How (Not) to Ally: The Good and Bad of Allo-Aro Rep

Handdrawn illustration of a yellow pasture against a background of hills and sporadic trees. Scene is overlaid with the dark green/light green/white/yellow/gold stripes of the allo-aro pride flag. The text Aro Worlds Discussion Post sits across the image in a black, antique handdrawn type, separated by two ornate Victorian-style black dividers.

How (Not) to Ally is a series discussing the supportive content made by well-meaning asexual allies to allo-aros–and why some approaches still fail to recognise, promote, welcome, protect and include us.

It’s now not uncommon to see alloromantic allies asking questions about how best to write (or not write) aro characters. It’s also not uncommon, in response to open questions or in discussing a-spec and/or aro representation, to see not-allosexual aros and alloromantic asexuals reference allo-aros in their answers. Writers should include and depict a diversity of aros in their works, so we do need our asexual kin to remember us!

Unfortunately, most discussions argue that good allo-aro representation encompasses the following:

  • Sex occurring in the context of close, intimate, “serious” relationships or partnerships
  • Emphasis on monogamy or exclusivity
  • Idealised, non-harmful depictions of sexual relationships
  • Emphasis on possession of meaningful, intimate bonds with other people
  • Capacity and desire for friendship and emotional intimacy
  • Emphasis on ability to love and experiencing love for others
  • Focusing on non-sexual thoughts and experiences
  • Avoidance of sexualisation
  • Emphasis on healthiness and “wholeness”

When I look upon such lists, all I know is this: they do not include me.

Continue reading “How (Not) to Ally: The Good and Bad of Allo-Aro Rep”

Fiction: Luck of the Ball, Part Two

Banner for Nine Laws: Allosexual Aromantic Fairy Tales. Image features a tree in the foreground, lanterns hanging from its branches, against a background of heavily-overgrown grey stone walls and archways leading into smaller courtyards. Vines and ivy cover the walls, archways and steps; an array of grasses grow around the bases of trees and walls. Text is set in a white, slightly-curving serif type; white curlicues matching the text, set in each corner, form a broken frame around the text.

A coven of gentlewoman witches seems like the perfect place for Luck Vaunted to hide from hir powerful brother, father and husband. Even better, the upcoming Guildmeet ball offers the new Luck the perfect chance to experiment with genderlessness, magic and sex, if only ze can avoid more sorcery-revealing accidents. Sure, the witches welcome hir with open arms, but after hir twin’s betrayal, how can ze risk trusting anyone but hirself?

When hir brother attends the Guildmeet, a lover expects romantic intimacy and a quest of boots threatens to reveal hir deceit, Luck can no longer outrun hir monsters. Hir only chance of escape: the Westhold coven. But how does ze ask, when ze has lied to them, too?

Some fairy-tale families are formed by blood or marriage. Others are formed by aromantic witches defending each other against respectability, amatonormativity … and the sorcerer potentate’s heir.

One must possess a sense of self to flee entrapment by expectation.

Continue reading “Fiction: Luck of the Ball, Part Two”

Fiction: Luck of the Ball, Part One

Banner for Nine Laws: Allosexual Aromantic Fairy Tales. Image features a tree in the foreground, lanterns hanging from its branches, against a background of heavily-overgrown grey stone walls and archways leading into smaller courtyards. Vines and ivy cover the walls, archways and steps; an array of grasses grow around the bases of trees and walls. Text is set in a white, slightly-curving serif type; white curlicues matching the text, set in each corner, form a broken frame around the text.

A coven of gentlewoman witches seems like the perfect place for Luck Vaunted to hide from hir powerful brother, father and husband. Even better, the upcoming Guildmeet ball offers the new Luck the perfect chance to experiment with genderlessness, magic and sex, if only ze can avoid more sorcery-revealing accidents. Sure, the witches welcome hir with open arms, but after hir twin’s betrayal, how can ze risk trusting anyone but hirself?

When hir brother attends the Guildmeet, a lover expects romantic intimacy and a quest of boots threatens to reveal hir deceit, Luck can no longer outrun hir monsters. Hir only chance of escape: the Westhold coven. But how does ze ask, when ze has lied to them, too?

Some fairy-tale families are formed by blood or marriage. Others are formed by aromantic witches defending each other against respectability, amatonormativity … and the sorcerer potentate’s heir.

Luck tries to cultivate a persona of general obliviousness and genial curiosity, but ze awaits the day hir questions result in four intelligent witches wondering why ze doesn’t know the obvious.

Continue reading “Fiction: Luck of the Ball, Part One”

Aro Week: Pixel Art Aro Slogans

Handdrawn illustration of a mountain road scene with trees in the foreground and bushes in the background. Scene is overlaid with the dark green/light green/white/grey/black stripes of the aro pride flag. The text Aro Worlds Resources sits across the image in a black, antique handdrawn type, separated by two ornate Victorian-style black dividers.

