Allo-Aro Fiction

These are all my complete and in-progress works featuring allosexual-aromantic narrating protagonists. Most of these pieces are available as free reads, but One Strange Man and Different in Other Ways are currently subscriber exclusives on Patreon.

It’s worth noting that my protagonists are like to be various combinations of trans, non-binary, multisexual, disabled and autistic.

Hallo, Aro

Cover image for Hallo, Aro: Allosexual Aromantic Flash Fiction by K. A. Cook. Cover features dark pink handwritten type on a mottled green background with a large line-drawn peacock feather, several sketch-style leaves and swirly text dividers. Green arrows sit underneath each line of text.Is it “aay-romantic” or “arrow-mantic”? What if she hears “I’m a romantic” instead of “I’m aromantic”? What if she says “isn’t that just friendship” or “that can’t be real” or, worst of all, “I’m looking for something more”?

Hallo, Aro is a series of flash fiction stories about allosexual aromantic characters navigating friendship, sexual attraction, aromanticism and the weight of amatonormative expectation.

Contains: Dragons, a duchess’s daughter, an autistic who collects pride merch, odd voyages into creative non-fiction, allo-aro werewolves, the power in aromantic discovery and a whole lot of allo-aro feels and experiences.

What if it Isn’t

Cover for "What If It Isn't" by K. A. Cook. Cover shows a colourful pastel fractal/dripping-glass style background, predominantly peach-orange and light blue. The title text, in black serif and antique handdrawn-style type, is framed by three black curlicues. A fourth curlicue borders the author credit at the bottom of the cover and a fifth forms a frame at the top.What if her love is a dull, flickering, rare thing, so insubstantial it makes better sense to disregard it as meaningful? What if her love is quiet and companionate at best while Keiko loves with fairytale passion, a woman who wants and needs to be wanted?

Pretending to be girlfriends while casing an art gallery with Keiko shouldn’t be a problem, but once Jessie realises things have gotten a little too real in the façade they’re showing to the world, the only thing to do is ask.

Contains: A stand-alone, fluffy, contemporary short story about a greyromantic autistic and the beginnings of a QPR.

The Vampire Conundrum

Cover image for When Quiver Meets Quill: Collected Aromantic Fiction by K. A. Cook. Cover depicts a frame border in the stripes of the aromantic pride flag against a mottled green background, title text arranged around images of pencils and feathers. Text is in black handdrawn type outlined in different shades of greens, greys and whites.When Rowan Ross is pressured into placing an aromantic pride mug on his desk, he doesn’t know how to react when his co-workers don’t notice it. Don’t they realise he spent a weekend rehearsing answers for questions unasked? Then again, if nobody knows what aromanticism is, can’t he display a growing collection of pride merch without a repeat of his coming out as trans? Be visible with impunity through their ignorance?

He can endure their thinking him a fan of archery, comic-book superheroes and glittery vampire movies. It’s not like anyone in the office is an archer. (Are they?) But when a patch on his bag results in a massive misconception, correcting it means doing the one thing he most fears: making a scene.

After all, his name isn’t Aro.

Contains: One trans, bisexual frayromantic alongside an office of well-meaning cis co-workers who think they’re being supportive and inclusive.

The Pride Conspiracy

Cover image for When Quiver Meets Quill: Collected Aromantic Fiction by K. A. Cook. Cover depicts a frame border in the stripes of the aromantic pride flag against a mottled green background, title text arranged around images of pencils and feathers. Text is in black handdrawn type outlined in different shades of greens, greys and whites.December isn’t the best time of year for a trans aromantic like Rowan Ross, although—unlike his relatives—his co-workers probably won’t give him gift cards to women’s clothing shops. How does he explain to cis people that while golf balls don’t trigger his dysphoria, he wants to be seen as more than a masculine stereotype? Nonetheless, he thinks he has this teeth-gritted endurance thing figured out: cissexism means he needn’t fear his relatives asking him about dating, and he has the perfect idea for Melanie in the office gift exchange. He can survive gifts and kin, right? Isn’t playing along with expectation better than enduring unexpected consequences?

