Hallo, Aro: Pillar – K. A. Cook

Banner for Hallo, Aro Allosexual Aro Flash Fiction. Image features dark black handwritten type on a mottled green background. Diagonal rows of arrows with bands, heads and fletching in the colours of the green/light green/white/yellow/gold allo-aro pride flag cross the image above and below the text.

Hallo, Aro is a series of flash fiction stories about allosexual aromantic characters navigating friendship, sexual attraction, aromanticism and the weight of amatonormative expectation.

Contains: A allo-aro woman who doesn’t choose marriage and children … and a society that expects she use her time in service to those who did.

When fog creeps and moon fades, the desperate seek out gods few dare name.

Continue reading “Hallo, Aro: Pillar – K. A. Cook”

Pride Patch Tutorial: Aromantic Alphabet, Part Three

Six digitally-created versions of cross stitch pride patches, arranged in two rows of three, against a background of a textured partially-translucent aromantic pride flag. Text between the two rows reads Aro Pride Patches in black type. Patches include a rectangular patch in aroflux zigzag stripes, an idemromantic heart, an aro flag text patch reading "aro", a square in quoiromantic stripes, an arrow design in allo-aro colours and a second arrow in nebularomantic colours.

Are you an aromantic or otherwise queer person wanting more text patch designs for five or ten-stripe pride flags? Do you crave patches depicting longer words like “aromantic asexual”? I now have a complete alphabet, with narrow letters ideal for stitching non-abbreviated terms, to accompany my many five-stripe block text patterns. Plus patterns for the words “aromantic”, “allosexual”, “asexual”, “non sam aro” and “arospec” … and adaptations for my 8 x 10 block A is for Aro letter frame designs!

Seven cross stitch text patches sitting on a blue microfibre blanket. From top to bottom: "aroace" in angled aro-ace colours on an olive background; "aro" in aromantic colours on a pink background; "aromantic" in aromantic colours on a yellow background; "pride" in allo-aro colours on a purple-grey background; "allosexual" in allo-aro colours on a pink background; "pride" in apothiromantic colours on a gold-tan background; and "flux" in aroflux colours on a light purple background. All letters are capitals in a blockish style of text with rounded corners. Each letter is outlined in backstitch. Every patch is finished with a buttonhole stitch edging in colours similar to (lighter or darker than) their background colour.

You’ll need familiarity with cross stitch (full crosses and fractional stitches) and backstitch to make unedged patches, along with buttonhole stitch to make the edged patches shown above. The first instalment of this patch tutorial series demonstrates cross and blanket/buttonhole stitch, while the second covers backstitch. While these patterns use fractional stitches to round off most letters, they can be omitted for a more pixellated look.

Folks after patterns suitable for three, four, six and twelve-stripe pride flags should check out my 10 x 12 Aro Alphabet and Letter Patch tutorials.

Continue reading “Pride Patch Tutorial: Aromantic Alphabet, Part Three”

Fiction: Like the Other Prince, Part Three

Cartoon-style illustration of shrubs, roses and grasses growing against a grey stone wall. Scene is overlaid with the mint/light mint/white/light pink/pink stripes of the abro pride flag. The text Marchverse sits across the image in a white, fantasy-style type.

(In Which Harper Can’t Avoid Nevo’s Questions)

Be sensible,” Mama says, “or be dead.”

Harper Mitzin Seili is many things: fashionable, witty, queer. Cautious … not so much. Nonetheless, life as a tavern server on the working side of Ihrne’s dividing wall demands preparation and limitation. He obeys the rules that matter. He remembers what Mama sacrificed for his chance to live as a man. Besides: the end-of-war Proclamations, issued in the name of Ihrne’s trans crown prince, promise a new, better world. A world in which safety doesn’t require his rejecting connection, intimacy and that shifting, nebulous thing called “attraction”.