A chronic pain flare in January (extending into February) seriously disrupted my Aro Week content plans. In my scramble to change direction, I decided to replace one of my ideas with something fun: an image series of oft-spoken comments using my pixel-art alphabet. This post includes an absurd mix of positivity, identity labels and passive-aggressive expressions of aro frustration, because why not?

(Also, frogs!)

It should be noted that not all slogans will represent all aros. I’ve simply collected a list of common aro-community feelings and expressions, both as statements of pride and responses to aro microaggressions.

So if you want to The text "fuck amatonormativity" on a black background bordered with white. The letters are pixelated block-style lower-case letters horizontally striped in the green/light green/white/grey/black colours of the aromantic pride flag.

and celebrate some The text "aro awesome" on a black background bordered with white. The letters are pixelated block-style lower-case letters horizontally striped in the green/light green/white/grey/black colours of the aromantic pride flag.this week, you’ll find a variety of options below:

Continue reading “Aro Week: Pixel Art Aro Slogans”

Aro Week: My (Personal) Aromantic Manifesto

Handdrawn illustration of a yellow pasture against a background of hills and sporadic trees. Scene is overlaid with the dark green/light green/white/grey/black stripes of the aro pride flag. The text Aro Worlds Discussion Post sits across the image in a black, antique handdrawn type, separated by two ornate Victorian-style black dividers.

Over the last few years, the aromantic community has seen a comparative outpouring of recognition. It’s less common to see multi-identity art posts that remember asexuals but forget aromantics; it’s more common to see LGBTQIA+ blogs, spaces and communities referencing aromanticism. On Tumblr, I can find a wealth of positivity posts affirming many aromantic-spectrum experiences and even resources that reference aromanticism. Our existence, individually and collectively, is no longer solely the province of obscure art and essays … or presumed to be encompassed by asexuality.

We have a long way to go in acknowledging, including, supporting and protecting non-asexual aros, grey-umbrella aros, loveless aros, fluid and flux aros, aros of colour, non-English-speaking aros and disabled aros. Many of our gains have not yet reached or served all aromantics. The online aromantic world of 2021, however, bears little resemblance to that of 2011.

Past Aro Week content centres on demonstrating our existence: what we are, experience, feel, need, deserve. Now, though, such explanation feels repetitive; in 2021, I yearn to look inward, to face the questions underpinning my essays and storytelling. What does my aromanticism look like? What understandings, beliefs and obligations do I consider an inherent part of my aromantic identity? What do I owe other aromantics? What do other aromantics owe me?

This manifesto–my manifesto–details my belief in the creation of aromantic identity and community that refuses repackaged amatonormativity, rejects sex negativity and celebrates our radical, queer divergence from normal. Built from the bones of my intersection of identities and experiences, this list is limited at best and blinkered by my privileges at worst. Nor have I lived up to all its goals, because I am as flawed and hypocritical as any other human.

It is the start of an attempt to answer one question: what do I believe, as an aromantic seeking to understand and conceptualise aromanticism?

Continue reading “Aro Week: My (Personal) Aromantic Manifesto”

Hallo, Aro: Question – K. A. Cook

Banner for Hallo, Aro Allosexual Aro Flash Fiction. Image features dark black handwritten type on a mottled green background. Diagonal rows of arrows with bands, heads and fletching in the colours of the green/light green/white/yellow/gold allo-aro pride flag cross the image above and below the text.

Hallo, Aro is a series of flash fiction stories about allosexual aromantic characters navigating friendship, sexual attraction, aromanticism and the weight of amatonormative expectation.

Contains: Reflections on the aromantic desire to avoid family members’ amatonormative questions about dating–and the ways attaining this freedom can speak less about aromantic inclusion and more about heterosexist erasure and queer antagonism.

How can this be the aromantic dream when your queerness quiets the room?

Continue reading “Hallo, Aro: Question – K. A. Cook”

Story Collection: Bones of Green and Hearts of Gold

Banner for Bones of Green and Hearts of Gold: Non-Asexual Aromantic Stories. Image features dark black handwritten type on a mottled light blue background. Diagonal rows of arrows with bands, heads and fletching in the colours of the green/light green/white/yellow/gold allo-aro pride flag cross the image above and below the text.
Cover image for Bones of Green and Hearts of Gold: Non-Asexual Aromantic Stories by K. A. Cook. Cover features black handwritten type on a mottled light blue background. Cartoon images of arrows--in four different styles--sit in diagonal rows across the cover, the fletching and shafts coloured in the stripes of the green/light green/white/yellow/gold allosexual aromantic pride flag.

A princess flees her betrothed in search of a witch willing to entrap her within a tower. Rowan yearns to be out and proud as an aromantic, but other people’s misapprehensions—and his own anxiety—hamper his quest. A woman expresses her wish for unfettered sexual intimacy, despite her mother’s desperate romantic expectations. For another pansexual, the route to freedom from amatonormativity lies in accepting monstrosity’s fur and fangs. Suki finds aromantic freedom inside the priesthood’s cloisters, but even a rebellious life leaves her at a loss when ministering to her own. And the words “allosexual aromantic” offer a struggling magician hope of a new road—but one not without its dangers.