Rowan, however, isn’t the only aromantic in the office planning to surprise a co-worker. To survive the onslaught of ribbon and cellophane, Rowan’s going to have to get comfortable with embracing the unknown.

Contains: A trans allo-frayro trying to grit his teeth through the holidays, scheming aro co-workers, a whole lot of cross-stitch, another moment of aromantic discovery, and many, many mugs.

The Sorcerous Compendium of Postmortem Query

Cover image for The Sorcerous Compendium of Postmortem Query: A Marchverse Short Story by K. A. Cook. Cover shows a cemetery at night, with various tombstones in the foreground, surrounded by grassy rises and green bushes, with a tumbledown stone fence and trees in the background. A lit candle sits on the ground at the front of the cover, showing a glow of orange light illuminating grass and part of a tree branch. Cover and author credit are written in a white, fantasy-style text, the type bright against the dark sky and shadowed leaves.Necromancer Mara Hill has waited weeks for the Thinning: the one night the dead walk freely amongst the living. Her wandering great-aunt, Rosie, was wise in the way of magic and the world, and Mara knows of none other to ask. Books and magic alike haven’t restored her fading love, and Benjamin Lisabet is too wonderful to risk losing. Why can’t Mara keep herself from falling out of love whenever the girl she yearns for dares love her back?

She’s sure that Aunt Rosie’s spirit will offer up needed advice. She just doesn’t expect a deluge of deceased villagers set on unravelling everything Mara knows about what it means to love and be in love.

Contains: A sapphic, lithromantic trans witch fearing her shape of love; a bisexual aunt who adores girls; an aro-ace trans brother armed with pokers; a wealth of casual queerness; and a world learning to be bold about its own diverse aromanticism.

The Mundane Progression of Premortem Colloquy

Cover image for The Mundane Progression of Premortem Colloquy: A Marchverse Short Story by K. A. Cook. Cover shows a cemetery in daylight with various tombstones in the foreground, surrounded by grassy rises and green bushes, with a tumbledown stone fence and trees in the background. A picnic basket sits on the grass at the front, filled with bottles, vegetables and a purple flower. Cover and author credit are written in a white, fantasy-style text.After a night of revelations to her dead aunt Rosie and her living brother Esher, Mara Hill must dare another with Benjamin Lisbet. If she’s truly the woman Mara hopes, surely Benjamin will be receptive to a conversation of the “I love you and want to be with you, just not romantically” sort? Surely this afternoon won’t stray beyond Mara’s preparations of a picnic basket, chives, rehearsed speeches and less-rumpled clothing?

Yet her months of searching for magic to refresh her fading love means there’s too much she doesn’t know about Benjamin. Too much Mara needs to know to hold this conversation without losing Benjamin’s friendship.

Mara thought speaking of her fading love under cover of dark difficult enough … but speaking of romance in daylight is another challenge entirely.

Contains: A sapphic, lithromantic trans witch making a misstep in the quest to build a love that honours her nature; an autistic, idemromantic schoolmarm with coeliac revealing her struggles in building romantic relationships with allistic women; and a conversation concluding in utterances of the word “when”.

Those With More

Cover image for Those With More (and Other Suki Stories) by K. A. Cook. Cover shows a garden growing against a grey stone wall, with trees and blue sky visible behind it. Garden includes several layers of beds filled with palms, ferns and yellow and red orchids. The foreground shows a green lawn with a moss-covered tree-trunk and two translucent blue mushrooms. Cover and author credit are written in a white, fantasy-style text.Suki Lewis has always known what she wants—or, more correctly, what she doesn’t want. She also knows that a good woman of Freehome, deserving of her mother’s uncritical love, wants something she can’t fathom or mimic: a stable, lasting romantic relationship.

