Book Edition: Those With More

Handdrawn illustration of a green meadow foreground with green and yellow pine trees growing against a mint-hued sky. Scene is overlaid with the dark green/light green/white/grey/black stripes of the aromantic pride flag. The text Aro Worlds Fiction sits across the image in a black, antique handdrawn type, separated by two ornate Victorian-style black dividers.

Cover image for Those With More (and Other Suki Stories) by K. A. Cook. Cover shows a garden growing against a grey stone wall, with trees and blue sky visible behind it. Garden includes several layers of beds filled with palms, ferns and yellow and red orchids. The foreground shows a green lawn with a moss-covered tree-trunk and two translucent blue mushrooms. Cover and author credit are written in a white, fantasy-style text.Suki Lewis has always known what she wants—or, more correctly, what she doesn’t want. She also knows that a good woman of Freehome, deserving of her mother’s uncritical love, wants something she can’t fathom or mimic: a stable, lasting romantic relationship.

She can’t safely stay, but leaving means surviving the challenges of priesthood, her mother’s abuse and the belated finding of a name for her differences: allosexual aromanticism.

Those With More collects four stories showing Suki’s lifetime navigation of her belief, family, community and identity.

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Fiction: If Absurd Works

Cartoon-style illustration of shrubs, roses and grasses growing against a grey stone wall. Scene is overlaid with the dark green/light green/white/yellow/gold stripes of the allo-aro pride flag. The text Marchverse sits across the image in a white, fantasy-style type.

An unexpected letter sees Suki of Sirenne, a red-robed priest of the Sojourner, doing the unimaginable: returning home to farewell a dying Mama Polly. After ten years of studying the ways of Spoken Service, she’s built a life that serves her nature … even if she’s still inclined to a sharp turn of phrase. Can’t she now explain her feelings and choices in ways easier for Mama Lewis to accept? Shouldn’t her mothers now be easier to manage?

Yet one conversation leaves Suki feeling that she’ll never stop being the brittle, abrasive young woman who left Freehome … and presents her a problem only solvable by remembering priesthood’s first lesson.

Patience comes more easily when free of disregard and diminishment.

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Pride Patch Tutorial: Zigzag Stripes

Six digitally-created versions of cross stitch pride patches, arranged in two rows of three, against a background of a textured partially-translucent aromantic pride flag. Text between the two rows reads Aro Pride Patches in black type. Patches include a rectangular patch in aroflux zigzag stripes, an idemromantic heart, an aro flag text patch reading "aro", a square in quoiromantic stripes, an arrow design in allo-aro colours and a second arrow in nebularomantic colours.

This tutorial demonstrates my striped zigzag patch pattern, along with instructions for turning a patch into a badge/pin and sewing a patch to a bag or hat. You must be comfortable with the materials and processes involved in the basic stripes patch tutorial and before attempting this one.

In addition to cross, whip/over and blanket stitches, you’ll need to sew a back stitch. This is also covered in Red Ted Art’s video tutorial series.

Five handsewn cross stitch patches sitting on a blue microfibre blanket. Patches all feature a horizontal zigzag stripe pattern. Patches from top to bottom include: gay/rainbow/LGBTQIA+ with repeated stripes and a black border; pansexual with repeated stripes and a gold border; aromantic with repeated stripes and an olive border; aromantic with a purple border; and allo-aro with a red-orange border.

Like standard cross stitch, the zigzag patch operates on a line: I sew one half of the line from left to right before returning over the same row of stitches from right to left. Unlike standard cross stitch, I’m placing diagonal lines of back stitch to become the zigzag/arrowhead shapes of each row. These stitches will form crosses when adding lines of back stitch sewn in the reverse direction.

If you wish to turn your patches into badges/pins, I recommend using high-quality safety pins. Flimsy or easily-bent pins, like those found in most dollar shops, are not suitable. Safety pins are best sourced from a specialised sewing shop.

People who don’t want to sew can try a fabric bonding product like Peel N Stick to permanently attach a patch to a garment, bag or fabric lanyard.

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