Fiction: Absence of Language, Part Two

Cartoon-style illustration of shrubs, roses and grasses growing against a grey stone wall. Scene is overlaid with the dark green/light green/white/yellow/gold stripes of the allo-aro pride flag. The text Marchverse sits across the image in a white, fantasy-style type.

Four months ago, Kit March abandoned his fiancé without even a note of explanation for a deserving man.

Leaving Lauri should have freed him from the pressures of romantic expectation, so how does a talented magician end up performing flash magic for buttons and hairpins in Raugue’s worst tavern? Kit doesn’t know and doesn’t care, as long as he can keep drowning guilt in beer and spellworking. As long as he can keep not thinking!

When a stranger offers the word “aromantic” followed by an opportunity to join a dangerous quest to the Gast, Kit may have more distraction than he can survive—and more comprehension than he can navigate.

There’s a word for anything if you look long enough.

Continue reading “Fiction: Absence of Language, Part Two”

Fiction: Absence of Language, Part One

Cartoon-style illustration of shrubs, roses and grasses growing against a grey stone wall. Scene is overlaid with the dark green/light green/white/yellow/gold stripes of the allo-aro pride flag. The text Marchverse sits across the image in a white, fantasy-style type.

Four months ago, Kit March abandoned his fiancé without even a note of explanation for a deserving man.

Leaving Lauri should have freed him from the pressures of romantic expectation, so how does a talented magician end up performing flash magic for buttons and hairpins in Raugue’s worst tavern? Kit doesn’t know and doesn’t care, as long as he can keep drowning guilt in beer and spellworking. As long as he can keep not thinking.

When a stranger offers the word “aromantic” followed by an opportunity to join a dangerous quest to the Gast, Kit may have more distraction than he can survive—and more comprehension than he can navigate.

A drowning man doesn’t drown because the water creeps up on him by degrees, so why can’t Kit make himself search out something better?

Continue reading “Fiction: Absence of Language, Part One”

Fiction: Ringbound

Cartoon-style illustration of shrubs, roses and grasses growing against a grey stone wall. Scene is overlaid with the dark green/light green/white/yellow/gold stripes of the allo-aro pride flag. The text Marchverse sits across the image in a white, fantasy-style type.

If Kit can’t find anything unfair about the contract or the man, why is the ring so heavy?

Kit March is a signature away from marrying the man who loves him. He should be delighted, but for reasons he doesn’t understand and can’t explain, his future with Lauri weighs upon him. What is a magician to do when no script extant has words for the confusion he feels?

Is it so very cowardly to not want to be monstrous?

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Book Edition: Those With More

Handdrawn illustration of a green meadow foreground with green and yellow pine trees growing against a mint-hued sky. Scene is overlaid with the dark green/light green/white/grey/black stripes of the aromantic pride flag. The text Aro Worlds Fiction sits across the image in a black, antique handdrawn type, separated by two ornate Victorian-style black dividers.

Cover image for Those With More (and Other Suki Stories) by K. A. Cook. Cover shows a garden growing against a grey stone wall, with trees and blue sky visible behind it. Garden includes several layers of beds filled with palms, ferns and yellow and red orchids. The foreground shows a green lawn with a moss-covered tree-trunk and two translucent blue mushrooms. Cover and author credit are written in a white, fantasy-style text.Suki Lewis has always known what she wants—or, more correctly, what she doesn’t want. She also knows that a good woman of Freehome, deserving of her mother’s uncritical love, wants something she can’t fathom or mimic: a stable, lasting romantic relationship.

She can’t safely stay, but leaving means surviving the challenges of priesthood, her mother’s abuse and the belated finding of a name for her differences: allosexual aromanticism.

Those With More collects four stories showing Suki’s lifetime navigation of her belief, family, community and identity.

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Fiction: Those With More, Part Two

Cartoon-style illustration of shrubs, roses and grasses growing against a grey stone wall. Scene is overlaid with the dark green/light green/white/yellow/gold stripes of the allo-aro pride flag. The text Marchverse sits across the image in a white, fantasy-style type.

When Mara Hill’s magic results in her brother’s impossible, wondrous transition, of course Suki wants to know how she did it! What if Sirenne’s magic workers can help others conquer dysphoria? What if this magic can heal Suki’s hands—or at least lessen her pain? But Mara, distrustful of priests after their failure in protecting Esher, won’t share her power.

A senior priest must bear responsibility, but Suki suspects her problems lie deeper than lack of oversight, and her reluctance to discuss her aromanticism with a woman who needs support only proves it. Would she have preserved Mara’s faith and Esher’s health if she hadn’t first avoided revealing herself to her aromantic kin? If she’d faced their expectations that she shoulder their pain and grief as well as her own?