But when the Traditionalists take up violence in protest of noble-issued laws, Harper’s risky ventures and glib tongue don’t just fail to steer him out of trouble: they destroy the life he and Mama spent two years building. He can stay and suffer at the hands of his neighbours … or begin anew in another place, under another name. A place where he must now submit to every restriction Mama, in her fears for him, deems “safe” and “sensible”.

A third way exists for Harper, if only he dares break Mama’s foremost rule … and several of his own.

Why must he exchange one set of expectations for another? Why can’t he pick what suits him from a wealth of possibilities and craft a masculinity that’s uniquely Harper?

Continue reading “Fiction: Like the Other Prince, Part Three”

Fiction: Like the Other Prince, Part Two

Cartoon-style illustration of shrubs, roses and grasses growing against a grey stone wall. Scene is overlaid with the mint/light mint/white/light pink/pink stripes of the abro pride flag. The text Marchverse sits across the image in a white, fantasy-style type.

(In Which Harper Is Not Actually Fine)

Be sensible,” Mama says, “or be dead.”

Harper Mitzin Seili is many things: fashionable, witty, queer. Cautious … not so much. Nonetheless, life as a tavern server on the working side of Ihrne’s dividing wall demands preparation and limitation. He obeys the rules that matter. He remembers what Mama sacrificed for his chance to live as a man. Besides: the end-of-war Proclamations, issued in the name of Ihrne’s trans crown prince, promise a new, better world. A world in which safety doesn’t require his rejecting connection, intimacy and that shifting, nebulous thing called “attraction”.

But when the Traditionalists take up violence in protest of noble-issued laws, Harper’s risky ventures and glib tongue don’t just fail to steer him out of trouble: they destroy the life he and Mama spent two years building. He can stay and suffer at the hands of his neighbours … or begin anew in another place, under another name. A place where he must now submit to every restriction Mama, in her fears for him, deems “safe” and “sensible”.

A third way exists for Harper, if only he dares break Mama’s foremost rule … and several of his own.

Hindsight offers only the obvious: a man with too stiff a spine to kneel, too glib a tongue to grovel and too weak an arm to fight has no business making himself available to those wishing harm.

Continue reading “Fiction: Like the Other Prince, Part Two”

Fiction: Like the Other Prince, Part One

Cartoon-style illustration of shrubs, roses and grasses growing against a grey stone wall. Scene is overlaid with the mint/light mint/white/light pink/pink stripes of the abro pride flag. The text Marchverse sits across the image in a white, fantasy-style type.

(In Which Harper Can’t Talk His Way Out of Trouble)

Be sensible,” Mama says, “or be dead.”

Harper Mitzin Seili is many things: fashionable, witty, queer. Cautious … not so much. Nonetheless, life as a tavern server on the working side of Ihrne’s dividing wall demands preparation and limitation. He obeys the rules that matter. He remembers what Mama sacrificed for his chance to live as a man. Besides: the end-of-war Proclamations, issued in the name of Ihrne’s trans crown prince, promise a new, better world. A world in which safety doesn’t require his rejecting connection, intimacy and that shifting, nebulous thing called “attraction”.

But when the Traditionalists take up violence in protest of noble-issued laws, Harper’s risky ventures and glib tongue don’t just fail to steer him out of trouble: they destroy the life he and Mama spent two years building. He can stay and suffer at the hands of his neighbours … or begin anew in another place, under another name. A place where he must now submit to every restriction Mama, in her fears for him, deems “safe” and “sensible”.

A third way exists for Harper, if only he dares break Mama’s foremost rule … and several of his own.

If Mama trusts him to lie about a betrothal to a girl in Astreut, why can’t she also trust him to decide when to risk participating in a world void of safety?

Continue reading “Fiction: Like the Other Prince, Part One”

Pride Patch Tutorial: Aromantic Alphabet, Part Two

Six digitally-created versions of cross stitch pride patches, arranged in two rows of three, against a background of a textured partially-translucent aromantic pride flag. Text between the two rows reads Aro Pride Patches in black type. Patches include a rectangular patch in aroflux zigzag stripes, an idemromantic heart, an aro flag text patch reading "aro", a square in quoiromantic stripes, an arrow design in allo-aro colours and a second arrow in nebularomantic colours.

