Fiction

I write aromantic and non-romantic flash fiction, short fiction and novelettes that discuss serious topics like ableism, cissexism, queer antagonism, amatonormativity, familial abuse and mental illness against a background of quirky setting-based humour. Most of my stories feature allo-aro or non-asexual narrating protagonists.

Most works depict adult, aromantic-spectrum narrating protagonists who are also trans and non-binary, otherwise queer, autistic, disabled, chronically ill and/or mentally ill.

Nine Laws: Allosexual Aromantic Fairy Tales

Luck of the Ball: A Nine Laws Novelette cover by K. A. Cook. Cover features scenery of trees at night against a grey stone wall, candlelit lanterns hanging from the branches. Grass and vines grow in the foreground. Text is set in a white, slightly-curving serif type; white curlicues matching the text, set in each corner, form a broken frame around the text.
Bones of Green and Hearts of Gold: A Nine Laws Short Story cover by K. A. Cook. Cover features scenery of a dense forest of green and orange leafed/autumnal trees, the ground underneath covered by branches and thick patches of green ivy. Text is set in a white, slightly-curving serif type; white curlicues matching the text, set in each corner, form a broken frame around the text.

Mara and Esher Hill: A Marchverse Series

Cover image for The Sorcerous Compendium of Postmortem Query: A Marchverse Short Story by K. A. Cook. Cover shows a cemetery at night, with various tombstones in the foreground, surrounded by grassy rises and green bushes, with a tumbledown stone fence and trees in the background. A lit candle sits on the ground at the front of the cover, showing a glow of orange light illuminating grass and part of a tree branch. Cover and author credit are written in a white, fantasy-style text, the type bright against the dark sky and shadowed leaves.
Cover image for Those With More (and Other Suki Stories) by K. A. Cook. Cover shows a garden growing against a grey stone wall, with trees and blue sky visible behind it. Garden includes several layers of beds filled with palms, ferns and yellow and red orchids. The foreground shows a green lawn with a moss-covered tree-trunk and two translucent blue mushrooms. Title and author credit are written in a white, fantasy-style text.
Cover image for The Mundane Progression of Premortem Colloquy: A Marchverse Short Story by K. A. Cook. Cover shows a cemetery in daylight with various tombstones in the foreground, surrounded by grassy rises and green bushes, with a tumbledown stone fence and trees in the background. A picnic basket sits on the grass at the front, filled with bottles, vegetables and a purple flower. Cover and author credit are written in a white, fantasy-style text.
Cover of Love is the Reckoning: A Marchverse Novelette by K. A. Cook. Cover shows a cartoony-styled indoors tavern scene with a lot of different brown wood textures: wood panelling on the walls, wood floor, a square wood window frame, a crooked wooden table in the centre of the image and a wooden stool and a wooden barrel sitting in front of it. A candle stub sits on the window frame, looking out to dark green trees against a star-lit sky. The table bears beer glasses, a green wine bottle, a brown bottle of spirits, orange liquid in a glass, a plate of biscuits and a plate bearing a wedge of yellow cheese with red rind. A wooden log rests against one side of the window frame, an unsheathed longsword against the other, and a sack sits against the wall underneath the table. A cage bearing a twisted, vine-style plant sits in the top right-hand corner, above the table. Text is written in a white, handdrawn, fantasy-style type.
Cover image for What Makes Us Human: A Marchverse Short Story by K. A. Cook. Cover shows an archway set into a stone wall, the wall covered by a dull green creeper. A small peach sphere of light glows underneath part of the creeper at the top of the archway. Inside the archway is another stone wall behind a courtyard comprised of a few rocks, two spindly trees and a striped purple cushion. Title and author credit are written in a white, fantasy-style text, the type bright against the grey background.