Suki has lived her life by the Sojourner’s second precept, but how does she serve when she doesn’t have more to give—and never will?

Some scars are long years in the fading, if at all.

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Fiction: The Sorcerous Compendium of Postmortem Query

Cartoon-style illustration of shrubs, roses and grasses growing against a grey stone wall. Scene is overlaid with the dark green/light green/white/yellow/gold stripes of the allo-aro pride flag. The text Marchverse sits across the image in a white, fantasy-style type.

Necromancer Mara Hill has waited weeks for the Thinning: the one night the dead walk freely amongst the living. Her wandering great-aunt, Rosie, was wise in the way of magic and the world, and Mara knows of none other to ask. Books and magic alike haven’t restored her fading love, and Benjamin Lisabet is too wonderful to risk losing. Why can’t Mara keep herself from falling out of love whenever the girl she yearns for dares love her back?

She’s sure that Aunt Rosie’s spirit will offer up needed advice. She just doesn’t expect a deluge of deceased villagers set on unravelling everything Mara knows about what it means to love and be in love.

In a small village where everyone thinks they know everyone else, conversations become dangerous.

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Fiction: If Absurd Works

Cartoon-style illustration of shrubs, roses and grasses growing against a grey stone wall. Scene is overlaid with the dark green/light green/white/yellow/gold stripes of the allo-aro pride flag. The text Marchverse sits across the image in a white, fantasy-style type.

An unexpected letter sees Suki of Sirenne, a red-robed priest of the Sojourner, doing the unimaginable: returning home to farewell a dying Mama Polly. After ten years of studying the ways of Spoken Service, she’s built a life that serves her nature … even if she’s still inclined to a sharp turn of phrase. Can’t she now explain her feelings and choices in ways easier for Mama Lewis to accept? Shouldn’t her mothers now be easier to manage?

Yet one conversation leaves Suki feeling that she’ll never stop being the brittle, abrasive young woman who left Freehome … and presents her a problem only solvable by remembering priesthood’s first lesson.

Patience comes more easily when free of disregard and diminishment.

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Fiction: The Complexity of Human Decency

Cartoon-style illustration of shrubs, roses and grasses growing against a grey stone wall. Scene is overlaid with the dark green/light green/white/yellow/gold stripes of the allo-aro pride flag. The text Marchverse sits across the image in a white, fantasy-style type.

When Mama Lewis continues to browbeat Suki into becoming the kind of girl who doesn’t tick off unwanted romantic suitors, she knows the best thing to do is leave. The port city of Malvade offers work enough to pay for her own room, but Suki’s freedom comes with long hours, a leaking roof, outhouse mould and a yearning for a world that offers her more than bare subsistence and continued disregard.

A red-robed priest of the Sojourner may hold answer and opportunity … if only she can endure a conversation with someone preaching a truth anathema to everything a proud woman of Freehome should believe.

Does freedom in one direction count if she still finds limitations in others?

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Hallo, Aro: Abrasive – K. A. Cook

Banner for Hallo, Aro Allosexual Aro Flash Fiction. Image features dark black handwritten type on a mottled green background. Diagonal rows of arrows with bands, heads and fletching in the colours of the green/light green/white/yellow/gold allo-aro pride flag cross the image above and below the text.

Hallo, Aro is a series of flash fiction stories about allosexual aromantic characters navigating friendship, sexual attraction, aromanticism and the weight of amatonormative expectation.

Spending Midsummer night with a pretty man shouldn’t be a problem for Suki … except for everybody else’s romantic expectations.

Their self-righteous want makes terrible cruelty of her, but what other weapon has she?

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Hallo, Aro: Pressure, Side Two – K. A. Cook

Banner for Hallo, Aro Allosexual Aro Flash Fiction. Image features dark black handwritten type on a mottled green background. Diagonal rows of arrows with bands, heads and fletching in the colours of the green/light green/white/yellow/gold allo-aro pride flag cross the image above and below the text.

Hallo, Aro is a series of flash fiction stories about allosexual aromantic characters navigating friendship, sexual attraction, aromanticism and the weight of amatonormative expectation.

Contains: Reflections on the aromantic community’s historical privileging of asexual aromantics, the ways it has failed to provide equal inclusion to allosexual aromantics, and how this shapes my relationship to my own aromanticism.

I look over our wall at my golden heart, dust-covered and tarnished, slumbering in a field of poppies. Does anyone else stagger under the weight of our locked-on glasses?

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