Love in the House of the Ravens – Part Eight

Cartoon-style illustration of shrubs, roses and grasses growing against a grey stone wall. Scene is overlaid with the dark green/light green/white/yellow/gold stripes of the allo-aro pride flag. The text Marchverse sits across the image in a white, fantasy-style type.

After seven years in Rajad, Darius has fallen out of love with the unattainable and failed to fall in love with the companionate. When the right person offers a romantic relationship and he doesn’t understand why yes won’t grace his tongue, the only thing an autistic man can do is ask the Ravens–and hope he can survive the word they give him in return.

Content Advisory: Fantasy violence, sexual attraction and sex mentions, along with a discussion of amatonormativity.

Length: 1, 006 words.

Links: Beginning | Previous | Next

Yes, voiced to romance’s expectation, doesn’t feel as dangerous as assenting to Ila’s alternative.

Continue reading “Love in the House of the Ravens – Part Eight”

Love in the House of the Ravens – Part Seven

Cartoon-style illustration of shrubs, roses and grasses growing against a grey stone wall. Scene is overlaid with the dark green/light green/white/yellow/gold stripes of the allo-aro pride flag. The text Marchverse sits across the image in a white, fantasy-style type.

After seven years in Rajad, Darius has fallen out of love with the unattainable and failed to fall in love with the companionate. When the right person offers a romantic relationship and he doesn’t understand why yes won’t grace his tongue, the only thing an autistic man can do is ask the Ravens–and hope he can survive the word they give him in return.

Content Advisory: Assault mention, discussions of romantic attraction and amatonormativity.

Length: 1, 002 words.

Links: Beginning | Previous | Next

The world doesn’t have language for what it feels like not to feel.

Continue reading “Love in the House of the Ravens – Part Seven”

Love in the House of the Ravens – Part Six

Cartoon-style illustration of shrubs, roses and grasses growing against a grey stone wall. Scene is overlaid with the dark green/light green/white/yellow/gold stripes of the allo-aro pride flag. The text Marchverse sits across the image in a white, fantasy-style type.

After seven years in Rajad, Darius has fallen out of love with the unattainable and failed to fall in love with the companionate. When the right person offers a romantic relationship and he doesn’t understand why yes won’t grace his tongue, the only thing an autistic man can do is ask the Ravens–and hope he can survive the word they give him in return.

Content Advisory: Mentions of neuronormative expectations and language, with depictions of some of the casual ways they’re used against autistics and/or the neurodiverse.

Length: 839 words.

Links: Beginning | Previous | Next

Do you feel like you should want her?

Continue reading “Love in the House of the Ravens – Part Six”

Love in the House of the Ravens – Part Five

Cartoon-style illustration of shrubs, roses and grasses growing against a grey stone wall. Scene is overlaid with the dark green/light green/white/yellow/gold stripes of the allo-aro pride flag. The text Marchverse sits across the image in a white, fantasy-style type.

After seven years in Rajad, Darius has fallen out of love with the unattainable and failed to fall in love with the companionate. When the right person offers a romantic relationship and he doesn’t understand why yes won’t grace his tongue, the only thing an autistic man can do is ask the Ravens–and hope he can survive the word they give him in return.

Content Advisory: Descriptions of wounds and blood, non-explicit sexual experience mentions. This chapter includes discussions of the way sexual experiences are shaped by autism, autistic modes of communication and the infantilising of allosexual autistic adults by allistics (non-autistics).

Length:  878 words.

Links: Beginning | Previous | Next

If sexual attraction is this complicated, why couldn’t he say yes?

Continue reading “Love in the House of the Ravens – Part Five”

Love in the House of the Ravens – Part Four

Cartoon-style illustration of shrubs, roses and grasses growing against a grey stone wall. Scene is overlaid with the dark green/light green/white/yellow/gold stripes of the allo-aro pride flag. The text Marchverse sits across the image in a white, fantasy-style type.

After seven years in Rajad, Darius has fallen out of love with the unattainable and failed to fall in love with the companionate. When the right person offers a romantic relationship and he doesn’t understand why yes won’t grace his tongue, the only thing an autistic man can do is ask the Ravens–and hope he can survive the word they give him in return.

Content Advisory: Descriptions of wounds and blood, bullying and the ableism targeted at people who can’t conform to neuronormative modes of speech. This chapter begins increasing romance mentions and discussions between alloromantic (Akash) and aromantic (Ila, Darius) characters.

Length: 1, 002 words.

Links: Beginning | Previous | Next

You never give a family heirloom to a romantic partner before you’ve legalised the relationship.