Bones of Green and Hearts of Gold collects twenty fantasy and contemporary stories celebrating the many ways aromanticism need not always pair with asexuality.

Continue reading “Story Collection: Bones of Green and Hearts of Gold”

Fiction: Bones of Green and Hearts of Gold

Banner for Nine Laws: Allosexual Aromantic Fairy Tales. Image features a tree in the foreground, lanterns hanging from its branches, against a background of heavily-overgrown grey stone walls and archways leading into smaller courtyards. Vines and ivy cover the walls, archways and steps; an array of grasses grow around the bases of trees and walls. Text is set in a white, slightly-curving serif type; white curlicues matching the text, set in each corner, form a broken frame around the text.

Constance, princess of Blackvale, knows the duty of a summer-hearted heir: wed the prince, birth the child, symbolise her people’s prosperity and fecundity. Love, joyously and passionately, a man even she believes handsome and kind. But what if her heart can’t cast summer’s warmth? What if she feels solely the profane desires of skin and flesh? What if Blackvale’s crops wither and rot unripened because their future queen can’t—and won’t—bow to the nonsensical-seeming rule of seasons?

She knows only one way to avoid catastrophe, falsehood and marriage: surrendering herself to the Forest Witch. Not even for his daughter will the king risk angering the feared but necessary master of briars, protector of forests and abductor of women.

Constance expects a lifetime’s bondage to a dangerous witch, freeing her cousin to inherit Blackvale’s throne. The witch has other ideas…

She owns no place in a world ruled by sacred seasons, and even a witch’s tower must be more welcoming of a princess whose heart beats unknowable.

Continue reading “Fiction: Bones of Green and Hearts of Gold”

How (Not) to Ally: Absent Authors, Empty Exhortations

Handdrawn illustration of a yellow pasture against a background of hills and sporadic trees. Scene is overlaid with the dark green/light green/white/yellow/gold stripes of the allo-aro pride flag. The text Aro Worlds Discussion Post sits across the image in a black, antique handdrawn type, separated by two ornate Victorian-style black dividers.

How (Not) to Ally is a series discussing the supportive content made by well-meaning asexual allies to allo-aros–and why some approaches still fail to recognise, promote, welcome, protect and include us.

Allo-aros are now more commonly referenced in asexual-authored content discussing the aromantic and a-spec communities. That’s great! We need acknowledgement of our needs, viewpoints and experiences. We need our allies including us in discussions of amatonormativity and a-spec/aro antagonism, especially when they occur in broader a-spec spaces in which we don’t yet safe or comfortable.

Unfortunately, this means seeing comments like these:

  • “Allo-aros feel alienated from the a-spec community”
  • “I’ve heard allo-aros say they don’t feel allowed to mention their allosexuality”
  • “Allo-aros often talk about how to include them in community projects”

Inclusion also means witnessing a direction that’s become horribly overused:

  • “To learn more, go follow allo-aro blogs!”

This always leaves me wondering: which allo-aro discussed that? Which allo-aro activist or creator provided resources outlining community inclusion? Which allo-aro blogs does the speaker think we should follow? Why are our asexual allies so reluctant to mention us by name?

Continue reading “How (Not) to Ally: Absent Authors, Empty Exhortations”

Book Edition: Absence of Language

Handdrawn illustration of a green meadow foreground with green and yellow pine trees growing against a mint-hued sky. Scene is overlaid with the dark green/light green/white/grey/black stripes of the aromantic pride flag. The text Aro Worlds Fiction sits across the image in a black, antique handdrawn type, separated by two ornate Victorian-style black dividers.

Cover image for Absence of Language by K. A. Cook. Cover shows a red brick wall behind a wooden step, a red curtain covering half the wall, with a small wooden bench sitting on step. A chair, a hat and a squarish bag sit in the foreground of the image and a fabric banner hangs on the wall in the background. An assortment of coins and buttons litter the floor, and two yellow roses are shown floating inside clear bubbles. The scene looks like a magician's performance area or stage. The subtitle "a kit march short story" is written in white handdrawn type.Four months ago, Kit March abandoned his fiancé without even a note of explanation for a deserving man.

Leaving Lauri should have freed him from the pressures of romantic expectation, so how does a talented magician end up performing flash magic for buttons and hairpins in Raugue’s worst tavern? Kit doesn’t know and doesn’t care, as long as he can keep drowning guilt in beer and spellworking. As long as he can keep not thinking!

When a stranger offers the word “aromantic” followed by an opportunity to join a dangerous quest to the Gast, Kit may have more distraction than he can survive—and more comprehension than he can navigate.

Continue reading “Book Edition: Absence of Language”