Princess Constance of Blackvale hopes a witch’s entrapment proves less onerous than a royal betrothal. A ring weighs heavy upon a gay trans man who knows no acceptable reason to avoid marrying the man he loves. Suki faces condemnation for scorning her lover’s courtly intentions. Esher Hill’s dogs make his days worth living, but his cousin believes marriage the cure to his depression. Priesthood offers Moll community and purpose in a life eschewing love until their usefulness–and their humanity–comes under question. A baker risks unknowable powers rather than submit to the relationships his mother deems necessary.
When society celebrates partnership as obligate duty, unquestionable necessity and saving grace, what must these aromantics sacrifice to build a world without it?
Spirits Most Singular collects sixteen fantasy and contemporary aromantic stories that don’t centre on a wish for or possession of a partner.
Continue reading “Story Collection: Spirits Most Singular” →
Yesterday, I began a two-part series on writing allo-aro characters as an ally. To conclude Aro Week, I’m going to examine fictional tropes in want of considerate handling, explain how to contextualise your work without contributing to allo-aro erasure, and discuss the vital role of ally in “writing allo-aro characters as an ally”.
Many tropes regarding romance, relationships, intimacy and love cause aromantics harm. Others erase our aromanticism when treated as universal to all. Some are obviously problematic, like settings in which all characters possess destined soulmates; others require analysing the ways fiction shapes amatonormativity and amatonormativity shapes fiction. Tropes like “friends to lovers” may be loathed by some aromantics but tolerated or even appreciated by other aros! To discuss the use and pitfalls of all these requires more words and time than I possess, so I’m (today) focusing on tropes that either specifically impact allo-aros or are overlooked in our conversations about representation.
Please, especially when writing aromantic-spectrum characters in intimate relationships, examine your story with an eye for the ways amatonormativity and antagonism may shape your character arcs and plot. Many of the tropes we take for granted in the fictional journey towards a happily-ever-after ignore aromantics’ existence at best–and aren’t covered in this already-long post.
As this is an exercise in continued verbosity, you may want to grab a drink before strapping in for another long read!
Continue reading “How to Ally: Writing Allo-Aro Characters, Part Two” →
I have a problem with most how-to-write-character-of-X-identity posts: representation loses complexity when we reduce it to a list of must-avoid tropes and stereotypes. While this simplification makes it easier to steer clear of accidental antagonism, rarely do such posts acknowledge how avoiding stereotype enables the erasure of those allo-aros–and people of other marginalised identities–whose lives happen to resemble them. Too often we end up praising and valuing representation that regards loveless, neurodiverse, low-empathy, aplatonic, non-partnering and non-monogamous aromantics as too “problematic” for depiction.
For some time, I’ve answered the question of “how to write allo-aro characters” in one sentence: write many allo-aro characters of differing experiences, intersectional identities and roles within their story.
Allies, however, keep asking me for resources. Pithy sentences may be honest, but they’re inherently flawed: they aren’t actionable. A list at least offers safety’s illusion by explaining what not to write! If you don’t know where to start, or so fear causing harm that you can’t, how can you write more than one allo-aro character?
For Aro Week, I’m expanding upon this with a two-part guide explaining the work allies should undertake in creating allo-aro characters and the stories containing them. I outline steps for educating yourself, discuss how to contextualise your work in the field that is “intentional allo-aro representation” and explain concerns I have as a potential allo-aro reader. Please keep in mind that I don’t provide concise answers! I’m only hammering guideposts along the path of your research and reflection when it comes to depicting allosexual aromanticism.
So let’s strap in for a discussion about language, sex negativity, and, most importantly of all, the role and duties of an ally to allo-aros.
Continue reading “How to Ally: Writing Allo-Aro Characters, Part One” →
Hallo, Aro is a series of (mostly) flash fiction stories about allosexual aromantic characters navigating friendship, sexual attraction, aromanticism and the weight of amatonormative expectation.
Contains: A trans, heterosexual aro who realises that his story’s self-designated heroes leave him one role to play.
Continue reading “Hallo, Aro: Antagonist – K. A. Cook” →
Male. Heterosexual. Aromantic. Evil.
Note: I consider this site’s content advisory page sufficient for non-fiction posts, but as I need asexuals to read this essay, I’ll begin by saying that I reference sexual attraction, sex acts, sex repulsion and sexualisation. And romance! I also cite common examples of sex negativity/sex-negative language, misogyny, ableism, cissexism, heterosexism, amatonormativity and allo-aro antagonism.
I now seldom participate in–and even actively avoid–online general aromantic and a-spec spaces.
This isn’t because I don’t wish to meet other aros. This isn’t because I’m uninterested in what other aros have to say. This also isn’t entirely because chronic pain limits my online interaction and I can’t afford the supports/technology needed for full access (although this is the reason why I fail in replying to comments and asks).
This is because any space predominantly occupied by asexuals results in my being exposed to posts that hurt like a punch to the gut.
Continue reading “How to Ally: Advising for Sex-Negative Language” →
How (Not) to Ally is a series discussing the supportive content made by well-meaning asexual allies to allo-aros–and why some approaches still fail to recognise, promote, welcome, protect and include us.
