Pride Patch Patterns: Aro Arrows, Part One

Six digitally-created versions of cross stitch pride patches, arranged in two rows of three, against a background of a textured partially-translucent aromantic pride flag. Text between the two rows reads Aro Pride Patches in black type. Patches include a rectangular patch in aroflux zigzag stripes, an idemromantic heart, an aro flag text patch reading "aro", a square in quoiromantic stripes, an arrow design in allo-aro colours and a second arrow in nebularomantic colours.

A couple of years ago, I posted a tutorial for making pride-themed arrow cross-stitch patches. Unfortunately, the template I used back then made it difficult (read: time-consuming) for me to post patterns covering flag style and stripe variants. This isn’t the case with my current template, so for Aro Week I thought I’d update my arrow patterns to cover a greater selection of aromantic flags … starting with simple horizontal stripes.

Four cross stitch patches sitting on a blue microfibre blanket. Two of them are arrows stitched on a single-colour rectangular background, edged with buttonhole stitch; two of them are arrows with the buttonhole edging shaped around the arrow itself. All arrows have a tan and light tan shaft, grey arrowhead and fletching in the colours of various horizontal-striped pride flags. From top to bottom: rectangle allo-aro arrow on light green background with green edging, shaped allo-aro arrow with white edging, loveless aromantic arrow on dark green background with yellow/green multicoloured edging, and shaped quoiromantic arrow with mint edging.

Folks who need help with materials, stitching, finishing or attaching patches should check out my tutorial master page.

Previous patterns are available at my pattern gallery.

Continue reading “Pride Patch Patterns: Aro Arrows, Part One”

Discussing Allo-Aro Identity (And Why Fluid Folks Need Better Definitions)

Handdrawn illustration of a yellow pasture against a background of hills and sporadic trees. Scene is overlaid with the dark green/light green/white/yellow/gold stripes of the allo-aro pride flag. The text Aro Worlds Discussion Post sits across the image in a black, antique handdrawn type, separated by two ornate Victorian-style black dividers.

I began my Allo-Aro 101 page by defining the words “allosexual” and “aromantic”. If “allosexual” is uncommon terminology outside a-spec spaces, “allo-aro” (in all its grammatical and stylistic permutations) is even less accepted. “Aromantic” itself voyages into arcane language, often understood by outsiders as only a relationship to or a form of asexuality. Visitors to this website may not know what “allo-aro” means, so–limited by current terminology and conceptualisations of the split attraction model–I follow the well-trodden educator’s path of first mimicking a dictionary.

I consider my following explanation more important, as an allo-aro whose relationship to this identity cannot exist untouched by fluidity:

Any allosexual aromantic who isn’t also, solely and permanently, asexual; or any aromantic who wishes to centre their experience of sexual attraction alongside their aromanticism. Heterosexual aros, bisexual aros, pansexual aros, gay aros, lesbian aros and aros with fluid or shifting attractions inclusive of allosexuality can identify as allo-aro.

Some allo-aros identify as both asexual and allosexual or shift between them. Abrosexual aros may be entirely allosexual or experience both asexual and allosexual identities. Aceflux aros may experience allosexual identities along with their asexual ones. Being solely and permanently allosexual should never be a requirement for allo-aro identity and community participation.

I can count on one hand (with spare fingers!) how often I’ve seen fellow a-specs acknowledge attraction’s potential fluidity in their defining of “allo-aro”. In stressing adverbs like “permanently”, I am an outlier in the genre of explaining allo-aro identity and community membership.

Most allo-aros explain our identity by the words comprising this term: allosexual and aromantic. What more need one say on this subject after coming to agreed-upon meanings for the words “allosexual” and “aromantic”? What more need one say than to explain that allo-aros are aromantic and not-asexual?

Such an explanation erases a non-zero number of fluid allo-aros (not to mention forcing aromantics who are neither asexual nor allosexual, or reject identifying with this binary construct, under the allo-aro umbrella).

It erases me.

