Love in the House of the Ravens – Part Ten

Cartoon-style illustration of shrubs, roses and grasses growing against a grey stone wall. Scene is overlaid with the dark green/light green/white/yellow/gold stripes of the allo-aro pride flag. The text Marchverse sits across the image in a white, fantasy-style type.

After seven years in Rajad, Darius has fallen out of love with the unattainable and avoided falling in love with the companionate. If he lives at arm’s length from passion, isn’t that better than risking the abuse his fellow mercenaries so eagerly deliver to an autistic who can’t quite fit in? But when the right person suggests a romantic relationship, “yes” still won’t grace his tongue, and Darius hasn’t the least idea why. He likes Harlow. Shouldn’t he want to love her?

The only thing he can do is turn to his old friends and rescuers, the Ravens. They have an answer if he can stumble his way through asking the question … but it may upend every truth Darius thinks he knows about himself.

Content Advisory: Discussion of the intersectionality between autistic-targeted ableism and amatonormativity and the ways said ableism make more difficult an acceptance of aromantic identity. This section includes ableism/abuse, assault and self-harm and/or wound mentions.

Length: 863 words.

Links: Beginning | Previous | Next

A word isn’t a gift if you can’t discard it. Keep it, or not, as you want.

Continue reading “Love in the House of the Ravens – Part Ten”

Love in the House of the Ravens – Part Nine

Cartoon-style illustration of shrubs, roses and grasses growing against a grey stone wall. Scene is overlaid with the dark green/light green/white/yellow/gold stripes of the allo-aro pride flag. The text Marchverse sits across the image in a white, fantasy-style type.

After seven years in Rajad, Darius has fallen out of love with the unattainable and avoided falling in love with the companionate. If he lives at arm’s length from passion, isn’t that better than risking the abuse his fellow mercenaries so eagerly deliver to an autistic who can’t quite fit in? But when the right person suggests a romantic relationship, “yes” still won’t grace his tongue, and Darius hasn’t the least idea why. He likes Harlow. Shouldn’t he want to love her?

The only thing he can do is turn to his old friends and rescuers, the Ravens. They have an answer if he can stumble his way through asking the question … but it may upend every truth Darius thinks he knows about himself.

Content Advisory: Discussion of the intersectionality between autistic-targeted ableism and amatonormativity and the ways said ableism make more difficult an acceptance of aromantic identity.

Length: 998 words.

Links: Beginning | Previous | Next

Does an inability to conform again need labelling when he owns one dangerous word, one whose roots entangle everything Darius was, is and will be?

Continue reading “Love in the House of the Ravens – Part Nine”

Love in the House of the Ravens – Part Eight

Cartoon-style illustration of shrubs, roses and grasses growing against a grey stone wall. Scene is overlaid with the dark green/light green/white/yellow/gold stripes of the allo-aro pride flag. The text Marchverse sits across the image in a white, fantasy-style type.

After seven years in Rajad, Darius has fallen out of love with the unattainable and avoided falling in love with the companionate. If he lives at arm’s length from passion, isn’t that better than risking the abuse his fellow mercenaries so eagerly deliver to an autistic who can’t quite fit in? But when the right person suggests a romantic relationship, “yes” still won’t grace his tongue, and Darius hasn’t the least idea why. He likes Harlow. Shouldn’t he want to love her?

The only thing he can do is turn to his old friends and rescuers, the Ravens. They have an answer if he can stumble his way through asking the question … but it may upend every truth Darius thinks he knows about himself.

Content Advisory: Fantasy violence, sexual attraction and sex mentions, along with a discussion of amatonormativity.

Length: 1, 054 words.

Links: Beginning | Previous | Next

Yes, voiced to romance’s expectation, doesn’t feel as dangerous as assenting to Ila’s alternative.

Continue reading “Love in the House of the Ravens – Part Eight”

Love in the House of the Ravens – Part Seven

Cartoon-style illustration of shrubs, roses and grasses growing against a grey stone wall. Scene is overlaid with the dark green/light green/white/yellow/gold stripes of the allo-aro pride flag. The text Marchverse sits across the image in a white, fantasy-style type.