Are you an aromantic or otherwise queer person wanting letter patches using pride flags with three, four, six or even twelve horizontal stripes? Are you craving patches that read “cupioromantic” or “oriented aroace”? Do you yearn to sew a “fuck the binary” patch in the colours of the non-binary pride flag? I now have frame-patch patterns suitable for three, four and six-stripe flags plus a complete rescaling of my five-stripe lower-case alphabet!

Four cross stitch patches sitting on a blue microfibre blanket. All feature pixel-style letters divided into four or six horizontal stripes, sewn in the colours of various pride flags. The top patch reads "quoi" in the colours of the quoiromantic flag, sewn on a teal background with a blue buttonhole-stitch border. The left-hand patch is sewn on plastic canvas and features a "Q" in rainbow stripes on a black background; it hangs from a silver keychain. The centre patch is an "I" in the colours of the idemromantic flag on a light mint background with an aqua buttonhole stitch border. The right-hand patch is an "a" in the colours of an aromantic-spectrum pride flag on a black background with a black buttonhole stitch border. Both "I" and "a" patches have a frame surrounding the letter in the colours of their respective pride flags; the "Q" keychain doesn't.

These rescaled patterns will let you stitch words and letters in the colours of any horizontal three, four, six and twelve-stripe flag design. Every letter also fits inside the new 10 x 12 block version of my A is for Aro frame pattern, massively expanding the range of identities encompassed by my icon-style letter patches.

You’ll need familiarity with cross stitch (full crosses and fractional stitches) and backstitch to make unedged patches, along with a buttonhole/closed blanket stitch to make the edged patches shown above. The first instalment of this patch tutorial series demonstrates cross and blanket/buttonhole stitch, while the second covers backstitch.

Folks after patterns suitable for five and ten-stripe pride flags should check out my 8 x 10 Aro Alphabet and my 8 x 10 Letter Patch tutorials.

Continue reading “Pride Patch Tutorial: Aromantic Alphabet, Part Two”

Pride Patch Tutorial: Aro Text, Part Seven

Six digitally-created versions of cross stitch pride patches, arranged in two rows of three, against a background of a textured partially-translucent aromantic pride flag. Text between the two rows reads Aro Pride Patches in black type. Patches include a rectangular patch in aroflux zigzag stripes, an idemromantic heart, an aro flag text patch reading "aro", a square in quoiromantic stripes, an arrow design in allo-aro colours and a second arrow in nebularomantic colours.

Part seven of my text patch miniseries provides patterns for pride flags with, appropriately, seven horizontal stripes! These patterns suit many aro-ace and aro-ace agender flags as well as some aro, allo-aro, ace and a-spec spectrum flags.

Two cross stitch patches sitting on a blue microfibre blanket. Both feature block-style letters divided into seven horizontal stripes, sewn in the colours of various pride flags. The top patch reads "alloaro" in the colours of the green/aqua/magenta/light blue/white/yellow/gold allo-aro spectrum flag, sewn on a lilac background with a lilac buttonhole-stitch border. The bottom patch reads "aro" in the colours of the green/black/grey/white/grey/black/green aro spectrum flag, sewn on a green background with a variegated green buttonhole-stitch border.

You’ll need familiarity with cross stitch (full crosses and fractional stitches) and backstitch to make unedged patches, along with a buttonhole/closed blanket stitch to make the edged patches shown above. My first patch tutorial demonstrates cross and blanket/buttonhole stitch, while the second covers backstitch.

Continue reading “Pride Patch Tutorial: Aro Text, Part Seven”

How to Ally: Advising for Sex-Negative Language

Handdrawn illustration of a yellow pasture against a background of hills and sporadic trees. Scene is overlaid with the dark green/light green/white/yellow/gold stripes of the allo-aro pride flag. The text Aro Worlds Discussion Post sits across the image in a black, antique handdrawn type, separated by two ornate Victorian-style black dividers.