Continue reading “Discussing Allo-Aro Identity (And Why Fluid Folks Need Better Definitions)”

Pride Patch Tutorial: Aro Text, Part Two

Six digitally-created versions of cross stitch pride patches, arranged in two rows of three, against a background of a textured partially-translucent aromantic pride flag. Text between the two rows reads Aro Pride Patches in black type. Patches include a rectangular patch in aroflux zigzag stripes, an idemromantic heart, an aro flag text patch reading "aro", a square in quoiromantic stripes, an arrow design in allo-aro colours and a second arrow in nebularomantic colours.

Part two of this text patch miniseries provides the patterns for four and five-stripe “aroace” cross stitch patch designs and a four-stripe “aro” design.

Five cross-stitched patches sitting on a blue microfibre blanket. Each are a rectangle bearing text stitched in the flag coloured stripes against a solid-coloured background and a matching embroidered border. From top to bottom" "abro" in abro colours and block capitals with a dark purple background; "aro" in green/white aro flag colours and lower case letters with a yellow/gold background; "aro" in green/white aro flag colours and block capitals with a light green background; "alloaro" in yellow/gold allo-aro flag colours and block capitals with a mint background; and "aroace" in yellow/brown angled aro-ace block capitals with an olive background.

For a complete guide to the stitching process, please see part one, where I’ve posted step-by-step instructions with my “aro” patch as an example. Other than factoring in differing sizes of aida swatches and floss colours, there is no change in the sewing process. All patterns can be similarly modified in terms of letter spacing, use of quarter stitches and layout.

As a bonus, I’ve also provided four and five stripe “ace” patterns!

Continue reading “Pride Patch Tutorial: Aro Text, Part Two”

When Asexuals Belong In Allo-Aro Spaces

Handdrawn illustration of a yellow pasture against a background of hills and sporadic trees. Scene is overlaid with the dark green/light green/white/yellow/gold stripes of the allo-aro pride flag. The text Aro Worlds Discussion Post sits across the image in a black, antique handdrawn type, separated by two ornate Victorian-style black dividers.

On my Allo-Aro 101 page, after explaining what the words “aromantic” and “allosexual” mean, I state whom the label “allo-aro” represents:

Any allosexual aromantic who isn’t also, solely and permanently, asexual; or any aromantic who wishes to centre their experience of sexual attraction alongside their aromanticism. Heterosexual aros, bisexual aros, pansexual aros, gay aros, lesbian aros and aros with fluid or shifting attractions can identify as allo-aro.

(Allosexual, as a general rule, means “experiences sexual attraction while not on the asexual spectrum”.)

This isn’t a description common to those folks concerned with explaining and defining allo-aro identity. In most circumstances, a-specs define allo-aro as “aromantic and allosexual” or “aromantic and not asexual”.

Allo-aro is positioned in opposition to asexuality to such a point that it is difficult to define why allo-aro exists as an aromantic identity without referencing asexuality. In practice, it has become a rallying cry of I am aromantic but not asexual against a broader culture of assuming aromanticism is only valid, acceptable or safe when paired with asexuality. Why shouldn’t allo-aros stick to those simple definitions? Why complicate matters with additional words like “solely” or “permanently”?

If we regard allo-aro identity as a mere statement of one’s present allosexuality and aromanticism, I’m not currently allo-aro.

Continue reading “When Asexuals Belong In Allo-Aro Spaces”

DiOW: Jeile

Cartoon-style illustration of shrubs, roses and grasses growing against a grey stone wall. Scene is overlaid with the dark green/light green/white/grey/black stripes of the aro pride flag. The text Marchverse sits across the image in a white, fantasy-style type.

A risky disclosure at the bookstore allows Nevo to welcome another queer to the underground, but Jeile is more mystery than co-conspirator.

Setting: Two years before the beginning of the war referenced in Their Courts of Crows and Maybe When the Bones CrumbleDifferent in Other Ways introduces a brand-new set of characters and circumstances; readers don’t need any familiarity with my other works.

Jeile takes place several months before Booksellers Who Know Things, because I refuse to recognise the validity of something called chronological order.