Continue reading “Love in the House of the Ravens – Part Four”

Love in the House of the Ravens – Part Three

Cartoon-style illustration of shrubs, roses and grasses growing against a grey stone wall. Scene is overlaid with the dark green/light green/white/yellow/gold stripes of the allo-aro pride flag. The text Marchverse sits across the image in a white, fantasy-style type.

After seven years in Rajad, Darius has fallen out of love with the unattainable and failed to fall in love with the companionate. When the right person offers a romantic relationship and he doesn’t understand why yes won’t grace his tongue, the only thing an autistic man can do is ask the Ravens–and hope he can survive the word they give him in return.

Content Advisory: Descriptions of fantasy violence, wounds, bullying, the way neuronormative behaviours can enable bullying, and blood magic.

Length: 1, 010 words.

Links: Beginning | Previous | Next

Maybe he should have left this for another day. Tomorrow, overmorrow, next week. Never.

Continue reading “Love in the House of the Ravens – Part Three”

Love in the House of the Ravens – Part Two

Cartoon-style illustration of shrubs, roses and grasses growing against a grey stone wall. Scene is overlaid with the dark green/light green/white/yellow/gold stripes of the allo-aro pride flag. The text Marchverse sits across the image in a white, fantasy-style type.

After seven years in Rajad, Darius has fallen out of love with the unattainable and failed to fall in love with the companionate. When the right person offers a romantic relationship and he doesn’t understand why yes won’t grace his tongue, the only thing an autistic man can do is ask the Ravens–and hope he can survive the word they give him in return.

Content Advisory: Descriptions of fantasy violence, wounds and blood magic along with an exceedingly obvious metaphor for real-world capitalism.

Length: 940 words.

Links: Beginning | Next

He froze at Harlow’s question. What if the Ravens can’t tell him why?

Continue reading “Love in the House of the Ravens – Part Two”

Love in the House of the Ravens – Part One

Cartoon-style illustration of shrubs, roses and grasses growing against a grey stone wall. Scene is overlaid with the dark green/light green/white/yellow/gold stripes of the allo-aro pride flag. The text Marchverse sits across the image in a white, fantasy-style type.

After seven years in Rajad, Darius has fallen out of love with the unattainable and failed to fall in love with the companionate. When the right person offers a romantic relationship and he doesn’t understand why yes won’t grace his tongue, the only thing an autistic man can do is ask the Ravens–and hope he can survive the word they give him in return.

As it’s Autism Acceptance Month, I’m going to spend April posting installments of a fantasy novelette about the ways autism and ableism can shape, colour and complicate the experience of discovering aromantic identity. Readers should note that this is a sequel to Certain Eldritch Artefacts, but you only need know that the protagonist, an autistic magician, found a talking sword belt and allowed it to convince him into becoming a mercenary.

Content Advisory: Aside from references to various acts of violence and combat common in fantasy, this story includes references to or depictions of bullying, abuse, assault and ableism, as well as the way these things shape and impact the people who survive them. Please expect references to sexual attraction, non-explicit sex mentions, amatonormativity, physical intimacy, kissing and romance. The protagonist also practices blood magic in a way that intentionally echoes self-harm.

Length: 772 words.

Links: Next

I want to ask them about something with … people.

Continue reading “Love in the House of the Ravens – Part One”

Aro-Spec Artist Profile – K. A. Cook

Handdrawn watercolour-style image of a sparse forest of redwood trees growing among grassy hills, with a white and orange fox sitting in the grass at the base of a tree on the viewer's right-hand side of the image. Scene is overlaid with the dark green/light green/white/grey/black stripes of the aro pride flag. The text Aro Worlds Artist Profiles sits across the image in a black, antique handdrawn type, separated by two ornate Victorian-style black dividers.

Hello! You all know me as the autistic, disabled, transgender, abrosexual, allo-aro Australian behind @aroworlds, @alloaroworlds and the Hallo, Aro short story series. I also have a Ko-fi you can support if so inclined, and you can find all my books on my personal website or collected by theme: allo-aro and aromantic.

Aside from the writing, I’ve worked as an editor and text designer on various community publications. When my hands allow, I like to sew, craft, bead and scrapbook. I’ve made everything from fidget toys for my @stimtoybox blog to dollhouse miniatures.

I’m here to talk about how disability separates me from my own aro-spec community, the importance of early recognition of aro-spec identity and my yearning for allo-aro autistic representation. Thank you so much for your support and encouragement as I attempt to kick-start more conversations on what it means to be aromantic and creative!

Four book covers, depicting cartoon-style fantasy images of a graveyard, a witch's front door, a taproom and a swamp, all with white type and author credit. The books are as follows: The Sorcerous Compendium of Postmortem Query; Love Spells, Rainbows and Rosie; Love is the Reckoning; and The Crew of Esher Hill, all by K. A. Cook.

Continue reading “Aro-Spec Artist Profile – K. A. Cook”