It’s now not uncommon to see alloromantic allies asking questions about how best to write (or not write) aro characters. It’s also not uncommon, in response to open questions or in discussing a-spec and/or aro representation, to see not-allosexual aros and alloromantic asexuals reference allo-aros in their answers. Writers should include and depict a diversity of aros in their works, so we do need our asexual kin to remember us!
Unfortunately, most discussions argue that good allo-aro representation encompasses the following:
- Sex occurring in the context of close, intimate, “serious” relationships or partnerships
- Emphasis on monogamy or exclusivity
- Idealised, non-harmful depictions of sexual relationships
- Emphasis on possession of meaningful, intimate bonds with other people
- Capacity and desire for friendship and emotional intimacy
- Emphasis on ability to love and experiencing love for others
- Focusing on non-sexual thoughts and experiences
- Avoidance of sexualisation
- Emphasis on healthiness and “wholeness”
When I look upon such lists, all I know is this: they do not include me.
Continue reading “How (Not) to Ally: The Good and Bad of Allo-Aro Rep” →
I began my Allo-Aro 101 page by defining the words “allosexual” and “aromantic”. If “allosexual” is uncommon terminology outside a-spec spaces, “allo-aro” (in all its grammatical and stylistic permutations) is even less accepted. “Aromantic” itself voyages into arcane language, often understood by outsiders as only a relationship to or a form of asexuality. Visitors to this website may not know what “allo-aro” means, so–limited by current terminology and conceptualisations of the split attraction model–I follow the well-trodden educator’s path of first mimicking a dictionary.
I consider my following explanation more important, as an allo-aro whose relationship to this identity cannot exist untouched by fluidity:
Any allosexual aromantic who isn’t also, solely and permanently, asexual; or any aromantic who wishes to centre their experience of sexual attraction alongside their aromanticism. Heterosexual aros, bisexual aros, pansexual aros, gay aros, lesbian aros and aros with fluid or shifting attractions inclusive of allosexuality can identify as allo-aro.
Some allo-aros identify as both asexual and allosexual or shift between them. Abrosexual aros may be entirely allosexual or experience both asexual and allosexual identities. Aceflux aros may experience allosexual identities along with their asexual ones. Being solely and permanently allosexual should never be a requirement for allo-aro identity and community participation.
I can count on one hand (with spare fingers!) how often I’ve seen fellow a-specs acknowledge attraction’s potential fluidity in their defining of “allo-aro”. In stressing adverbs like “permanently”, I am an outlier in the genre of explaining allo-aro identity and community membership.
Most allo-aros explain our identity by the words comprising this term: allosexual and aromantic. What more need one say on this subject after coming to agreed-upon meanings for the words “allosexual” and “aromantic”? What more need one say than to explain that allo-aros are aromantic and not-asexual?
Such an explanation erases a non-zero number of fluid allo-aros (not to mention forcing aromantics who are neither asexual nor allosexual, or reject identifying with this binary construct, under the allo-aro umbrella).
It erases me.
Continue reading “Discussing Allo-Aro Identity (And Why Fluid Folks Need Better Definitions)” →
Hallo, Aro is a series of flash fiction stories about allosexual aromantic characters navigating friendship, sexual attraction, aromanticism and the weight of amatonormative expectation.
Contains: Reflections on the aromantic desire to avoid family members’ amatonormative questions about dating–and the ways attaining this freedom can speak less about aromantic inclusion and more about heterosexist erasure and queer antagonism.
How can this be the aromantic dream when your queerness quiets the room?
Continue reading “Hallo, Aro: Question – K. A. Cook” →
A princess flees her betrothed in search of a witch willing to entrap her within a tower. Rowan yearns to be out and proud as an aromantic, but other people’s misapprehensions—and his own anxiety—hamper his quest. A woman expresses her wish for unfettered sexual intimacy, despite her mother’s desperate romantic expectations. For another pansexual, the route to freedom from amatonormativity lies in accepting monstrosity’s fur and fangs. Suki finds aromantic freedom inside the priesthood’s cloisters, but even a rebellious life leaves her at a loss when ministering to her own. And the words “allosexual aromantic” offer a struggling magician hope of a new road—but one not without its dangers.
Bones of Green and Hearts of Gold collects twenty fantasy and contemporary stories celebrating the many ways aromanticism need not always pair with asexuality.
Continue reading “Story Collection: Bones of Green and Hearts of Gold” →
Constance, princess of Blackvale, knows the duty of a summer-hearted heir: wed the prince, birth the child, symbolise her people’s prosperity and fecundity. Love, joyously and passionately, a man even she believes handsome and kind. But what if her heart can’t cast summer’s warmth? What if she feels solely the profane desires of skin and flesh? What if Blackvale’s crops wither and rot unripened because their future queen can’t—and won’t—bow to the nonsensical-seeming rule of seasons?
She knows only one way to avoid catastrophe, falsehood and marriage: surrendering herself to the Forest Witch. Not even for his daughter will the king risk angering the feared but necessary master of briars, protector of forests and abductor of women.
Constance expects a lifetime’s bondage to a dangerous witch, freeing her cousin to inherit Blackvale’s throne. The witch has other ideas…
She owns no place in a world ruled by sacred seasons, and even a witch’s tower must be more welcoming of a princess whose heart beats unknowable.
Continue reading “Fiction: Bones of Green and Hearts of Gold” →