She can’t safely stay, but leaving means surviving the challenges of priesthood, her mother’s abuse and the belated finding of a name for her differences: allosexual aromanticism.

Those With More collects four stories showing Suki’s lifetime navigation of her belief, family, community and identity.

Contains: The adventures of a sharp-tongued trans, aromantic protagonist navigating other people in exploring allosexual aromanticism, her priesthood and the pressures of amatonormativity, love, emotional abuse and family.

Love Spells, Rainbows and Rosie

Cover of Love Spells, Rainbows and Rosie: A Marchverse Short Story by K. A. Cook. Cover shows a wooden door set into a wooden wall with a paper sign on the front reading Mara Hill, Witch. Stones, bones and feathers tied to string dangle over the top of the door, along with a creeping vine, and two potted plants sit on either side of a wooden doorstep--white daisies in a bag and orange roses in a brown pot. A straw broom rests propped against one side of the door and a piece of torn paper reading Absolutely No Love Spells sits on the step. Text is written in a white, handdrawn, fantasy-style type.Lovers’ Day is good trading for a witch who deals in enchantments, ribbons and dyed flowers. For Mara Hill, it’s long been a holiday of tedious assumptions and painful conversations–once best handled by casting petty curses on annoying customers. This year, when a girl asks about love spells, it may be time to instead channel a little Aunt Rosie.

Contains: A sapphic, allosexual, lithromantic trans witch enduring the most amatonormative holiday extant–in a small town still in want of open conversations about aromanticism.

Ringbound

Cover image for Ringbound by K. A. Cook. Cover shows an eight-pane window set into a cream brick wall above a stone and wood table or bench, with various items sitting on the table--candles in vases, bottles, a large shell, a white vase filled with flowers, two gold rings propped against the vase. The text is written in brown fantasy-style handdrawn type. Through the window, scrubby green trees and a blue-green sky is visible. The subtitle "a kit march short story" is written in white handdrawn type.If Kit can’t find anything unfair about the contract or the man, why is the ring so heavy?

Kit March is a signature away from marrying the man who loves him. He should be delighted, but for reasons he doesn’t understand and can’t explain, his future with Lauri weighs upon him. What is a magician to do when no script extant has words for the confusion he feels?

Contains: A gay, transgender, aromantic autistic struggling with the difficulty of wedding the gay, cis man who loves him.

Absence of Language

Cover image for Absence of Language by K. A. Cook. Cover shows a red brick wall behind a wooden step, a red curtain covering half the wall, with a small wooden bench sitting on step. A chair, a hat and a squarish bag sit in the foreground of the image and a fabric banner hangs on the wall in the background. An assortment of coins and buttons litter the floor, and two yellow roses are shown floating inside clear bubbles. The scene looks like a magician's performance area or stage. The subtitle "a kit march short story" is written in white handdrawn type.Four months ago, Kit March abandoned his fiancé without even a note of explanation for a deserving man.

Leaving Lauri should have freed him from the pressures of romantic expectation, so how does a talented magician end up performing flash magic for buttons and hairpins in Raugue’s worst tavern? Kit doesn’t know and doesn’t care, as long as he can keep drowning guilt in beer and spellworking. As long as he can keep not thinking!

When a stranger offers the word “aromantic” followed by an opportunity to join a dangerous quest to the Gast, Kit may have more distraction than he can survive—and more comprehension than he can navigate.

Contains: A transgender, allo-aro gay man riddled with guilt for fleeing his fiancé; an aro-ace man offering the gift of language; and the prospect of a journey to a place that will forever change Kit and his new companion.