Note: I consider this site’s content advisory page sufficient for non-fiction posts, but as I need asexuals to read this essay, I’ll begin by saying that I reference sexual attraction, sex acts, sex repulsion and sexualisation. And romance! I also cite common examples of sex negativity/sex-negative language, misogyny, ableism, cissexism, heterosexism, amatonormativity and allo-aro antagonism.

I now seldom participate in–and even actively avoid–online general aromantic and a-spec spaces.

This isn’t because I don’t wish to meet other aros. This isn’t because I’m uninterested in what other aros have to say. This also isn’t entirely because chronic pain limits my online interaction and I can’t afford the supports/technology needed for full access (although this is the reason why I fail in replying to comments and asks).

This is because any space predominantly occupied by asexuals results in my being exposed to posts that hurt like a punch to the gut.

Continue reading “How to Ally: Advising for Sex-Negative Language”

Book Edition: Love in the House of the Ravens

Cartoon-style illustration of shrubs, roses and grasses growing against a grey stone wall. Scene is overlaid with the dark green/light green/white/yellow/gold stripes of the allo-aro pride flag. The text Marchverse sits across the image in a white, fantasy-style type.
Cover image for Love in the House of the Ravens by K. A. Cook. Cover shows a wooden bed set against a stone wall, with filmy curtains draped over the wall and bed. A translucent room divider is set off to the side, with a chest and boxes visible through it. The subtitle "a marchverse short story" is written in white handdrawn type. Title and author text is written in brown handdrawn type.

After seven years in Rajad, Darius has fallen out of love with the unattainable and avoided falling in love with the companionate. If he lives at arm’s length from passion, isn’t that better than risking the abuse his fellow mercenaries so eagerly deliver to an autistic who can’t quite fit in? But when the right person suggests a romantic relationship, “yes” still won’t grace his tongue, and Darius hasn’t the least idea why. He likes Harlow. Shouldn’t he want to love her?

The only thing he can do is turn to his old friends and rescuers, the Ravens. They have an answer if he can stumble his way through asking the question … but it may upend every truth Darius thinks he knows about himself.

Love in the House of the Ravens is a story about what it means to be aromantic and autistic when the world isn’t accepting of either.

Continue reading “Book Edition: Love in the House of the Ravens”

Pride Month Patch Patterns: (Not Aro) Queer Text

Text reading "pride patch patterns" against a grey grid background. The words pride and pattern are written in a black handdrawn/script font and outlined with white. The word patch is drawn pixel-style like a cross stitch pattern and filled in with the green/light green/white/grey/black stripes of the aromantic flag.

I thought I’d continue the Pride Month theme by expanding my library of patterns to encompass non-aromantic identities. Alas, this isn’t a fully-inclusive collection! Many identities require letters not yet designed, as I’ve completed only one of my patch pattern alphabets. While today’s patterns do use some new or modified letters, time constraints meant that I chose identities with simpler-for-me names.

Four cross stitch patches sitting on top of a collection of various flag, arrow and heart pride patches. All feature the word "pride" sewn in the colours of the transgender (navy background with blue/white/pink border), rainbow (white background with white border), allo-aro (purple background with mottled pink/grey/mauve border) and nebularomantic (mint background with darker mint border) pride flags. Each letter is outlined in backstitch and every patch is finished with a buttonhole stitch edging.

Additional queer, polysexual, asexual and bisexual text patch patterns–along with a lower-case alphabet that can be adapted to any horizontal, five-striped pride flag–are available at my patch pattern gallery. Folks wishing “genderfluid” or “omnisexual” patches can use this alphabet to create their own patterns by following my tutorial. I also have several aromantic-spectrum text patterns, many of which can be adapted for asexual spectrum identities.

Folks who need help with materials, stitching, finishing or attaching patches should check out last week’s pride text tutorial and my tutorial master page.

Continue reading “Pride Month Patch Patterns: (Not Aro) Queer Text”