After seven years in Rajad, Darius has fallen out of love with the unattainable and avoided falling in love with the companionate. If he lives at arm’s length from passion, isn’t that better than risking the abuse his fellow mercenaries so eagerly deliver to an autistic who can’t quite fit in? But when the right person suggests a romantic relationship, “yes” still won’t grace his tongue, and Darius hasn’t the least idea why. He likes Harlow. Shouldn’t he want to love her?

The only thing he can do is turn to his old friends and rescuers, the Ravens. They have an answer if he can stumble his way through asking the question … but it may upend every truth Darius thinks he knows about himself.

Content Advisory: Assault mention, discussions of romantic attraction and amatonormativity.

Length: 1, 104 words.

Links: Beginning | Previous | Next

The world doesn’t have common language for what it feels like not to feel.

Continue reading “Love in the House of the Ravens – Part Seven”

Love in the House of the Ravens – Part Six

Cartoon-style illustration of shrubs, roses and grasses growing against a grey stone wall. Scene is overlaid with the dark green/light green/white/yellow/gold stripes of the allo-aro pride flag. The text Marchverse sits across the image in a white, fantasy-style type.

After seven years in Rajad, Darius has fallen out of love with the unattainable and avoided falling in love with the companionate. If he lives at arm’s length from passion, isn’t that better than risking the abuse his fellow mercenaries so eagerly deliver to an autistic who can’t quite fit in? But when the right person suggests a romantic relationship, “yes” still won’t grace his tongue, and Darius hasn’t the least idea why. He likes Harlow. Shouldn’t he want to love her?

The only thing he can do is turn to his old friends and rescuers, the Ravens. They have an answer if he can stumble his way through asking the question … but it may upend every truth Darius thinks he knows about himself.

Content Advisory: Mentions of neuronormative expectations and language, with depictions of some of the casual ways they’re used against autistics and/or the neurodiverse.

Length: 728 words.

Links: Beginning | Previous | Next

Do you feel like you should want her?

Continue reading “Love in the House of the Ravens – Part Six”

Love in the House of the Ravens – Part Five

Cartoon-style illustration of shrubs, roses and grasses growing against a grey stone wall. Scene is overlaid with the dark green/light green/white/yellow/gold stripes of the allo-aro pride flag. The text Marchverse sits across the image in a white, fantasy-style type.

After seven years in Rajad, Darius has fallen out of love with the unattainable and avoided falling in love with the companionate. If he lives at arm’s length from passion, isn’t that better than risking the abuse his fellow mercenaries so eagerly deliver to an autistic who can’t quite fit in? But when the right person suggests a romantic relationship, “yes” still won’t grace his tongue, and Darius hasn’t the least idea why. He likes Harlow. Shouldn’t he want to love her?

The only thing he can do is turn to his old friends and rescuers, the Ravens. They have an answer if he can stumble his way through asking the question … but it may upend every truth Darius thinks he knows about himself.

Content Advisory: Descriptions of wounds and blood, non-explicit sexual experience mentions. This chapter includes discussions of the way sexual experiences are shaped by autism, autistic modes of communication and the infantilising of allosexual autistic adults by allistics (non-autistics).

Length:  884 words.

Links: Beginning | Previous | Next

He ruined everything by freezing: unable to say yes, unable to say no, unable to keep from hurting her in his speechless confusion

Continue reading “Love in the House of the Ravens – Part Five”

Love in the House of the Ravens – Part Four

Cartoon-style illustration of shrubs, roses and grasses growing against a grey stone wall. Scene is overlaid with the dark green/light green/white/yellow/gold stripes of the allo-aro pride flag. The text Marchverse sits across the image in a white, fantasy-style type.

After seven years in Rajad, Darius has fallen out of love with the unattainable and avoided falling in love with the companionate. If he lives at arm’s length from passion, isn’t that better than risking the abuse his fellow mercenaries so eagerly deliver to an autistic who can’t quite fit in? But when the right person suggests a romantic relationship, “yes” still won’t grace his tongue, and Darius hasn’t the least idea why. He likes Harlow. Shouldn’t he want to love her?

The only thing he can do is turn to his old friends and rescuers, the Ravens. They have an answer if he can stumble his way through asking the question … but it may upend every truth Darius thinks he knows about himself.

