “Fiction: Like the Other Prince, Part Two”