Kit and Amelia March: A Marchverse Series

Cover image for Ringbound by K. A. Cook. Cover shows an eight-pane window set into a cream brick wall above a stone and wood table or bench, with various items sitting on the table--candles in vases, bottles, a large shell, a white vase filled with flowers, two gold rings propped against the vase. The text is written in brown fantasy-style handdrawn type. Through the window, scrubby green trees and a blue-green sky is visible. The subtitle "a kit march short story" is written in white handdrawn type.
Cover image for Absence of Language by K. A. Cook. Cover shows a red brick wall behind a wooden step, a red curtain covering half the wall, with a small wooden bench sitting on step. A chair, a hat and a squarish bag sit in the foreground of the image and a fabric banner hangs on the wall in the background. An assortment of coins and buttons litter the floor, and two yellow roses are shown floating inside clear bubbles. The scene looks like a magician's performance area or stage. The subtitle "a kit march short story" is written in white handdrawn type.
Cover image for K. A. Cook's "Old Fashioned: an Amelia March Story". Cover has a vector image cartoony style picture of a bedroom with rough-made furniture--bed, stool, chest of drawers, a shelf. Magical items like bone amulets, glowing mushrooms and spell bottles are hanging from or sitting on the shelf. The title and author credit are written in red and white handwritten type.

Efe and Darius: A Marchverse Series

Cover image of “Certain Eldritch Artefacts” by K. A. Cook. Cover image shows a cartoony, stylised vector image scene of a market scene with hanging peppers and fabric above the text and rows of corked potion bottles sitting on a wooden counter display surrounded by vegetables and sacks. Title and author name are written in a dark brown handdrawn type.
Cover image for Love in the House of the Ravens by K. A. Cook. Cover shows a wooden bed set against a stone wall, with filmy curtains draped over the wall and bed. A translucent room divider is set off to the side, with a chest and boxes visible through it. The subtitle "a marchverse short story" is written in white handdrawn type. Title and author text is written in brown handdrawn type.
Cover image for The Adventurer King by K. A. Cook. Cover features a red leather-bound journal sitting on a wood panel background, like that of a tabletop or floor, with the text sitting on top of the book image in a gold fantasy-style handdrawn type. Objects sit on top of the book cover: a blue pen with a gold nib dripping ink, a screwed-up piece of white paper, a cream scroll with a green seal, a cream and silver compass, and a piece of rope. A grey single-edged sword blade sits underneath the book, and black handdrawn type atop the blade reads "an efe and darius story". The images have a cartoony, vectory feel.

The Eagle Court: A Marchverse Series

Cover image of "Their Courts of Crows: A Tale of the Eagle Court" by K. A. Cook. Cover has a waterstained paper background with grey line drawings of a crow sitting on a branch, a tree, three falling dandelion seeds, a feather and an arrow, with the title written in alternating serif and handdrawn type. The effect is something like a sketch in an antique journal.
"A Prince of the Dead: A Tale of the Eagle Court" by K. A. Cook. Cover has a waterstained paper background with grey line drawings of a sparrow sitting on a branch, a knife, a falling dandelion seed, two leaves and an arrow, with the title written in alternating serif and handdrawn type. The effect is something like a sketch in an antique journal.
Cover image of The King of Gears and Bone by K. A. Cook. Cover has a waterstained paper background with grey line drawings of the bones of a human hand and wrist, a head of wheat, an acorn, a small dandelion head, a long-legged wire-haired dog and an arrow, with the title written in alternating serif and handdrawn type. The effect is something like a sketch in an antique journal.

Aromantic Short Story Collections

Cover image for Hallo, Aro: Allosexual Aromantic Flash Fiction by K. A. Cook. Cover features black handwritten type on a mottled light green background. Cartoon images of arrows--in four different styles--sit in diagonal rows across the cover, the fletching and shafts coloured in the stripes of the green/light green/white/yellow/gold allosexual aromantic pride flag.
Cover image for When Quiver Meets Quill: Collected Aromantic Fiction by K. A. Cook. Cover features black handwritten type on a mottled mustard background. Cartoon images of arrows--in four different styles--sit in diagonal rows across the cover, the fletching and shafts coloured in the stripes of the green/light green/white/grey/black aromantic pride flag.
Cover image for Bones of Green and Hearts of Gold: Non-Asexual Aromantic Stories by K. A. Cook. Cover features black handwritten type on a mottled light blue background. Cartoon images of arrows--in four different styles--sit in diagonal rows across the cover, the fletching and shafts coloured in the stripes of the green/light green/white/yellow/gold allosexual aromantic pride flag.

K. A. Cook is an abrosexual, aromantic, agender autistic who experiences chronic pain and mental illness. Ze writes creative non-fiction, personal essays and fiction about the above on the philosophy that if the universe is going to make life interesting, ze may as well make interesting art. You can find hir blogging at Aro Worlds and running the Tumblr accounts @aroworlds and @alloaroworlds.

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