Love in the House of the Ravens

Cover image for Bones, Belts and Bewitchments: A Marchverse Collection by K. A. Cook. Cover shows the opening to an unlit cave in a face of grey rock, covered in parts by trailing branches, vines and leaves. Barren trees grow around the cave entrance and white and broken bones rest around and inside the opening. Title and author credit are written in a white, fantasy-style text.After seven years in Rajad, Darius has fallen out of love with the unattainable and failed to fall in love with the companionate. When the right person offers a romantic relationship and he doesn’t understand why yes won’t grace his tongue, the only thing an autistic man can do is ask the Ravens–and hope he can survive the word they give him in return.

Love in the House of the Ravens is a story about what it means to be aromantic when one is also autistic and the world isn’t accepting of either.

Contains: An unknowing aromantic who isn’t prepared for his friends’ conclusion about his identity; a verbose eldritch entity stuffed in a saddlebag; an alloromantic trans man who will always be there for his queerplatonic partner; lots of casual polyamory; and some of the many ways autism impacts conversation and connection.

More info: A novelette about the problems of being aromantic and autistic both set between the (less aromantic, just as autistic) books Certain Eldritch Artefacts and The Adventurer King.

One Strange Man

Cover of One Strange Man: A Marchverse Short Story by K. A. Cook. Cover shows a wooden door, bolted shut, set into a stone wall, with dangling ivy and climbing roses obscuring the wall and part of the door. The ground in front of the door is brown earth and has a thin-bladed green bush growing in front of it. A glowing white marble sits on the earth by the base of one of the roses on the bottom left-hand side of cover. Text is written in a white, handdrawn, fantasy-style type.How can the want for another person make an intelligent man gift something so precious?

When Akash’s former lover refuses to return a family heirloom, Darius knows only one way to help his mate—even if it means ignoring several laws in the process. The magic he mastered in surviving the College and the mercenaries has surprising utility in the art of larceny, at least once he gets past the stomach-knotting anxiety. When Darius makes the mistake of asking Akash why, however, getting caught in a stranger’s third-floor bedroom seems like nothing compared to comprehending the mysteries of romance and friendship.

Contains: A trans, abrosexual, aromantic autistic breaking the rules for the friends he loves; a queer alloromantic trans man and a pansexual, aromantic genderqueer in a QPR; and an acceptance borne from a midnight flight through the streets of Rajad.

More info: A sequel on the subject of aromantic acceptance to Love in the House of the Ravens.

The Adventurer King

Cover image for The Adventurer King by K. A. Cook. Cover features a red leather-bound journal sitting on a wood panel background, like that of a tabletop or floor, with the text sitting on top of the book image in a gold fantasy-style handdrawn type. Objects sit on top of the book cover: a blue pen with a gold nib dripping ink, a screwed-up piece of white paper, a cream scroll with a green seal, a cream and silver compass, and a piece of rope. A grey single-edged sword blade sits underneath the book, and black handdrawn type atop the blade reads "an efe and darius story". The images have a cartoony, vectory feel.Seven years ago, Darius Liviu met a talking sword belt in the Great Souk, an eldritch being who changed his life forever. In that time, he has learnt something of the sword, mastered strange magic and survived dangerous jobs, but while he has friends in Rajad, he still feels out of place—too divergent to be welcomed and accepted as mercenary and magician.

When an unexpected meeting with potential employers goes wrong, his first instinct is to flee. But a wandering monarch, Efe Kadri, has an offer that might provide the certainty for which Darius has been searching, if only he has the courage to say yes…

Contains: A trans, abrosexual, autistic magician who comes out as aromantic to a terrifying eldritch entity; a cis, bisexual, allistic king who can’t be simply identified as ally or enemy; and the beginning of a quest that will likely end in chaos and magic.

Catch a Man (Have the Girl)

Yuissa is the only partner Adelin wants, but survival in Ihrne requires both girls to keep secret their truth. No matter: they’re only a year away from having coin enough to escape to a cottage in Greenstone, a paradise of vegetable gardens, rescued cats and unrestrained affection. They can survive anything until then, right? Yet when Adelin’s worried mother and grandmother plot to solve Adelin’s unwed state by forcing her to court a male acquaintance, Yuissa thinks a beard the only answer.