Content Advisory: Descriptions of wounds and blood, bullying and the ableism targeted at people who can’t conform to neuronormative modes of speech. This chapter begins increasing romance mentions and discussions between alloromantic (Akash) and aromantic (Ila, Darius) characters.

Length: 935 words.

Links: Beginning | Previous | Next

You never give a family heirloom to a romantic partner before you’ve formalised the relationship.

Continue reading “Love in the House of the Ravens – Part Four”

Aro-Spec Artist Profile – K. A. Cook

Handdrawn watercolour-style image of a sparse forest of redwood trees growing among grassy hills, with a white and orange fox sitting in the grass at the base of a tree on the viewer's right-hand side of the image. Scene is overlaid with the dark green/light green/white/grey/black stripes of the aro pride flag. The text Aro Worlds Artist Profiles sits across the image in a black, antique handdrawn type, separated by two ornate Victorian-style black dividers.

Hello! You all know me as the autistic, disabled, transgender, abrosexual, allo-aro Australian behind @aroworlds, @alloaroworlds and the Hallo, Aro short story series. I also have a Ko-fi you can support if so inclined, and you can find all my books on my personal website or collected by theme: allo-aro and aromantic.

Aside from the writing, I’ve worked as an editor and text designer on various community publications. When my hands allow, I like to sew, craft, bead and scrapbook. I’ve made everything from fidget toys for my @stimtoybox blog to dollhouse miniatures.

I’m here to talk about how disability separates me from my own aro-spec community, the importance of early recognition of aro-spec identity and my yearning for allo-aro autistic representation. Thank you so much for your support and encouragement as I attempt to kick-start more conversations on what it means to be aromantic and creative!

Four book covers, depicting cartoon-style fantasy images of a graveyard, a witch's front door, a taproom and a swamp, all with white type and author credit. The books are as follows: The Sorcerous Compendium of Postmortem Query; Love Spells, Rainbows and Rosie; Love is the Reckoning; and The Crew of Esher Hill, all by K. A. Cook.

Continue reading “Aro-Spec Artist Profile – K. A. Cook”

Hallo, Aro: Existence – K. A. Cook

Banner for Hallo, Aro Allosexual Aro Flash Fiction. Image features dark black handwritten type on a mottled green background. Diagonal rows of arrows with bands, heads and fletching in the colours of the green/light green/white/yellow/gold allo-aro pride flag cross the image above and below the text.

Hallo, Aro is a series of flash fiction stories about allosexual aromantic characters navigating friendship, sexual attraction, aromanticism and the weight of amatonormative expectation.

Contains: A queer, pansexual, genderless person dealing with the historical inability to find recognition of hir aromanticism as separate from asexuality.

You don’t recollect how; you just cherish the word that shakes the world. Aromantic.

Continue reading “Hallo, Aro: Existence – K. A. Cook”

Fiction Collection: Aromantic Centred

Handdrawn illustration of a green meadow foreground with green and yellow pine trees growing against a mint-hued sky. Scene is overlaid with the dark green/light green/white/grey/black stripes of the aromantic pride flag. The text Aro Worlds Fiction sits across the image in a black, antique handdrawn type, separated by two ornate Victorian-style black dividers.

This is a separate list of all my works with aromantic protagonists centred on aromantic experiences and narratives. My other aro works can be found on my fiction page.

It’s also worth noting that my protagonists are like to be various combinations of trans, non-binary, multisexual, disabled and autistic.

The Wind and the Stars

Cover for "The Wind and the Stars" by K. A. Cook. Cover shows a night-time scene of black, silhouette-style tree branches against a cloudy sky with a full moon, a lighter halo of cloud surrounding it, in the top centre of the cover. The title text, in white serif and antique handdrawn-style type, is framed by three white curlicues, and a fourth curlicue borders the author credit at the bottom of the cover.

True love’s kiss will break any spell. Always be kind to wizened crones. The youngest son is most favoured by wise foxes and crows. Princes save princesses from beastly dragons and towers overgrown with briar brambles. A happily ever after always involves a wedding…

The Wind and the Stars is a short aro-ace fairy tale about heroes, love, adulthood and the worlds we make in the stories we tell.

Contains: a non-amorous, agender, aro-ace protagonist inventing the fairy tales that describe their life.

Continue reading “Fiction Collection: Aromantic Centred”