Content Advisory: Casual swearing; references to classism; references to misogyny, allosexism, cissexism, and heterosexism; casual references to sex and sexual attraction; casual references to asexuality; and depictions of anxiety and avoidant personality disorder as shaped by autism.

Links: Series Master Post | Patreon

Previous: Booksellers Who Know Things | Men Bound by Blood

Length: 3, 351 words.

A quiet day leaves Nevo with a chance to sort, catalogue and price a new lot of books without interruptions from customers. He’ll never admit it, but he finds the work soothing despite its repetition. Take a book, study its condition, check his record books for the prices of similar volumes and notes on rarity, write it in and shelve—preferably, although not always, with other books on the subject. It’s the satisfaction, he supposes, in even small ways of conquering the shop’s tendency to unbridled chaos. He likes cleaning and tidying; he’s never understood, as a son living with his father, why these things are considered unmasculine. What’s unmanly about tolerating unnecessary clutter?

The bell rings as he moves the last of the atlases to their new bottom shelf. Nevo bites back a groan and straightens in time to see a fat person in a plain dress and shawl hesitate just inside the doorway.

“Good mor—noon! Good afternoon. How may I help you?”

Long, straight brown hair falls in a braid down her back; dark eyes rest on scuffed boots peeking out from under the hem of her russet dress and cream petticoats. The dress betrays brighter streaks of red at the bust and side seams where it’s been let out, but it fits her broad chest and heavy arms without bulging or straining, and he sighs in envy. He can darn and patch, salvaging stockings and trousers worn at the knee, but fitting a second-hand shirt large enough for his shoulders without sagging at the waist is a skill beyond him. Is she a seamstress? Something about her looks familiar, but when he thinks back on the tailors, drapers and weavers occupying Devotion Lane, he can’t place her face.

“Good noon.” She doesn’t look up from her boots. Skin midway between olive and sienna darkens at her cheeks and nose, and she clutches a battered leather satchel tight to her side. A braided cord hangs around her neck, damp at the front as though chewed on. Small nose, even teeth, fluttering eyelids, creased brow. Nervous? “I want … I have a list of books. Would you be able to tell me if you have them? Please?”

Her high, stuttering voice sounds a little too clipped for downwall folk, but the clothes are worn by every labouring woman in the Boneyard.

“I can do that, ma’am.” Nevo stays by the shelf, thinking it better if she comes to him, but she flinches as though he moved at her. “I can also take down a list and let you know should we get them in—particularly if you want anything from outside.”

She reaches into the satchel and pulls out a folded, crumpled piece of paper. Only then does she take three steps, moving just far enough that she can extend her hand and let Nevo reach for the sheet, her eyes now fixed on the shelf of atlases. “These ones. Please. It’s for … research. I’m … a student and I’m researching, the, the … the ways of the … their disregard of…”

Nevo takes the list from her fingers, draws his arm back to give her space, unfolds the sheet … and blinks.

Keep reading at Patreon: Jeile

Poetry Collection: Aro and Loveless

Handdrawn illustration of a green meadow foreground with green and yellow pine trees growing against a mint-hued sky. Scene is overlaid with the grey gradient/green/light green/green/grey gradient stripes of the loveless aromantic pride flag. The text Aro Worlds Poetry sits across the image in a black, antique handdrawn type, separated by two ornate Victorian-style black dividers.

In my current queue and drafts for Tumblr, it feels like the majority of fiction and poetry is centred on promoting, celebrating and valuing the non-romantic ways aros still love. As much as I respect and support the need for other aros to tell their stories about love, I have to admit to feeling alienated. I’m struggling to find an equal number of depictions of aro identity and self-expression that don’t focus on an aro’s love.

So here’s a collection of reblogged aro poetry more welcoming for loveless aros and aros with complicated relationships to love. These pieces still reference love and discuss love, romance and amatonormativity. They’re not, however, focused on presenting or showcasing the author or narrator’s platonic or familial love. In other words, an aro narrator’s need to love or have their love seen and valued by others is not what these poems are about.

Continue reading “Poetry Collection: Aro and Loveless”