Contains: A cis, sapphic, probably-demiromantic shopgirl defying restrictive notions of good; a cis, bisexual, autistic shopgirl defying restrictive notions of abled; two older cishet women enduring and perpetrating misogyny; and a promise of a future possessed of a goodly number of cats.

Different in Other Ways

Nevolin ein Yinne sells books, curses low ceilings, promises his father that he won’t get himself killed and looks a little too hard at pretty men. Men he wants to date, men he can’t date, men–even in Ihrne’s queer underground–who expect a comprehension of romance he doesn’t possess.

Harper Mitzin Seili serves dishes, never removes his gloves, promises his mother that he won’t get himself killed and has no idea how to comprehend an interest in people that won’t stop changing. An interest bordering on irrelevant while he keeps secret the nature of his masculinity.

Nevo isn’t good at pretending to be straight.

Harper isn’t good at pretending to be unremarkable.

Different in Other Ways is a series of sketches and vignettes, prequels to The Eagle Court, about gender, abrosexuality, quoiromanticism, customer service, working-class queerness and friendship.

Contains: An abrosexual trans man with porokeratosis who gives the scaly middle finger to passing; a quoiromantic cis man struggling with the limitations of the small-minded; two parents prone to justified anxiety; and an Iteme prince in disguise.

Their Courts of Crows

Cover image of "Their Courts of Crows: A Tale of the Eagle Court" by K. A. Cook. Cover has a waterstained paper background with grey line drawings of a crow sitting on a branch, a tree, three falling dandelion seeds, a feather and an arrow, with the title written in alternating serif and handdrawn type. The effect is something like a sketch in an antique journal.The best he can find is ugly compromise.

Prince Paide ein Iteme has lost his father, his family, his people and his home to a conquering necromancer queen and her armies of the risen dead. A last horrific battle sees him forced to discuss surrender, but that conversation is no small amount complicated when said conquering necromancer is his mother. Who might not have been entirely wrong in her overthrow of Paide’s father…

Contains: A cis, pansexual, allistic prince fighting a war on which there’s no right side; a cis necromancer queen summoning the dead for her trans son; and a surrender that doesn’t exactly have a happy ending.

More info: Paide doesn’t here mention his aromanticism, but he does refer to it–without yet using the word–in the following book (below).

A Prince of the Dead

"A Prince of the Dead: A Tale of the Eagle Court" by K. A. Cook. Cover has a waterstained paper background with grey line drawings of a sparrow sitting on a branch, a knife, a falling dandelion seed, two leaves and an arrow, with the title written in alternating serif and handdrawn type. The effect is something like a sketch in an antique journal.Too alive to die and too dead to live.

Bones interred under the palace, gold given to field-ravaged farmers and Parliament dallying over amendments: war is ended for Prince-Regent Paide ein Iteme. Or so it should be, but returning home to Ihrne in a broken body ensorcelled by a necromancer leaves Paide struggling with politicians who ignore him and servants who condescend to him. What good is a title and purpose when his words and desires have become meaningless to those around him?

Surviving the dismissal of the Eagle Court is harder than facing an army of shambling corpses. How does a dead soldier fight it when he no longer wishes to live?

Contains: A cis, allistic, pansexual, aromantic prince occupying an unnatural position between life and death; an allistic, trans general doing her best to offer solutions and friendship; and a goodly amount of the ableism one faces as a disabled man in an ableist court.

More info: The Hallo, Aro story Loveless takes place several hours after A Prince of the Dead and before The King of Gears and Bone.

K. A. Cook is an abrosexual, aromantic, agender autistic who experiences chronic pain and mental illness. Ze writes creative non-fiction, personal essays and fiction about the above on the philosophy that if the universe is going to make life interesting, ze may as well make interesting art. You can find hir blogging at Aro Worlds and running the Tumblr accounts @aroworlds and @alloaroworlds.

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